The ‘elsewhereness’ of post-genre: utilising playfulness of cross-genre references as a compositional device
Cutler, Joe (2020) The ‘elsewhereness’ of post-genre: utilising playfulness of cross-genre references as a compositional device. Research Catalogue.
Full text not available from this repository.Abstract
This set of three works individually and collectively examine the ‘elsewhereness’ of post-genre composition. Through this research, I seek to develop a hybrid compositional aesthetic through the absorption, integration and referencing of a highly personal set of ‘influences’, many from outside the sphere of classical music. A fundamental concern is the examination of the role of ‘compositional play’ or ‘playfulness’ in unifying a multi-faceted compositional language. This is often manifested through intertextuality and the juxtaposition of diverse elements that are made to function at a structural or conceptual level.
Through practice-based research, I obfuscate notions of genre, performance practice and content. Using the referencing of other musics as a compositional tool, I identify playfulness as a filter through which models of influence are transformed into something personal in an attempt to define what post-genre means to a 21st century composer. On a meta-structural level, reference becomes a parameter in its own right.
Item Type: | Other | ||||
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Identification Number: | https://doi.org/10.22501/rc.1079599 | ||||
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Subjects: | CAH25 - design, and creative and performing arts > CAH25-02 - performing arts > CAH25-02-02 - music | ||||
Divisions: | Faculty of Arts, Design and Media > Royal Birmingham Conservatoire | ||||
Depositing User: | Andrew Ingamells | ||||
Date Deposited: | 11 Feb 2021 10:15 | ||||
Last Modified: | 12 Jan 2022 16:53 | ||||
URI: | https://www.open-access.bcu.ac.uk/id/eprint/10907 |
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