for-Wards: Curating a Hyperlocal Compositional Methodological Framework
Gardner, Bobbie-Jane (2020) for-Wards: Curating a Hyperlocal Compositional Methodological Framework. Research Catalogue.
Full text not available from this repository.Abstract
In this exposition, I present the curatorial methods I devised to create a hyperlocal compositional methodology used in the research project, for-Wards. for-Wards is a two-year citywide music programme involving a large-scale artistic partnership to co-create new music within and about forty Birmingham wards.
The curated hyperlocal methodological framework I constructed was used to support the creation of hyperlocal musical works. I use the term ‘hyperlocal’ which is borrowed from the realm of citizen journalism. It infers community-produced news that is extremely localised. Hyperlocal is concerned with events and stories within a specific geographic community (Radcliffe 2012).
| Item Type: | Other | ||||
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| Identification Number: | https://doi.org/10.22501/rc.892460 | ||||
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| Subjects: | CAH25 - design, and creative and performing arts > CAH25-02 - performing arts > CAH25-02-02 - music | ||||
| Divisions: | Faculty of Arts, Design and Media > Royal Birmingham Conservatoire | ||||
| Depositing User: | Andrew Ingamells | ||||
| Date Deposited: | 11 Feb 2021 10:19 | ||||
| Last Modified: | 12 Jan 2022 16:53 | ||||
| URI: | https://www.open-access.bcu.ac.uk/id/eprint/10908 |
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