Browse by BCU Staff

Article

Mawer, Deborah (2009) Jazzing a Classic: Hylton and Stravinsky's Mavra at the Paris Opéra. Twentieth-century Music, 6 (2). pp. 155-182. ISSN 1478-5722

Mawer, Deborah (2008) ‘Parisomania’? Jack Hylton and the French Connection. Journal of the Royal Musical Association, 133 (2). pp. 270-317. ISSN 0269-0403

Book Section

Mawer, Deborah (2018) Performing Improvisation: Bill Evans and Jean-Yves Thibaudet. In: The Routledge Companion to Jazz Studies. Routledge, New York, pp. 281-291. ISBN 9781138231160

Mawer, Deborah (2018) Jolivet’s Early Music Theory and its Practice in the Cinq danses rituelles (1939). In: André Jolivet: Music, Art and Literature. Routledge, London, pp. 68-84. ISBN 9781472442956

Dingle, Christopher (2018) Commission and Omission: The Canon According to Messiaen. In: Historical Interplay in French Music and Culture, 1860-1960. Routledge, London and New York, pp. 214-232. ISBN 9781472474759

Mawer, Deborah (2018) ‘Jolivet’s Rameau: Theory, Practice and Temporal Interplay’. In: Historical Interplay in French Music and Culture, 1860-1960. Routledge, London and New York, pp. 176-197. ISBN ISBN 9781472474759; 9781315586847 (ebk)

Sadler, Graham (2018) Saint-Saëns, d’Indy and the Rameau Œuvres complètes. In: Historical interplay in French Music and Culture, 1860–1960. Routledge.

Mawer, Deborah (2014) ‘Retour au point de départ? Les dernières œuvres de musique de chambre de Darius Milhaud et la notion de “tardivité”’. In: Darius Milhaud: Compositeur et expérimentateur. Musicologies . Vrin, Paris, pp. 65-88. ISBN 9782711625277

Gebhardt, Nicholas (2010) Crossing Borders I: The historical context for Ravel's North American tour. In: Ravel Studies. Cambridge University Press, pp. 92-113. ISBN 9780521886970

Mawer, Deborah (2010) Crossing Borders II: Ravel’s Theory and Practice of Jazz. In: Ravel Studies. Cambridge University Press, pp. 114-137. ISBN 9780521886970

Mawer, Deborah (2008) Jolivet's Search for a New French Voice: Spiritual 'Otherness' in Mana (1935). In: French Music, Culture and National Identity, 1870-1939. Eastman Studies in Music . University of Rochester Press, pp. 172-196. ISBN 9781580462723

Book

Mawer, Deborah, ed. (2018) Historical Interplay in French Music and Culture, 1860-1960. Routledge, London and New York. ISBN 9781472474759; 9781315586847 (ebk)

Mawer, Deborah (2014) French music and Jazz in conversation: From Debussy to Brubeck. French Music and Jazz in Conversation: From Debussy to Brubeck . Cambridge University Press, pp. 1-304. ISBN 9781139775359 (ISBN); 9781107037533 (ISBN)

Thesis

Forman, J W Bruce (2024) Olivier Messiaen’s Liturgical Improvisations: A Theological Practice and its Resonances. Doctoral thesis, Birmingham City University.

Shaw, Luan (2022) Facilitating the Transition from Student to Professional through Instrumental Teacher Education: A Case Study with Main Reference to the Royal Birmingham Conservatoire. Doctoral thesis, Birmingham City University.

O'Gallagher, John (2021) Analysing Pitch Structure in Late-Period Recordings of John Coltrane: Interstellar Space and Stellar Regions. Doctoral thesis, Birmingham City University.

Tong, Daniel (2021) Reinterpreting Beethoven: Contemporary Compositional and Performance Responses to the Violin Sonatas (1798–1812). Doctoral thesis, Birmingham City University.

Pursglove, Percy (2020) Extending Choral Tradition: New Compositional Language for Generating Improvisational Frameworks. Doctoral thesis, Birmingham City University.

Mogensen, René Lars Aagaard (2017) Typology of relations between acoustic instruments and electronics in concert music: an analysis- and composition-based approach. Doctoral thesis, Birmingham City University.

Bilodeau, Darquise (2017) Gabriel Fauré and l’organisation du mouvement: Poetic prosody and rhythmic continuity in the songs (1861–1921). Doctoral thesis, Birmingham City University.