Items where Division is "Faculty of Arts, Design and Media > Royal Birmingham Conservatoire" and Year is 2019

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Number of items: 24.

B

Bennett, Ed (2019) Song of the Books. [Composition]

C

Churnside, Carrie (2019) Musical Discourse in Italy, 1500-1800. In: The Cambridge History of Music Criticism. Cambridge University Press, Cambridge, pp. 42-61. ISBN 9781139795425

Churnside, Carrie (2019) «S’oda in ciel sempr’ecchegiare: “viva pur felsina viva!"»: Patriotism in Bolognese Oratorios. In: Dramma scolastico e oratorio nell'età barocca. Edizioni del Conservatorio di Musica "F. Cilea", Reggio Calabria, pp. 228-249. ISBN 978‑88‑87970‑11‑1

Cutler, Joe (2019) Hawaii Hawaii Hawaii. [Composition]

D

Dingle, Christopher (2019) Comparing Notes: Recording and Criticism. In: The Cambridge History of Music Criticism. Cambridge University Press, Cambridge, pp. 249-271. ISBN 9781107037892

Dingle, Christopher (2019) Wider Still and Wider: British Music Criticism since the Second World War. In: The Cambridge History of Music Criticism. Cambridge University Press, Cambridge, pp. 629-647. ISBN 9781107037892

Dingle, Christopher and McHugh, Dominic (2019) Stop the Press? The Changing Media of Music Criticism. In: The Cambridge History of Music Criticism. Cambridge University Press, pp. 695-706. ISBN 9781107037892

Dooley, James (2019) colligation. [Performance]

F

Fletcher, Michael (2019) Stretching out: Miles Davis’ “My Funny Valentine” as a model for a dynamic jazz composition process. Jazz-hitz, 2 (2). pp. 65-81. ISSN 2605-2490

G

Galbreath, Daniel Johnston (2019) Conceptualising choral play: the creative experience of aleatory choral music. Doctoral thesis, Birmingham City University.

Goursaud, Christian (2019) CD booklet notes | O Give Thanks Unto the Lord: Choral Works by Thomas Tomkins (RES10253). Resonus Classics.

Granieri, Niccolo and Dooley, James (2019) Reach, a keyboard-based gesture recognition system for live piano sound modulation. In: International Conference on New Interfaces for Musical Expressions 2019, 3-6 June 2019, Porto Alegre, Brazil.

Granieri, Niccolo and Dooley, James and Michailidis, Tychonas (2019) Harnessing ancillary microgestures in piano technique: implementing microgestural control in to an expressive keyboard-based hyper-instrument. Innovation in Music.

H

Hall, Simon (2019) LONGitYOUde 119 ̊11’, for two roaming trombone players and tape. [Composition]

Hall, Simon (2019) Translating Mixed Multichannel Electroacoustic Music With Acoustic Soloist to the Personal Stereophonic Listening Space: A Case Study in Jorge Gregorio García Moncada’s La Historia de Nosotros. In: Innovation in Music: Performance, Production, Technology and Business. Perspectives on Music Production . Routledge, pp. 323-337. ISBN 113849819X

Hall, Simon (2019) Voyage Foog Phat Moog. [Composition]

Hall, Simon (2019) Voyage Foog, Phat Moog. [Audio]

Hamilton, Andrew (2019) Ceol don Bhéal Bocht / Music for the Poor Mouth. [Composition]

I

Ingamells, Andy (2019) Performing the compositional act with bouncy castles, soap and shh. In: International Conference on Technologies for Music Notation and Representation, 23rd - 27th July 2019, Monash University, Victoria, Australia.

J

Johnson, Liz and Dooley, James and Hurst, Dane and McNeill, Jack (2019) Scintilla for dancer, clarinet and live electronics. [Performance]

K

Krippner, Ronny (2019) Organ improvisation in the Anglican cathedral tradition: a portfolio of professional practice with contextual and critical commentary. Doctoral thesis, Birmingham City University.

V

Verlaak, Maya (2019) Hexenhaus - a scrutinising compositional position. Doctoral thesis, Birmingham City University.

W

Wolters, Michael and Norman, Paul (2019) Catalogue d'Emojis. [Audio]

Wright, Joe and Dooley, James (2019) On the Inclusivity of Constraint: Creative Appropriation in Instruments for Neurodiverse Children and Young People. In: International Conference on New Interfaces for Musical Expression 2019, 3-6 June 2019, Porto Alegre, Brazil.

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