Items where Division is "Faculty of Arts, Design and Media > Royal Birmingham Conservatoire" and Year is 2018

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Number of items: 19.

C

Cutler, Joe (2018) Joe Cutler: Elsewhereness. [Audio]

D

Dingle, Christopher (2018) Commission and Omission: The Canon According to Messiaen. In: Historical Interplay in French Music and Culture, 1860-1960. Routledge, London and New York, pp. 214-232. ISBN 9781472474759

Dooley, James (2018) colligation (Moog): exploring the confluence of gesture, light and the Moog System 55 analogue synthesiser. [Performance] (Unpublished)

Dooley, James (2018) rive (moog). [Performance] (Unpublished)

G

Goursaud, Christian (2018) CD booklet notes | Thomas Tallis: Gentleman of the Chapel Royal (RES10229). Resonus Classics.

H

Hall, Simon (2018) Mixing the Mixed: Representation, Agency and Staging in Commercial Audio Recordings of Works for Instruments with Tape. In: Celebrating Electroacoustic Music in Great Britain - 40th anniversary, 26-27 January 2019, University of Greenwich. (Unpublished)

Hall, Simon (2018) Translation between surround formats: A case study in the piece Voyage Foog Phat Moog No1. In: Sounds in Space 2018, 26-27 June 2018, University of Derby. (Unpublished)

I

Ingamells, Andy (2018) Make Each Face A Living Note. [Composition]

K

Kim, Katie (2018) Salt Interventions Live Album Featuring Crash Ensemble. [Audio]

M

Mawer, Deborah (2018) Jolivet’s Early Music Theory and its Practice in the Cinq danses rituelles (1939). In: André Jolivet: Music, Art and Literature. Routledge, London, pp. 68-84. ISBN 9781472442956

Mawer, Deborah (2018) Performing Improvisation: Bill Evans and Jean-Yves Thibaudet. In: The Routledge Companion to Jazz Studies. Routledge, New York, pp. 281-291. ISBN 9781138231160

Michailidis, Tychonas and Dooley, James and Granieri, Niccolo and Di Donato, Balandino (2018) Improvising through the senses: a performance approach with the indirect use of technology. Digital Creativity. ISSN 1744-3806

S

Sadler, Graham (2018) Rameau and the Tax Farmers. In: Musiques en Liberté. l’École nationale des chartes, pp. 259-271. ISBN 9782357230989

Sadler, Graham (2018) Saint-Saëns, d’Indy and the Rameau Œuvres complètes. In: Historical interplay in French Music and Culture, 1860–1960. Routledge.

T

Thompson, Shirley (2018) Marc-Antoine Charpentier and the Double Reeds: Adapting to New Technology. In: Musiques en liberté: entre la cour et les provinces au temps des Bourbons. L’Ecole des Chartes, Paris, pp. 187-197. ISBN 9782357230989

Thompson, Shirley (2018) Marc-Antoine Charpentier – Petits Motets: Motets à 3 voix et instruments, II – Vols. 4 a) and b). Centre de Musique Baroque de Versailles, Versailles.

Tong, Daniel (2018) Beethoven Plus. [Audio]

W

Whittaker, Adam (2018) Musical Divisions of the Sacred and Secular in The Hunchback of Notre Dame. In: Recomposing the Past: Representations of Early Music on Stage and Screen. Ashgate Screen Music Series . Routledge. ISBN 9781138287471

Whittaker, Adam (2018) A Plague of Medievalism on You All: Medievalism, Music, and the Plague. In: Studies in Medievalism XXVII: Authenticity, Medievalism, Music. Studies in Medievalism . Boydell and Brewer. ISBN 9781843845034

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