Alone/Together: Simulacral “A-presentation” in and into Practice-as-Research in Jazz
Fletcher, Michael and Tromans, S (2017) Alone/Together: Simulacral “A-presentation” in and into Practice-as-Research in Jazz. In: The Dark Precursor: Deleuze and Artistic Research. Orpheus Institute Series, 1 . Leuven University Press, pp. 167-173. ISBN 978-94-6166-233-0
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Abstract
This paper began life as a conference presentation interweaving live music and spoken word. In what follows, we retain our original format of alternating (individually authored) discourse with video documentation of the performances given by Fletcher and me (on saxophone and piano, respectively). This is to evoke for the reader a sense of the liveness of the original event and, importantly, to retain the balance of spoken word to music-making that we deliberately factored into our presentation. In this respect, the paper should be thought of as a performance of artistic research in music, where the knowledge pertaining to that research inhabits and is expressed by both the writing and the music-making in equal measure.
Item Type: | Book Section |
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Identification Number: | https://www.jstor.org/stable/j.ctt21c4rxx |
Dates: | Date Event 14 December 2017 Published |
Subjects: | CAH20 - historical, philosophical and religious studies > CAH20-02 - philosophy and religious studies > CAH20-02-01 - philosophy CAH25 - design, and creative and performing arts > CAH25-02 - performing arts > CAH25-02-02 - music |
Divisions: | Faculty of Arts, Design and Media > Royal Birmingham Conservatoire |
Depositing User: | Michael Fletcher |
Date Deposited: | 05 Feb 2020 10:53 |
Last Modified: | 12 Jan 2022 16:54 |
URI: | https://www.open-access.bcu.ac.uk/id/eprint/8864 |
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