Browse by BCU Staff

Article

Gebhardt, Nicholas (2020) Living with music: departures and returns among early New Orleans jazz musicians. Jazz Research Journal, 13 (1-2). ISSN 1753-8637

Gebhardt, Nicholas (2015) Introduction: Jazz as a collective problem. The Cultural Politics of Jazz Collectives: This Is Our Music. pp. 1-15. ISSN 9781317672715 (ISBN); 9781138780620 (ISBN)

Whyton, Tony and Gebhardt, Nicholas (2015) Preface. The Cultural Politics of Jazz Collectives: This is Our Music. ix-xii. ISSN 9781317672708 (ISBN); 9781138780620 (ISBN)

Whyton, Tony and Gebhardt, Nicholas (2015) Series foreword. The Cultural Politics of Jazz Collectives: This Is Our Music. ISSN 9781317672715 (ISBN); 9781138780620 (ISBN)

Gebhardt, Nicholas (2013) Do you know what it means to miss New Orleans? Historical metaphors and mythical realities in Spike Lee’s "When the Levees Broke". Jazz Research Journal, 6 (2). pp. 113-128. ISSN 17538637

Gebhardt, Nicholas (2012) When Jazz Was Foreign: Rethinking Jazz History. Jazzforschung, 44. ISSN 0075-3572

Gebhardt, Nicholas (2011) Introduction: The collective problem in jazz. Jazz Research Journal, 5 (1-2). ISSN 17538637

Book Section

Gebhardt, Nicholas and Rushton, Richard (2024) Music, Miles Davis, and Theatricality. In: Theatricality and the Arts: Film, Theatre, Art. Edinburgh University Press, pp. 201-219. ISBN 9781399511650

Mawer, Deborah (2018) Performing Improvisation: Bill Evans and Jean-Yves Thibaudet. In: The Routledge Companion to Jazz Studies. Routledge, New York, pp. 281-291. ISBN 9781138231160

Gebhardt, Nicholas (2018) Friends and Neighbors: Jazz and Everyday Aesthetics. In: Routledge Companion To Jazz Studies. Routledge, New York, pp. 389-398. ISBN 9781138231160

Barber, Simon (2018) My Jazz World: The Rise and Fall of a Digital Utopia. In: The Routledge Companion to Jazz Studies. Routledge Music Companions . Routledge, New York, pp. 455-464. ISBN 9781138231160

Whyton, Tony (2018) Routledge Companion to Jazz Studies. In: The Routledge Companion to Jazz Studies. Routledge, New York. ISBN 9781138231160

Gebhardt, Nicholas (2018) Jazz and Popular Music. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge, pp. 335-338. ISBN 9781316257678

Gebhardt, Nicholas (2018) Hollywood Musicals Make History. In: Histories on Screen The Past and Present in Anglo-American Cinema and Television. Bloomsbury Academic, London, pp. 185-202. ISBN 9781474217064

Gebhardt, Nicholas (2016) A Time For Jazz: Narrative and History in Alan Lomax’s Mister Jelly Roll. In: New Jazz Conceptions History, Theory, Practice. Routledge, London, pp. 190-203. ISBN 9781848936096

Gebhardt, Nicholas (2016) Screening the Event: Watching Miles Davis's "My Funny Valentine". In: Watching Jazz: Encounters With Jazz Performance on Screen. Oxford University Press, New York, pp. 221-238. ISBN 978-0-19-934766-7

Gebhardt, Nicholas (2015) 'Let there be rock!' Myth and ideology in the rock festivals of the transatlantic counterculture. In: The Pop Festival History, Music, Media, Culture. Bloomsbury, London, pp. 49-58. ISBN 9781628921984

Gebhardt, Nicholas (2010) Crossing Borders I: The historical context for Ravel's North American tour. In: Ravel Studies. Cambridge University Press, pp. 92-113. ISBN 9780521886970

Book

Gebhardt, Nicholas and Whyton, Tony and Rustin-Paschal, Nichole, eds. (2018) The Routledge Companion to Jazz Studies. Routledge, New York. ISBN 9781138231160

Gebhardt, Nicholas (2017) Vaudeville Melodies: Popular Musicians and Mass Entertainment in American Culture, 1870-1929. University of Chicago Press, Chicago.

Gebhardt, Nicholas and Whyton, Tony, eds. (2015) The Cultural Politics of Jazz Collectives This Is Our Music. Transnational Studies in Jazz . Routledge, New York. ISBN 9781138780637

Gebhardt, Nicholas and Whyton, Tony (2015) The cultural politics of jazz collectives: This is our music. The Cultural Politics of Jazz Collectives: This Is Our Music . Taylor and Francis Inc., pp. 1-250. ISBN 9781317672715 (ISBN); 9781138780620 (ISBN)

Thesis

Cox, Martin (2024) Understanding Socially Engaged Arts as Discourse and Experience: Discursive structures of inequality, and art as experience. Doctoral thesis, Birmingham City University.

Mapp, Christopher (2022) “What kind of music do you play?”. Doctoral thesis, Birmingham City University.

Hinksman, Alexander (2022) Creative Mastering: A New Culture of Audio Post-Production. Doctoral thesis, Birmingham City University.

Bain, Andrew (2022) Empathic Interaction: A Study of Jazz Ensemble Performance. Doctoral thesis, Birmingham City University.

McKeon, Ed (2021) Making Art Public: Musicality & the Curatorial. Doctoral thesis, Birmingham City University.

Kelly (Clowes), Patricia (2020) Emulsion: a study in improvisation, participation and curation as a compositional process. Doctoral thesis, Birmingham City University.

Hamilton, Craig (2018) The Harkive Project: Popular Music, Data & Digital Technologies. Doctoral thesis, Birmingham City University.