Items where Subject is "W600 Cinematics and Photography"

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Number of items at this level: 41.

C

Carter, Oliver (2013) Making European cult cinema: fan production in an alternative economy. Doctoral thesis, Birmingham City University.

Chan, H.M. (2016) The Appreciation of Film: The Postwar Film Society Movement and Film Culture in Britain. Historical Journal of Film, Radio and Television, 36 (4). pp. 698-702. ISSN 0143-9685

Chan, H.M. (2017) Revisiting Film Ontology: Cinema Approaching Reality: Locating Chinese Film Theory. Senses of Cinema, 82. ISSN 1443-4059

Chan, Hiu Man (2013) Mobile Fantasy: Miyazaki’s Transnational Magic. In: Mobility and Fantasy in Visual Culture. Routledge Advances in Art and Visual Studies . Routledge, pp. 91-101. ISBN 978-0-415-82129-2

D

Dawson Varughese, E. and Dudrah, Rajinder (2016) Introduction: Graphic Novels and Visual Cultures in South Asia. South Asian Popular Culture, 14 (1-2). pp. 1-5. ISSN 1474-6689

Day, Jonathan (2016) In the Ashes of the Darkroom: social media and the book. A consideration of the influence of the democratisation of technology on the perceived role and preferred locations of photography. In: Helsinki Photomedia, The Third International Photography Research Conference, 30th March - 1st April 2016, Aalto University, Helsinki, Finland.

Day, Jonathan P (2016) A Pilgrimage in Search of Robert Frank’s Americans. Take on Photography, 18 (1).

Deepres, R and Hillman, John (2019) Entrelacé: How Technology, Movement and Visuals Are Interlaced in The Film Design for The Royal Ballet’s ‘Woolf Works’. Electronic Visualisation and the Arts, BCS Learning & Development. pp. 289-292. ISSN ISBN 978-1-78017-454-9

Downey, Anthony and K, Hiwa and Ali, Bakir and Ginwala, Natasha and Abu Hamdan, Lawrence and Gruijthuijsen, Krist and Mertens, Heike Catherina and Ndikung, Bonaventure Soh Bejeng and Szyłak, Aneta (2017) Don't Shrink Me to the Size of a Bullet: The Works of Hiwa K, edited by Anthony Downey (Walther König Verlag, 2017). Other. Walther König Verlag, London.

Dudrah, Rajinder (2017) Slanguages: Languages in the Creative Economy. [Show/Exhibition]

G

Gegenwart, Beate and Parsons, Gregory With Other Eyes. [Show/Exhibition]

H

Harris, Philip (2011) Photographing landscape: a theory of the experience of making. Doctoral thesis, Birmingham City University.

Hillman, John (2016) Annotating the World. In: Kultur und Informatik: Augmented Reality. Glückstadt: VWH, pp. 55-64. ISBN 978-3-86488-103-9

Hillman, John (2017) The Cornish Alps: Reality Expressed as a Fiction. In: GRAIN, Rethinking the Landscape, Birmingham. (Unpublished)

Hillman, John (2018) De-materialised desire. In: Photography off the Scale, Prague. (Unpublished)

Hillman, John (2019) The Incompleteness of Looking. Membrana 4/2019, 4 (4). pp. 66-69. ISSN ISSN 2463-8501

Hillman, John (2015) Infinite Imaginary: Beyond the Visual. In: 21st Century Photography – Art, Philosophy, Technique, Central Saint Martins, London. (Unpublished)

Hillman, John (2018) Moving and Stillness and the Possibility of Image. In: Photography in Academic Research symposium, UCL, London. (Unpublished)

Hillman, John (2019) Nepopolnost Gledanja / The Incompleteness of Looking (translated into Slovenian). Fotografija 80/81. ISSN 1408-3566

Hillman, John Periphery. [Show/Exhibition]

Hillman, John (2016) Periphery Vision. In: Electronic Visualisation and the Arts, 2016. BCS Learning & Development, pp. 79-80. ISBN 978-1-78017-454-9

Hillman, John (2019) Preparing for the Digital Apocalypse. In: APHE Summer Conference 2019, Coventry, UK. (In Press)

Hillman, John (2019) Preparing for the digital apocalypse. In: APHE Summer Conference 2019, Coventry, UK. (In Press)

Hillman, John (2017) Rendering the Displaced Object. In: Pointed or Pointless, The Photographers Gallery, London. (Unpublished)

Hillman, John (2015) Situational Assemblages. In: Mnemonics Summer School, University of London. (Unpublished)

Hillman, John (2016) Snapchat: Bežno Srečanje / Snapchat: a Brief Encounter (translated into Slovenian). Fotografija 71/72, 71 (72). pp. 90-93. ISSN 1408-3566

Hillman, John (2016) Snapchat: a brief encounter. Membrana, 2. ISSN 2463-8501

Hillman, John (2018) Surplus-Value: Surplus Image. Open Library of Humanities: Special Collection, What’s Left? Marxism Literature and Culture in the 21st Century, 4 (1). pp. 34-56. ISSN 2056-6700

Hillman, John (2016) The Un-Photographic Subject. In: Photography + (con) text Photography in Academic Research Symposium, UCL, London. (Unpublished)

Hillman, John (2013) Virtually Invisible: Photography and the Image in the Demotic Space. The Image, 4 (4). ISSN 2154-8560

Hillman, John (2016) Why study for a degree in photography? Royal Photographic Society Journal. pp. 450-451.

Hillman, John (2017) The indecisive moment. Other. FotoNow.

Hillman, John and Deepres, Ravi (2018) Entrelacé: How Technology, Movement and Visuals Are Interlaced in The Film Design for The Royal Ballet’s ‘Woolf Works’. In: Electronic Visualisation and the Arts, 2018. BCS Learning & Development, pp. 289-292. ISBN 978-1-78017-454-9

Hillman, John and Millious, Victoria Niva (2013) Parataxis, Power and the Photograph. In: Photomedia 2014, Aalto University, Helsinki. (Unpublished)

Hillman, John and Millious, Victoria Niva (2013) Parataxis, Power and the Photograph. In: Photomedia 2014, 2014, Aalto University, Helsinki. (Unpublished)

Hough, Gregory (2015) Towards achieving convincing live interaction in a mixed reality environment for television studios. Doctoral thesis, Birmingham City University.

I

Igwe, Ezinne (2018) Formalizing Nollywood: Gentrification in the Contemporary Nigerian Film Industry. Doctoral thesis, Birmingham City University.

Ingamells, Andrew Thomas (2018) Grandchildren of Experimental Music - Performing the Compositional Act by Creating Intriguing Situations in Which Musical Sound May Occur. Doctoral thesis, Birmingham City University.

N

Newbury, D. (2011) Ernest Cole and the South African Security Police. History of Photography, 35 (1). pp. 76-79. ISSN 03087298 (ISSN)

R

Rubinstein, Daniel (2013) Photography as the aesthetic determination of difference. Doctoral thesis, Birmingham City University.

W

Woolley, R. (2015) The writer as director: A case study - Brothers and Sisters (1981). Journal of Screenwriting, 6 (1). pp. 39-54. ISSN 17597137

This list was generated on Tue Nov 19 09:10:10 2019 UTC.

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