Items where Subject is "CAH25 - design, and creative and performing arts > CAH25-01 - creative arts and design > CAH25-01-04 - cinematics and photography"

Article

Chan, H.M. (2016) The Appreciation of Film: The Postwar Film Society Movement and Film Culture in Britain. Historical Journal of Film, Radio and Television, 36 (4). pp. 698-702. ISSN 0143-9685

Chan, H.M. (2017) Revisiting Film Ontology: Cinema Approaching Reality: Locating Chinese Film Theory. Senses of Cinema, 82. ISSN 1443-4059

Dawson Varughese, E. and Dudrah, Rajinder (2016) Introduction: Graphic Novels and Visual Cultures in South Asia. South Asian Popular Culture, 14 (1-2). pp. 1-5. ISSN 1474-6689

Day, Jonathan P (2016) A Pilgrimage in Search of Robert Frank’s Americans. Take on Photography, 18 (1).

Hillman, John (2019) The Incompleteness of Looking. Membrana, 4 (4). pp. 66-69. ISSN 2463-8501

Hillman, John (2019) Nepopolnost Gledanja / The Incompleteness of Looking (translated into Slovenian). Fotografija 80/81. ISSN 1408-3566

Hillman, John (2016) Snapchat: Bežno Srečanje / Snapchat: a Brief Encounter (translated into Slovenian). Fotografija 71/72, 71 (72). pp. 90-93. ISSN 1408-3566

Hillman, John (2016) Snapchat: a brief encounter. Membrana, 2. ISSN 2463-8501

Hillman, John (2018) Surplus-Value: Surplus Image. Open Library of Humanities: Special Collection, What’s Left? Marxism Literature and Culture in the 21st Century, 4 (1). pp. 34-56. ISSN 2056-6700

Hillman, John (2013) Virtually Invisible: Photography and the Image in the Demotic Space. The Image, 4 (4). ISSN 2154-8560

Hillman, John (2016) Why study for a degree in photography? Royal Photographic Society Journal. pp. 450-451.

Mendik, Xavier (2014) Beneath Still Waters: Brian Yuzna’s Ritualistic Return to Indonesian Cinema. Plaridel: A Philippine Journal of Communication, Media and Society, 11 (2). pp. 140-161. ISSN 1656-2534

Newbury, D. (2011) Ernest Cole and the South African Security Police. History of Photography, 35 (1). pp. 76-79. ISSN 03087298 (ISSN)

Walden, Lauren (2023) Lola Álvarez Bravo: Subverting Surrealist Photography in Mexico. Photography and Culture. pp. 1-25. ISSN 1751-4517

Woolley, R. (2015) The writer as director: A case study - Brothers and Sisters (1981). Journal of Screenwriting, 6 (1). pp. 39-54. ISSN 17597137

Book Section

Chan, Hiu Man (2013) Mobile Fantasy: Miyazaki’s Transnational Magic. In: Mobility and Fantasy in Visual Culture. Routledge Advances in Art and Visual Studies . Routledge, pp. 91-101. ISBN 978-0-415-82129-2

Gebhardt, Nicholas (2018) Friends and Neighbors: Jazz and Everyday Aesthetics. In: Routledge Companion To Jazz Studies. Routledge, New York, pp. 389-398. ISBN 9781138231160

Gebhardt, Nicholas (2018) Hollywood Musicals Make History. In: Histories on Screen The Past and Present in Anglo-American Cinema and Television. Bloomsbury Academic, London, pp. 185-202. ISBN 9781474217064

Hillman, John (2016) Annotating the World. In: Kultur und Informatik: Augmented Reality. Glückstadt: VWH, pp. 55-64. ISBN 978-3-86488-103-9

Hillman, John (2016) Periphery Vision. In: Electronic Visualisation and the Arts, 2016. BCS Learning & Development, pp. 79-80. ISBN 978-1-78017-454-9

Mendik, Xavier (2018) She Kills in Ecstasy and Drives at Dangerously High Speeds: The Death Cult Stardom of Soledad Miranda. In: The Films of Jess Franco. Wayne State University Press, Detroit, pp. 290-314. ISBN 9780814343166

Mendik, Xavier (2021) Shocking Canadian Cinema of the 70s: An Interview with William Fruet. In: Shocking Cinema of the 70s. Bloomsbury, pp. 189-201. ISBN 9781350136311

Mendik, Xavier (2021) Tax Shelter Terrors: Cinépix and the Hidden History of 1970s Canadian Horror. In: Shocking Cinema of the 70s. Bloomsbury, pp. 161-189. ISBN 9781350136311

Petley, Julian and Mendik, Xavier (2021) New Shocks to the System: An Introduction to Shocking Cinema of the 70s. In: Shocking Cinema of the 70s. Bloomsbury, pp. 1-33. ISBN 9781350136311

Stevens, E. Charlotte (2024) Chinese (Pseudo)Archaeology on Television: A Daomu Biji Case Study. In: Routledge Handbook of Archaeology and Media in the 21st Century. Routledge. ISBN 9781032105970

Stevens, E. Charlotte (2022) Fanvids. In: The Routledge Handbook of Star Trek. Routledge, New York and London, pp. 251-257. ISBN 9780367366674

Stevens, E. Charlotte (2023) Video Game Fanvids as Paratexts and as Texts. In: (Not) in the Game: History, Paratexts, and Games. Video Games and the Humanities . De Gruyter Oldenbourg, pp. 119-135. ISBN 9783110737691

Stevens, E. Charlotte and Shacklock, Zoë (2024) Monstrous Mobilities and Predatory Perspectives: Drone Shots and the Gaze of Monsters. In: Drones in Society: New Visual Aesthetics. Palgrave Pivot. ISBN 9783031569838

Monograph

Downey, Anthony and K, Hiwa and Ali, Bakir and Ginwala, Natasha and Abu Hamdan, Lawrence and Gruijthuijsen, Krist and Mertens, Heike Catherina and Ndikung, Bonaventure Soh Bejeng and Szyłak, Aneta (2017) Don't Shrink Me to the Size of a Bullet: The Works of Hiwa K, edited by Anthony Downey (Walther König Verlag, 2017). Other. Walther König Verlag, London.

Hillman, John (2017) The indecisive moment. Other. FotoNow.

Conference or Workshop Item

Day, Jonathan P (2016) In the Ashes of the Darkroom: social media and the book. A consideration of the influence of the democratisation of technology on the perceived role and preferred locations of photography. In: Helsinki Photomedia, The Third International Photography Research Conference, 30th March - 1st April 2016, Aalto University, Helsinki, Finland.

Hillman, John (2017) The Cornish Alps: Reality Expressed as a Fiction. In: GRAIN, Rethinking the Landscape, Birmingham. (Unpublished)

Hillman, John (2018) De-materialised desire. In: Photography off the Scale, Prague. (Unpublished)

Hillman, John (2015) Infinite Imaginary: Beyond the Visual. In: 21st Century Photography – Art, Philosophy, Technique, Central Saint Martins, London. (Unpublished)

Hillman, John (2018) Moving and Stillness and the Possibility of Image. In: Photography in Academic Research symposium, UCL, London. (Unpublished)

Hillman, John (2019) Preparing for the digital apocalypse. In: APHE Summer Conference 2019, Coventry, UK.

Hillman, John (2017) Rendering the Displaced Object. In: Pointed or Pointless, The Photographers Gallery, London. (Unpublished)

Hillman, John (2015) Situational Assemblages. In: Mnemonics Summer School, University of London. (Unpublished)

Hillman, John (2016) The Un-Photographic Subject. In: Photography + (con) text Photography in Academic Research Symposium, UCL, London. (Unpublished)

Hillman, John and Deepres, R (2018) Entrelacé: How Technology, Movement and Visuals Are Interlaced in The Film Design for The Royal Ballet’s ‘Woolf Works’. In: Electronic Visualisation and the Arts, 9th - 13th July 2018, London, UK.

Hillman, John and Millious, Victoria Niva (2013) Parataxis, Power and the Photograph. In: Photomedia 2014, Aalto University, Helsinki. (Unpublished)

Book

Mendik, Xavier and Petley, Julian, eds. (2021) Shocking Cinema of the 70s. Bloomsbury Academic, London. ISBN 9781350136311

Mendik, Xavier (2015) Bodies of Desire and Bodies in Distress: The Golden Age of Italian Cult Cinema 1970-1985. Cambridge Scholars Publishing, Newcastle Upon Tyne. ISBN 9781443859547

Thesis

Carter, Oliver (2013) Making European cult cinema: fan production in an alternative economy. Doctoral thesis, Birmingham City University.

Denison, Simon (2023) The Value of Self-Reflexivity for Learning: A Study of Self-Reflexive Practice in Photography Criticism. Doctoral thesis, Birmingham City University.

Harris, Philip (2011) Photographing landscape: a theory of the experience of making. Doctoral thesis, Birmingham City University.

Hough, Gregory (2015) Towards achieving convincing live interaction in a mixed reality environment for television studios. Doctoral thesis, Birmingham City University.

Igwe, Ezinne (2018) Formalizing Nollywood: Gentrification in the Contemporary Nigerian Film Industry. Doctoral thesis, Birmingham City University.

Ingamells, Andy (2018) Grandchildren of Experimental Music - Performing the Compositional Act by Creating Intriguing Situations in Which Musical Sound May Occur. Doctoral thesis, Birmingham City University.

Mannion, Frank (2023) The Dependent Film Distributor: The Role of Entrepreneurship and the Experiential in the UK and Irish Theatrical Film Sector. Doctoral thesis, Birmingham City University.

Muller, Nathalie (2022) Lost Futurities: Science Fiction in Contemporary Art from the Middle East. Doctoral thesis, Birmingham City University.

Rubinstein, Daniel (2013) Photography as the aesthetic determination of difference. Doctoral thesis, Birmingham City University.

Winterton, Connor (2020) Representations of Gay, Lesbian and Queer Sex in Contemporary French and North American Cinema. Doctoral thesis, Birmingham City University.

Artefact

Deepres, Ravi and McGregor, Wayne (2017) ATOMOS. [Artefact]

Show/Exhibition

Dudrah, Rajinder (2017) Slanguages: Languages in the Creative Economy. [Show/Exhibition]

Gegenwart, Beate and Parsons, Gregory (2018) With Other Eyes. [Show/Exhibition]

Hillman, John (2019) Periphery. [Show/Exhibition]

McGregor, W and Deepres, Ravi and Richter, M and Carter, L and Hameed, U and We, Not I (2015) Woolf Works. A Three Act Ballet. [Show/Exhibition]

Whipps, Stuart (2020) The Kipper and The Corpse. [Show/Exhibition]

Whipps, Stuart (2020) Necessary Amendments. [Show/Exhibition]

Image

Osman, K A (2017) Rocket Flower with Raindrops. [Image] (Unpublished)

Osman, K.A. (2020) Coot with reflections. [Image] (Unpublished)

Video

Mendik, Xavier (2016) Tax Shelter Terrors: The Real Story of Canadian Cult Cinema. [Video]

Mendik, Xavier (2018) Zombies Need Houses Too: A Film and Regeneration Project (We Do Exist). [Video]

Mendik, Xavier (2018) Zombies Need Houses Too: A Film and Regeneration Project (Brombies: The Making of an Estate). [Video]