Browse by BCU Staff

Group by: Item Type | No Grouping
Number of items: 21.

Maxwell, Melinda (2024) An Instrumental Unlocking with Performer as Innovator: the oboe as protagonist in re-thinking the relationships between Performance, Improvisation, and Composition. Doctoral thesis, Birmingham City University.

Drymonitis, Alexandros (2023) The Artists who Say Ni!: Incorporating the Python programming language into creative coding for the realisation of musical works. Doctoral thesis, Birmingham City University.

Dooley, James and Hall, Simon (2021) MYtrOmbone: exploring gesture controlled live electronics in solo trombone performance. In: International Computer Music Conference 2021, 25th - 31st July 2021, Santiago, Chile.

Evans, Matthew and Hall, Simon and Dooley, James (2021) Evoking the Mythic: Hearing the Sound of Sukhāvatī. EAI Endorsed Transactions on Creative Technologies, 8 (27). pp. 1-8. ISSN ISSN: 2409-9708

Evans, Matthew and Dooley, James and Hall, Simon (2021) Hearing and feeling memories: Connecting image, sound and haptic feedback to create a multisensory experience of photographs. In: Innovation in Music: Future Opportunities. Perspectives on Music Production . Routledge, London, pp. 206-218. ISBN 9780367363352

Hall, Simon (2019) LONGitYOUde 119 ̊11’, for two roaming trombone players and tape. [Composition]

Hall, Simon (2019) Voyage Foog Phat Moog. [Composition]

Hall, Simon (2019) Voyage Foog, Phat Moog. [Audio]

Hall, Simon (2019) Translating Mixed Multichannel Electroacoustic Music With Acoustic Soloist to the Personal Stereophonic Listening Space: A Case Study in Jorge Gregorio García Moncada’s La Historia de Nosotros. In: Innovation in Music: Performance, Production, Technology and Business. Perspectives on Music Production . Routledge, pp. 323-337. ISBN 113849819X

Hall, Simon (2018) Mixing the Mixed: Representation, Agency and Staging in Commercial Audio Recordings of Works for Instruments with Tape. In: Celebrating Electroacoustic Music in Great Britain - 40th anniversary, 26-27 January 2019, University of Greenwich. (Unpublished)

Hall, Simon (2018) Translation between surround formats: A case study in the piece Voyage Foog Phat Moog No1. In: Sounds in Space 2018, 26-27 June 2018, University of Derby. (Unpublished)

Di Donato, Balandino and Dooley, James and Hockman, Jason and Hall, Simon and Bullock, Jamie (2017) MyoSpat: A hand-gesture controlled system for sound and light projections manipulation. In: Proceedings of the 43rd International Computer Music Conference. Shanghai Conservatory of Music No. 20 FenYang Road, 200031, Shanghai, China, pp. 335-340. ISBN 9780984527465

Hunt, Edmund (2017) 'The Difference Between Us': Using Early Medieval Northern European Texts in the Creation of a Work for Instrumental Ensemble, Voices and Electronics. Doctoral thesis, Birmingham City University.

Di Donato, Balandino and Dooley, James and Hockman, Jason and Hall, Simon (2017) MyoSpat: A hand-gesture controlled system for sound and light projections manipulation. In: ICMC 2017, 16th-20th October, 2017, Shanghai, China.

Hall, Simon (2017) Voyage Foog Phat Moog No1. In: Noisefloor Festival, 2-4 May 2017, University of Staffordshire.

Hall, Simon (2016) Augmented Sounds: Voyage Foog Phat Moog No1. In: AumentAzioni 2016 InaugurAzione Nuove Tecnologie e Linguaggi Musicali, 5-7 October 2016, Conservatorio di Musica Giuseppe Martucci, Salerno, Italy.

Hall, Simon and Garcia, Jorge and Harrison, Jonty and Demmer, Frederico and Zorro, Marcela (2016) La Historia de Nosotros. [Audio]

Michailidis, Tychonas (2016) On the hunt for feedback: Vibrotactile feedback in interactive electronic music performances. Doctoral thesis, Birmingham City University.

Hall, Simon and Bouton, Rosie and Price, Carolin and Burton, Deirdre and Davis, Tom (2015) The Kindness of Time. [Composition]

Hall, Simon (2015) The contemporary classical composer and the recorded artefact: auteur, collaborator, or scriptwriter? In: 10th Art of Record Production Conference, 6-8 November 2015, Drexel University, Philadelphia, USA. (Unpublished)

Hall, Simon and Perkins, Martin (2012) The Conservatoire Collection (Software Sample Library of Historical Instruments). Soniccouture Sound Design Ltd.

This list was generated on Sat Apr 26 04:42:31 2025 UTC.

Research

In this section...