Browse by BCU Staff

Drymonitis, Alexandros (2023) The Artists who Say Ni!: Incorporating the Python programming language into creative coding for the realisation of musical works. Doctoral thesis, Birmingham City University.

Hunt, Edmund and Dooley, James (2021) A Core and yet Absent: Using Electroacoustic Technology to Mediate between String Quartet and an Ancient Text. In: International Computer Music Conference 2021, 25th - 31st July 2021, Santiago, Chile.

Dooley, James and Hall, Simon (2021) MYtrOmbone: exploring gesture controlled live electronics in solo trombone performance. In: International Computer Music Conference 2021, 25th - 31st July 2021, Santiago, Chile.

Evans, Matthew and Hall, Simon and Dooley, James (2021) Evoking the Mythic: Hearing the Sound of Sukhāvatī. EAI Endorsed Transactions on Creative Technologies, 8 (27). pp. 1-8. ISSN ISSN: 2409-9708

Evans, Matthew and Dooley, James and Hall, Simon (2021) Hearing and feeling memories: Connecting image, sound and haptic feedback to create a multisensory experience of photographs. In: Innovation in Music: Future Opportunities. Perspectives on Music Production . Routledge, London, pp. 206-218. ISBN 9780367363352

Di Donato, Balandino and Dooley, James and Coccioli, Lamberto (2020) HarpCI, empowering performers to control and transform harp sounds in live performance. Contemporary Music Review, 38 (6). pp. 667-686. ISSN 0749-4467

Wright, Joe and Dooley, James (2019) On the Inclusivity of Constraint: Creative Appropriation in Instruments for Neurodiverse Children and Young People. In: International Conference on New Interfaces for Musical Expression 2019, 3-6 June 2019, Porto Alegre, Brazil.

Granieri, Niccolo and Dooley, James (2019) Reach, a keyboard-based gesture recognition system for live piano sound modulation. In: International Conference on New Interfaces for Musical Expressions 2019, 3-6 June 2019, Porto Alegre, Brazil.

Dooley, James (2019) colligation. [Performance]

Granieri, Niccolo and Dooley, James and Michailidis, Tychonas (2019) Harnessing ancillary microgestures in piano technique: implementing microgestural control in to an expressive keyboard-based hyper-instrument. Innovation in Music.

Johnson, Liz and Dooley, James and Hurst, Dane and McNeill, Jack (2019) Scintilla for dancer, clarinet and live electronics. [Performance]

Michailidis, Tychonas and Dooley, James and Granieri, Niccolo and Di Donato, Balandino (2018) Improvising through the senses: a performance approach with the indirect use of technology. Digital Creativity. ISSN 1744-3806

Dooley, James (2018) rive (moog). [Performance] (Unpublished)

Dooley, James (2018) colligation (Moog): exploring the confluence of gesture, light and the Moog System 55 analogue synthesiser. [Performance] (Unpublished)

Dooley, James (2017) rive: splitting sound and light. [Performance]

Di Donato, Balandino and Dooley, James and Hockman, Jason and Hall, Simon and Bullock, Jamie (2017) MyoSpat: A hand-gesture controlled system for sound and light projections manipulation. In: Proceedings of the 43rd International Computer Music Conference. Shanghai Conservatory of Music No. 20 FenYang Road, 200031, Shanghai, China, pp. 335-340. ISBN 9780984527465

Di Donato, Balandino and Dooley, James (2017) MyoSpat: a system for manipulating sound and light projections through hand gestures. In: Workshop on Intelligent Music Production 2017, 15th September, 2017, Salford, Manchester.

Di Donato, Balandino and Dooley, James and Hockman, Jason and Hall, Simon (2017) MyoSpat: A hand-gesture controlled system for sound and light projections manipulation. In: ICMC 2017, 16th-20th October, 2017, Shanghai, China.

Sabri, Sonia and Dooley, James and Di Donato, Balandino (2017) NuBody. [Performance]

Dooley, James (2017) arK1a. [Audio]

Dooley, James and Di Donato, Balandino (2016) equinode II. Integra Lab.

Dooley, James (2016) formuls: audiovisual performance at SPECTRA Festival, Malaysia. [Performance]

Dooley, James (2016) formuls: performance at sonADA Festival. [Performance]

Dooley, James (2016) formuls: performance at Electric Nights Festival, Athens, Greece. [Performance]

Dooley, James (2016) entryiseasierthantheexit_entry. [Audio]

Dooley, James (2016) entryiseasierthantheexit_exit. [Audio]

Dooley, James (2016) esthesis. [Composition]

Dooley, James and Di Donato, Balandino (2015) equinode. [Show/Exhibition]