Items where Subject is "CAH25 - design, and creative and performing arts > CAH25-02 - performing arts > CAH25-02-03 - drama"

A

Amoiropoulos, Konstantinos (2013) Balancing gaps: an investigation of Edward Bond’s theory and practice for drama. Doctoral thesis, Birmingham City University.

Ananisarab, Soudabeh (2021) In Pursuit of a New Theatre: The Case of the Malvern Festival. Studies in Theatre and Performance. ISSN 1468-2761

Ananisarab, Soudabeh (2020) Shaw in Mid-Twentieth-Century Iran. SHAW: The Journal of Bernard Shaw Studies, 40 (2). pp. 147-175. ISSN 1553-6505

Ananisarab, Soudabeh (2018) Too True to Be Good at the 1932 Malvern Festival. SHAW: The Journal of Bernard Shaw Studies, 38 (1). pp. 48-65. ISSN 1553-6505

Anderton, Joseph (2015) ‘Ceremonious Ape!’: Creaturely Poetics and Anthropomorphic Acts. Performance Research, 20 (2). pp. 78-88. ISSN 1352-8165

B

Bethlenfalvy, Adam Bence (2017) Living through extremes: an exploration of integrating a Bondian approach to theatre into 'living through' drama. Doctoral thesis, Birmingham City University.

Bolton, Christopher J. (2020) Because of you, this is me: An Auto ethnographic study of drama in practice. Doctoral thesis, Birmingham City University.

Botham, Paola (2016) 'Look at the Ground and Imagine its Past': David Greig's History Plays. Contemporary Theatre Review, 26 (1). pp. 49-59. ISSN 10486801 (ISSN)

D

Dundjerović, Aleksandar Sasha (2020) Macbeth Projeto. Research Catalogue.

Dundjerović, Aleksandar Sasha and Martinez Sanchez, Maria Jose (2019) Festival and the City: Performativity of Sexual acts in public spheres. Architecture and Culture, 6 (3). pp. 457-471. ISSN 2050-7828

F

Farrall, Mark Christopher (2008) Into the Corrida: an analysis and testing of Geese Theatre Company's The violent illusion trilogy prison residency for violent offenders (2 Volumes). Doctoral thesis, Birmingham City University.

I

Ingamells, Andy (2018) Grandchildren of Experimental Music - Performing the Compositional Act by Creating Intriguing Situations in Which Musical Sound May Occur. Doctoral thesis, Birmingham City University.

J

Jarvis, J. (2020) Performance and Print Culture: Two Eighteenth-Century Actresses and their Image Control. In: Pen, Print and Communication in the Eighteenth Century. University of Liverpool Press, Liverpool, pp. 107-121. ISBN 9781789622300

Jasper, Jean (2009) "Seditious Billes": treacherous correspondence on the renaissance stage. Doctoral thesis, Birmingham City University.

K

Kim, Ju Yeoun (2009) How to embrace culturally different voices: a search to produce a new educational drama practice in Korea. Doctoral thesis, Birmingham City University.

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Lioliou, Theocharia (2013) Tackling racist conflicts in Greek primary schools through drama. Doctoral thesis, Birmingham City University.

M

Martinez Sanchez, Maria Jose and Ruiz Sanchez, Javier (2018) Unseen the other in post-urban utopia. Sensitive bodies II. Innovación e Investigación en Arquitectura y Territorio, 6 (1). ISSN 2341-0515

R

Roberts, David (2014) Restoration plays and players: An introduction. Restoration Plays and Players: An Introduction . Cambridge University Press, pp. 1-252. ISBN 9781139227100 (ISBN); 9781107027831 (ISBN)

S

Somers, Gareth (2020) 1616: The Secrets and Passions of William Shakespeare. Research Catalogue.

T

Tomsett, Ellie (2018) Positives and negatives: reclaiming the female body and self-deprecation in stand-up comedy. Comedy Studies, 9 (1). pp. 6-18. ISSN 2040-610X

Tomsett, Ellie (2017) Twenty-first century fumerist: Bridget Christie and the backlash against feminist comedy. Comedy Studies, 8 (1). pp. 57-67. ISSN 2040-610X

W

Wynne-Willson, Peter (2020) Orange Polar Bear - a cross-cultural performance piece for teenagers in Seoul and Birmingham. Research Catalogue.