Comparing Notes: Recording and Criticism
Dingle, Christopher (2019) Comparing Notes: Recording and Criticism. In: The Cambridge History of Music Criticism. Cambridge University Press, Cambridge, pp. 249-271. ISBN 9781107037892
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Abstract
This chapter charts the ways in which recording has changed the nature of music criticism. It both provides an overview of the history of recording and music criticism, from the advent of Edison’s Phonograph to the present day, and examines the issues arising from this new technology and the consequent transformation of critical thought and practice.
| Item Type: | Book Section | ||||||
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| Identification Number: | https://doi.org/10.1017/9781139795425.014 | ||||||
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| Subjects: | CAH25 - design, and creative and performing arts > CAH25-02 - performing arts > CAH25-02-02 - music | ||||||
| Divisions: | Faculty of Arts, Design and Media > Royal Birmingham Conservatoire | ||||||
| Depositing User: | Christopher Dingle | ||||||
| Date Deposited: | 08 Jul 2019 10:20 | ||||||
| Last Modified: | 12 Jan 2022 16:53 | ||||||
| URI: | https://www.open-access.bcu.ac.uk/id/eprint/7712 |
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