Browse by BCU Staff

Article

Dingle, Christopher and Hamer, Laura (2021) False Memories and Dissonant Truths: Digital Newspaper Archives as a Catalyst for a New Approach to Music Reception Studies. Proceedings of the Digital Humanities Congress 2012. Studies in the Digital Humanities..

Dingle, Christopher (2007) Forgotten offerings: Messiaen’s first orchestral works. Tempo (241). pp. 2-21. ISSN 0040-2982

Book Section

Dingle, Christopher (2020) Éclairs sur l’Au-Delà…Messiaen’s career after his final work. In: Le grand âge et ses oeuvres ultimes. Presses Universitaires de Rennes, Rennes, pp. 129-139. ISBN 978-2-7535-7769-5

Dingle, Christopher (2019) Comparing Notes: Recording and Criticism. In: The Cambridge History of Music Criticism. Cambridge University Press, Cambridge, pp. 249-271. ISBN 9781107037892

Dingle, Christopher and McHugh, Dominic (2019) Stop the Press? The Changing Media of Music Criticism. In: The Cambridge History of Music Criticism. Cambridge University Press, pp. 695-706. ISBN 9781107037892

Dingle, Christopher (2019) Wider Still and Wider: British Music Criticism since the Second World War. In: The Cambridge History of Music Criticism. Cambridge University Press, Cambridge, pp. 629-647. ISBN 9781107037892

Churnside, Carrie (2019) Musical Discourse in Italy, 1500-1800. In: The Cambridge History of Music Criticism. Cambridge University Press, Cambridge, pp. 42-61. ISBN 9781139795425

Dingle, Christopher (2018) Commission and Omission: The Canon According to Messiaen. In: Historical Interplay in French Music and Culture, 1860-1960. Routledge, London and New York, pp. 214-232. ISBN 9781472474759

Dingle, Christopher (2014) Players and Pianos: An Overview of Early Recorded Resources for the French Piano Repertoire. In: Perspectives on the Performance of French Piano Music. Ashgate, pp. 125-148. ISBN 978-1-4094-0064-6

Dingle, Christopher (2014) Messiaen as Pianist: A Romantic in a Modernist World. In: Perspectives on the Performance of French Piano Music. Ashgate, Farnham, pp. 29-50. ISBN 9781409400646

Dingle, Christopher (2013) Appendix: Yvonne Loriod Discography. In: Messiaen Perspectives 1: Sources and Influences. Ashgate, pp. 323-338. ISBN 9781409426950

Dingle, Christopher (2013) Messiaen and Mozart: A Love Without Influence? In: Messiaen Perspectives 1: Sources and Influences. Ashgate, pp. 217-234. ISBN 9781409426950

Dingle, Christopher (2013) Sacred Machines: Fear, Mystery and Transfiguration in Messiaen’s Mechanical Procedures. In: Messiaen Perspectives 2: Techniques, Influence and Reception. Ashgate, pp. 13-32. ISBN 9781409426967

Dingle, Christopher (2013) Yvonne Loriod as Source and Influence. In: Messiaen Perspectives 1: Sources and Influences. Ashgate, pp. 197-212. ISBN 9781409426950

Book

Dingle, Christopher and Anderson, Julian (2020) Julian Anderson: Dialogues on Listening, Composing and Culture. Boydell & Brewer, Martlesham, Suffolk. ISBN 9781783274987

Dingle, Christopher, ed. (2019) The Cambridge History of Music Criticism. Cambridge University Press, Cambridge. ISBN 9781107037892

Dingle, Christopher (2013) Messiaen's Final Works. Ashgate. ISBN 9780754606338

Thesis

Olsen, Nicholas (2025) Political Composition: A Creative Exploration of Global Socio-Political Issues through Contemporary Classical Composition. Doctoral thesis, Birmingham City University.

Forman, J W Bruce (2024) Olivier Messiaen’s Liturgical Improvisations: A Theological Practice and its Resonances. Doctoral thesis, Birmingham City University.

Farré Rozada, Laura (2024) Conceptual Simplification: an Empirical Investigation of a New Method for Analysis, Learning and Memorisation of Post-Tonal Piano Music. Doctoral thesis, Birmingham City University.

Boyle, Michael (2023) Absent Performers, Absent Tools, and Their Role in Musical Composition: Exploring Integrated Competencies in the Extended Musical Mind. Doctoral thesis, Birmingham City University.

Marshall, Christopher James (2022) Commissioning music for the Proms 1960–1985: constructing new music. Doctoral thesis, Birmingham City University.

Krippner, Ronny (2019) Organ improvisation in the Anglican cathedral tradition: a portfolio of professional practice with contextual and critical commentary. Doctoral thesis, Birmingham City University.

Waterhouse, Graham (2018) Incantations, Concerto da Camera for Piano and Ensemble (2015): the balance of traditional and progressive musical parameters through the concertante treatment of the piano. Doctoral thesis, Birmingham City University.

Giguère, Patrick (2018) An exploration of the duende in the composition of musical works. Doctoral thesis, Birmingham City University.

Bilodeau, Darquise (2017) Gabriel Fauré and l’organisation du mouvement: Poetic prosody and rhythmic continuity in the songs (1861–1921). Doctoral thesis, Birmingham City University.

Composition

Dingle, Christopher (2015) Olivier Messiaen: Un oiseau des arbres de Vie (Oiseau Tui), orchestration realized by Christopher Dingle. [Composition] (Unpublished)