Browse by BCU Staff

Crisp, Simon (2025) Mediating yoga: An exploration of the cultural translation of yoga in the UK through its popular representations (1955-1975). Doctoral thesis, Birmingham City University.

Carter, Oliver (2024) Soho’s ‘other’ film industry: Researching Hidden Screen Economies. Open Screens, 6 (3). ISSN 2516-2888

Hawkes, Ross (2024) The semi-professional journalist: An investigation into the practice and experiences of independent local news journalists. Doctoral thesis, Birmingham City University.

Oliver, Carter (2023) Investigating the Illicit: The material traces of Britain’s early trade in obscene 8mm films. In: Media Materialities: Form, Format and Ephemeral Meaning. Intellect, Bristol, pp. 21-40. ISBN 9781789388176

Stevens, E. Charlotte (2023) Short Take 4: Materialities of Television History. In: Media Materialities: Form, Format, and Ephemeral Meaning. Intellect. ISBN 9781789388176

Sivak, Kateryna (2023) The Informal Screen Media Economy of Ukraine. Doctoral thesis, Birmingham City University.

Carter, Oliver (2023) Pure cheek: the Ben Dover story. Porn Studies. pp. 1-11. ISSN 2326-8743

Mannion, Frank (2023) The Dependent Film Distributor: The Role of Entrepreneurship and the Experiential in the UK and Irish Theatrical Film Sector. Doctoral thesis, Birmingham City University.

Bah, Sulayman (2023) Media Law and Journalism in Post-Colonial Africa - The Case of The Gambia - Regulating Press Freedom: A Political Economy of Journalism in The Gambia. Doctoral thesis, Birmingham City University.

Obia, Vincent (2023) Regulatory Annexation and the Matrix of Dependence: The Regulation of Social Media in Nigeria. Doctoral thesis, Birmingham City University.

Moerken, Christian (2022) The Cultural Value of The Analogue Fiction Book in the Digital Age. Doctoral thesis, Birmingham City University.

Svegaard, Sebastian F. K. (2022) "All the Feels!”: Music, Critique and Affect in Fanmade Music Videos. Doctoral thesis, Birmingham City University.

Carter, Oliver (2022) Satisfaction Guaranteed: Your Choice and the Transnational Distribution of Hardcore Pornography Between the Netherlands and Britain. Enterprise and Society. ISSN 1467-2227

Carter, Oliver (2021) The Watford Blue Movie Trial: Regulating Rollers in 1970s Britain. Porn Studies. ISSN 2326-8743

Carter, Oliver (2018) Original Climax Films: historicizing the British hardcore pornography film business. Porn Studies, 5 (4). pp. 411-425. ISSN 2326-8751

Coley, S. (2018) Freelance Radio Practices: Producing Music Documentaries for Commercial Radio. Doctoral thesis, Birmingham City University.

Igwe, Ezinne (2018) Formalizing Nollywood: Gentrification in the Contemporary Nigerian Film Industry. Doctoral thesis, Birmingham City University.

Carter, Oliver and Barber, Simon (2017) The Dragon Lives Again: Distributing ‘Bruceploitation’ via Home Entertainment. In: Cult Media. Springer, pp. 161-180. ISBN 978-3-319-63678-8

Carter, Oliver and Barber, Simon (2017) The Dragon Lives Again: Distributing ‘Bruceploitation. In: Cult Media: Re-packaged, Re-released and Restored. Palgrave Macmillan, pp. 161-180. ISBN 978-3-319-63678-8

Carter, Oliver (2017) A Labour of Love: Fantrepreneurship in Home Video Media Distribution. In: DVD, Blu-ray and Beyond: Navigating Formats and Platforms within Media Consumption. Palgrave MacMillan, pp. 197-293. ISBN 978-3-319-62757-1

Tsado, Jacob Shaibu (2016) Reporting violence or mediating peace? The Nigerian press and the dilemma of peace building in a democracy. Doctoral thesis, Birmingham City University.

Collins, J. and Carter, Oliver (2015) "They're not pirates, they're archivists": The role of fans as curators and archivists of popular music heritage. In: Preserving Popular Music Heritage: Do-it-Yourself, Do-it-Together. Taylor and Francis Inc., pp. 126-138. ISBN 9781317670742 (ISBN); 9781138781436 (ISBN)

Carter, Oliver (2013) Making European cult cinema: fan production in an alternative economy. Doctoral thesis, Birmingham City University.

Carter, Oliver and Coley, S. (2013) Sound and vision: Radio documentary, fandom, and new participatory cultures. In: The Music Documentary: Acid Rock to Electropop. Taylor and Francis, pp. 55-68. ISBN 9780203118689 (ISBN)