Items where Division is "Faculty of Arts, Design and Media > Royal Birmingham Conservatoire" and Year is 2020

B

Bain, Andrew (2020) (no)boundaries: a study in free improvisation. Research Catalogue.

C

Clancy, Seán (2020) Translation as a compositional strategy. Research Catalogue.

Clancy, Seán and Ingamells, Andy (2020) Composition as devised collaboration. Research Catalogue.

Coccioli, Lamberto (2020) From culture to nature and back. A personal journey through the soundscapes of Colombia. Journal of Sonic Studies, 19. ISSN 2212–6252

Cutler, Joe (2020) Hawaii Hawaii Hawaii. [Audio]

Cutler, Joe (2020) The ‘elsewhereness’ of post-genre: utilising playfulness of cross-genre references as a compositional device. Research Catalogue.

D

Dean, Jeffrey (2020) Tinctoris’s Reading Practice: De inventione et usu musice and his Greek Authorities. Johannes Tinctoris and Music Theory in the Late Fifteenth Century.

Di Donato, Balandino and Dooley, James and Coccioli, Lamberto (2020) HarpCI, empowering performers to control and transform harp sounds in live performance. Contemporary Music Review, 38 (6). pp. 667-686. ISSN 0749-4467

Dingle, Christopher (2020) Éclairs sur l’Au-Delà…Messiaen’s career after his final work. In: Le grand âge et ses oeuvres ultimes. Presses Universitaires de Rennes, Rennes, pp. 129-139. ISBN 978-2-7535-7769-5

Dingle, Christopher and Anderson, Julian (2020) Julian Anderson: Dialogues on Listening, Composing and Culture. Boydell & Brewer, Martlesham, Suffolk. ISBN 9781783274987

Dundjerović, Aleksandar Sasha (2020) Macbeth Projeto. Research Catalogue.

E

Eriksson, Johan (2020) Automatonism: towards dynamic macro-structure in generative music for modular synthesisers. Doctoral thesis, Birmingham City University.

F

Fletcher, Michael (2020) What can everyday aesthetics teach us about jazz practice? Jazz Research Journal, 13 (1&2). ISSN 1753-8637

G

Gardner, Bobbie-Jane (2020) for-Wards: Curating a Hyperlocal Compositional Methodological Framework. Research Catalogue.

Goursaud, Christian (2020) Adventures in Time: Working at the Limits of Music Notation. Arts and Minds.

Goursaud, Christian (2020) Lunchtime Recital: Antoine Busnoys: Missa L'homme armé. [Performance] (Unpublished)

Goursaud, Christian (2020) Playing With Historical Time. Early Music, 48 (1). ISSN 0306-1078

Goursaud, Christian (2020) The Production and History of Valencia 835. Johannes Tinctoris and Music Theory in the Late Fifteenth Century: Essays and Studies.

Granieri, Niccolo (2020) Augmenting the experience of playing the piano: controlling audio processing through ancillary gestures. Doctoral thesis, Birmingham City University.

H

Hudson, Polly (2020) Choreographic Process and Skinner Releasing Technique. Research Catalogue.

Hunt, Edmund (2020) Birmingham Contemporary Music Group, CBSO Centre, Birmingham. Causton, Usui, Žuraj, Saunders. 15 December, 2019. Tempo, 74 (293). pp. 86-88. ISSN 0040-2982

Hunt, Edmund (2020) Chaya Czernowin, Heart Chamber, Deutsche Oper Berlin, 15 November 2019. Tempo, 74 (292). pp. 81-82. ISSN 0040-2982

Hunt, Edmund (2020) Composition as Commentary: Voice and Poetry in Electroacoustic Music. Journal for Artistic Research. ISSN 2235-0225

Hunt, Edmund (2020) Michael Finnissy: Pious Anthems and Voluntaries, The Choir of St John’s College, Nethsingha , Dempsey, Anderson-Besant, O’Flynn, Ward. Signum Classics, SIGCD624. Tempo, 75 (295). pp. 108-109. ISSN 0040-2982

I

Ingamells, Andy (2020) Drawings for 'Levitas, Gravitas and High Intensity Interval Training for Sharon d’Aire'. [Artefact]

Ingamells, Andy (2020) Every time we touch – Apartment House at the Petting Zoo. The Sampler.

Ingamells, Andy (2020) Performing the compositional act with bouncy castles, soap and shh. Research Catalogue.

Ingamells, Andy (2020) Up Down Left Right. Research Catalogue.

Ingamells, Andy and Verlaak, Maya (2020) Tape Piece. [Audio]

K

Kelly (Clowes), Patricia (2020) Emulsion: a study in improvisation, participation and curation as a compositional process. Doctoral thesis, Birmingham City University.

M

Miyachi, Fumiko and Halsall, Kate (2020) Up, Down, Top, Bottom, Strange, Charm. [Audio]

Mwamba, Corey (2020) Maskings. Research Catalogue.

N

Norman, Paul (2020) Reading as Performance/Reading as Composition. Journal for Artistic Research, 20.

O

O'Gallagher, John (2020) Pitch-Class Set Usage and Development in Late-Period Improvisations of John Coltrane. Jazz Perspectives, 12 (1). pp. 93-121. ISSN 1749-4060

P

Pursglove, Percy (2020) Extending Choral Tradition: New Compositional Language for Generating Improvisational Frameworks. Doctoral thesis, Birmingham City University.

R

Roberts, Helen (2020) Reconstructing Verses by Henry Loosemore and John Coprario. Research Catalogue.

Roberts, Helen (2020) Wind Instruments in Provincial English Cathedrals, c. 1580–c. 1680: Towards a Performance Practice. Doctoral thesis, Birmingham City University.

S

Savan, Jamie (2020) Venice 1629: Exposition of Research. Research Catalogue.

Scarffe, Joe William (2020) Conceptualising Musical Graphic Performance: An Investigative Journey of Self-Reflective Artistic Practice and Autoethnography. Doctoral thesis, Birmingham City University.

Shaw, Luan (2020) From student to professional: recent conservatoire graduates’ experiences of instrumental teaching. British Journal of Music Education, 38 (1). pp. 13-30. ISSN 0265-0517

Skempton, Howard (2020) 24 Prelude and Fugues. [Composition]

Skempton, Howard (2020) The Piano Music of Howard Skempton. [Audio]

Skempton, Howard (2020) Poems of Love and War. [Composition]

Somers, Gareth (2020) 1616: The Secrets and Passions of William Shakespeare. Research Catalogue.

T

Thwaites, John (2020) Johannes Brahms: Historically-Informed Recording of the Piano Quartets. Research Catalogue.

Thwaites, John (2020) Johannes Brahms: Historically-Informed Recording of the Piano Quartets. Research Catalogue, online.

W

Williams, Kathryn and Ingamells, Andy (2020) Private Hire – Kathryn Williams' and Andy Ingamells' latest performance vehicle. The Sampler.

Wolters, Michael (2020) Notions of Queerness as compositional building blocks in "There are more of them than us - a Queer Concerto for 9 Saxophones and Orchestra". Research Catalogue.

Wolters, Michael and Norman, Paul (2020) Catalogue d'Emojis. Research Catalogue.

Wolters, Michael and Norman, Paul (2020) She plays angel music (where people might die). Research Catalogue.

Wynne-Willson, Peter (2020) Orange Polar Bear - a cross-cultural performance piece for teenagers in Seoul and Birmingham. Research Catalogue.