Browse by BCU Staff

Tassie, Benjamin (2024) Renaissance Synthesisers: New Frameworks for Composition and Performance with Early Music Instruments. Doctoral thesis, Birmingham City University.

Hunt, William (2022) From Byrd to Gibbons by way of Hooper: The performance of consort anthems from the golden era with illustrative reference to a critical edition of three anthems by Edmund Hooper. Doctoral thesis, Birmingham City University.

Tong, Daniel (2021) Reinterpreting Beethoven: Contemporary Compositional and Performance Responses to the Violin Sonatas (1798–1812). Doctoral thesis, Birmingham City University.

Savan, Jamie (2020) Venice 1629: Exposition of Research. Research Catalogue.

Savan, Jamie (2019) Amadio Freddi: Vespers (1616). [Audio]

Savan, Jamie (2018) Revoicing a 'choice eunuch': the cornett and historical models of vocality. Early Music, 46 (4). pp. 561-578.

Savan, Jamie (2018) Venice 1629. [Audio]

Savan, Jamie (2016) Unlocking the Mysteries of the Venetian Cornett: ad imitar piu la voce humana. Historic Brass Society Journal, 28. pp. 31-55.