Browse by BCU Staff

Article

Churnside, Carrie (2017) “Guerra, guerra, all’armi o guerrieri!”: Depictions of the Ottoman Conflict in Bolognese Cantatas. Journal of Seventeenth-Century Music, 20 (1). ISSN 1089-747X

Book Section

Churnside, Carrie (2024) "Ho procurato di seguitare ... i tre maggiori lumi della nostra professione": Homage and Modernity in Perti's 'Cantate morali e spirituali', op. 1 (1688). In: Transitions in Mid-Baroque Music: Style, Genre and Performance. Boydell, Woodbridge, pp. 272-298. ISBN 9781837651580

Churnside, Carrie (2019) «S’oda in ciel sempr’ecchegiare: “viva pur felsina viva!"»: Patriotism in Bolognese Oratorios. In: Dramma scolastico e oratorio nell'età barocca. Edizioni del Conservatorio di Musica "F. Cilea", Reggio Calabria, pp. 228-249. ISBN 978‑88‑87970‑11‑1

Churnside, Carrie (2019) Musical Discourse in Italy, 1500-1800. In: The Cambridge History of Music Criticism. Cambridge University Press, Cambridge, pp. 42-61. ISBN 9781139795425

Book

Churnside, Carrie, ed. (2024) Transitions in Mid-Baroque Music: Style, Genre and Performance. Boydell, Woodbridge. ISBN 9781837651580

Thesis

James, Maisie (2024) Living in and through the body: new principles and possibilities for the impact of somatic practices for pain relief. Doctoral thesis, Birmingham City University.

Korda, Roxanne (2024) ‘LIBRETTISING’ SCIENCE: Using operatic narrative and performance to re-present scientific thought in an investigation of new methods towards developing contemporary opera. Doctoral thesis, Birmingham City University.

Paton, Simon (2024) Creative Orchestra Music (BHX): Developing a shared compositional language. Doctoral thesis, Birmingham City University.

Long, Christopher (2022) Composing for Amateurs: A practical exploration of interactive creativity and socio-musical relationships. Doctoral thesis, Birmingham City University.

Perkins, Martin (2021) Music in Country Houses of the English Midlands, 1750–1810. Doctoral thesis, Birmingham City University.

Stenton, Richard (2019) Publishing as a Musical Practice. Doctoral thesis, Birmingham City University.