Messiaen as Pianist: A Romantic in a Modernist World
Dingle, Christopher (2014) Messiaen as Pianist: A Romantic in a Modernist World. In: Perspectives on the Performance of French Piano Music. Ashgate, Farnham, pp. 29-50. ISBN 9781409400646
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Abstract
Scholars or performers might view the study of musical performance, whether live or recorded, as the exploration of creative confusion. such an investigation feeds off the gap between the information provided by the composer (principally, though not exclusively, through the score) and the performer’s understanding of what is and is not conveyed explicitly and implicitly by that information. We might rationally think that such a gap would not exist when the composer and the performer are the same individual. still, while every case differs, the gap can often appear to become a yawning chasm for composer-performers.
| Item Type: | Book Section | ||||
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| Additional Information: | The book is supported by a website with audio examples: http://frenchpianomusic.com, | ||||
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| Subjects: | CAH25 - design, and creative and performing arts > CAH25-02 - performing arts > CAH25-02-02 - music | ||||
| Divisions: | Faculty of Arts, Design and Media > Royal Birmingham Conservatoire | ||||
| Depositing User: | Christopher Dingle | ||||
| Date Deposited: | 03 Dec 2018 13:06 | ||||
| Last Modified: | 12 Jan 2022 16:54 | ||||
| URI: | https://www.open-access.bcu.ac.uk/id/eprint/6614 |
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Messiaen as Pianist: A Romantic in a Modernist World. (deposited 17 Dec 2017 21:15)
- Messiaen as Pianist: A Romantic in a Modernist World. (deposited 03 Dec 2018 13:06) [Currently Displayed]
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