Musical Discourse in Italy, 1500-1800
Churnside, Carrie (2019) Musical Discourse in Italy, 1500-1800. In: The Cambridge History of Music Criticism. Cambridge University Press, Cambridge, pp. 42-61. ISBN 9781139795425
![[img]](/style/images/fileicons/text.png) |
Text (Link to website with list of contents)
26C6C7971F39BE15EA1D9ADC729E1828 - Cover Image Download (917kB) |
Official URL: https://www.cambridge.org/core/books/cambridge-his...
Abstract
The Cambridge History of Music Criticism is the first study of music criticism on this scale, and is intended to become the standard reference work in this growing area of investigation. My chapter considers musical discourse in Italy between 1500-1800. It surveys writings on music in various different guises, including a discussion of previously-neglected musical correspondence and summarises the beginning of 'true' music criticism towards the end of the period.
| Item Type: | Book Section | ||||
|---|---|---|---|---|---|
| Dates: |
|
||||
| Uncontrolled Keywords: | Music criticism, Italy, 1500-1800 | ||||
| Subjects: | CAH25 - design, and creative and performing arts > CAH25-02 - performing arts > CAH25-02-02 - music | ||||
| Divisions: | Faculty of Arts, Design and Media > Royal Birmingham Conservatoire | ||||
| Depositing User: | Carrie Churnside | ||||
| Date Deposited: | 31 Oct 2019 09:10 | ||||
| Last Modified: | 12 Jan 2022 16:54 | ||||
| URI: | https://www.open-access.bcu.ac.uk/id/eprint/8253 |
Actions (login required)
 |
View Item |
Tools
Tools
Tools
CORE (COnnecting REpositories)