Items where Subject is "CAH25 - design, and creative and performing arts > CAH25-02 - performing arts > CAH25-02-03 - drama"

A

Amoiropoulos, Konstantinos (2013) Balancing gaps: an investigation of Edward Bond’s theory and practice for drama. Doctoral thesis, Birmingham City University.

Ananisarab, Soudabeh (2021) In Pursuit of a New Theatre: The Case of the Malvern Festival. Studies in Theatre and Performance. ISSN 1468-2761

Ananisarab, Soudabeh (2020) Shaw in Mid-Twentieth-Century Iran. SHAW: The Journal of Bernard Shaw Studies, 40 (2). pp. 147-175. ISSN 1553-6505

Ananisarab, Soudabeh (2018) Too True to Be Good at the 1932 Malvern Festival. SHAW: The Journal of Bernard Shaw Studies, 38 (1). pp. 48-65. ISSN 1553-6505

Anderton, Joseph (2015) ‘Ceremonious Ape!’: Creaturely Poetics and Anthropomorphic Acts. Performance Research, 20 (2). pp. 78-88. ISSN 1352-8165

B

Bethlenfalvy, Adam Bence (2017) Living through extremes: an exploration of integrating a Bondian approach to theatre into 'living through' drama. Doctoral thesis, Birmingham City University.

Bolton, Christopher J. (2020) Because of you, this is me: An Auto ethnographic study of drama in practice. Doctoral thesis, Birmingham City University.

Botham, Paola (2016) 'Look at the Ground and Imagine its Past': David Greig's History Plays. Contemporary Theatre Review, 26 (1). pp. 49-59. ISSN 10486801 (ISSN)

D

Dundjerović, Aleksandar Sasha (2020) Macbeth Projeto. Research Catalogue.

Dundjerović, Aleksandar Sasha and Martinez Sanchez, Maria Jose (2019) Festival and the City: Performativity of Sexual acts in public spheres. Architecture and Culture, 6 (3). pp. 457-471. ISSN 2050-7828

F

Farrall, Mark Christopher (2008) Into the Corrida: an analysis and testing of Geese Theatre Company's The violent illusion trilogy prison residency for violent offenders (2 Volumes). Doctoral thesis, Birmingham City University.

I

Ingamells, Andy (2018) Grandchildren of Experimental Music - Performing the Compositional Act by Creating Intriguing Situations in Which Musical Sound May Occur. Doctoral thesis, Birmingham City University.

J

Jarvis, J. (2020) Performance and Print Culture: Two Eighteenth-Century Actresses and their Image Control. In: Pen, Print and Communication in the Eighteenth Century. University of Liverpool Press, Liverpool, pp. 107-121. ISBN 9781789622300

Jasper, Jean (2009) "Seditious Billes": treacherous correspondence on the renaissance stage. Doctoral thesis, Birmingham City University.

K

Kim, Ju Yeoun (2009) How to embrace culturally different voices: a search to produce a new educational drama practice in Korea. Doctoral thesis, Birmingham City University.

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La Virgne, Samia (2021) Lust and Disgust: Reimagining Injurious Representations and Experiences of Black Actresses in the U.K. and U.S. Doctoral thesis, Birmingham City University.

Lioliou, Theocharia (2013) Tackling racist conflicts in Greek primary schools through drama. Doctoral thesis, Birmingham City University.

M

Martinez Sanchez, Maria Jose and Ruiz Sanchez, Javier (2018) Unseen the other in post-urban utopia. Sensitive bodies II. Innovación e Investigación en Arquitectura y Territorio, 6 (1). ISSN 2341-0515

R

Roberts, David (2014) Restoration plays and players: An introduction. Restoration Plays and Players: An Introduction . Cambridge University Press, pp. 1-252. ISBN 9781139227100 (ISBN); 9781107027831 (ISBN)

S

Somers, Gareth (2020) 1616: The Secrets and Passions of William Shakespeare. Research Catalogue.

T

Tomsett, Ellie (2018) Positives and negatives: reclaiming the female body and self-deprecation in stand-up comedy. Comedy Studies, 9 (1). pp. 6-18. ISSN 2040-610X

Tomsett, Ellie (2017) Twenty-first century fumerist: Bridget Christie and the backlash against feminist comedy. Comedy Studies, 8 (1). pp. 57-67. ISSN 2040-610X

W

Wynne-Willson, Peter (2020) Orange Polar Bear - a cross-cultural performance piece for teenagers in Seoul and Birmingham. Research Catalogue.