Browse by BCU Staff
Thesis
Teplitzky, Aidan (2025) Working Class-ical Music: Exploring the Creative Potential of Embodying Working-Classness in a Folio of New Interdisciplinary Compositions. Doctoral thesis, Birmingham City University.
Maxwell, Melinda (2024) An Instrumental Unlocking with Performer as Innovator: the oboe as protagonist in re-thinking the relationships between Performance, Improvisation, and Composition. Doctoral thesis, Birmingham City University.
Zisso, Yfat Soul (2024) Distillation, Embodiment, Vulnerability: Expressing and Transforming Emotional States in Musical Composition Through the Lens of the Composer-Performer. Doctoral thesis, Birmingham City University.
Tassie, Benjamin (2024) Renaissance Synthesisers: New Frameworks for Composition and Performance with Early Music Instruments. Doctoral thesis, Birmingham City University.
Long, Christopher (2022) Composing for Amateurs: A practical exploration of interactive creativity and socio-musical relationships. Doctoral thesis, Birmingham City University.
Pursglove, Percy (2020) Extending Choral Tradition: New Compositional Language for Generating Improvisational Frameworks. Doctoral thesis, Birmingham City University.
Kelly (Clowes), Patricia (2020) Emulsion: a study in improvisation, participation and curation as a compositional process. Doctoral thesis, Birmingham City University.
Lesley, Simon (2012) The Bass Guitar in Contemporary Art Music: Exploring its potential through composition. Doctoral thesis, Birmingham City University.
Composition
Cutler, Joe (2019) Hawaii Hawaii Hawaii. [Composition]
Cutler, Joe (2015) Karembeu's Guide to the Complete Defensive Midfielder. [Composition]
Cutler, Joe (2014) Chords on the Shore. [Composition]
Audio
Cutler, Joe (2020) Hawaii Hawaii Hawaii. [Audio]
Cutler, Joe (2018) Joe Cutler: Elsewhereness. [Audio]
Cutler, Joe (2014) Boogie Nights. [Audio]
Other
Cutler, Joe (2020) The ‘elsewhereness’ of post-genre: utilising playfulness of cross-genre references as a compositional device. Research Catalogue.