Items where Division is "Media" and Year is 2017

Archer, Caroline (2017) The Cambridge cult of the Baskerville Press. In: John Baskerville: art, industry & technology of the Enlightenment. Eighteenth Century Worlds . Liverpool University Press, Newcastle, pp. 206-221. ISBN 978-1-78694-064-3

Archer, Caroline (2017) Paris: text and image underground. In: Text & Image in the City. Cambridge Scholars, Newcastle, pp. 3-24. ISBN 978-1-4438-4388-1

Archer, Caroline and Dick, Malcolm (2017) John Baskerville: art & industry of the Enlightenment. Eighteenth Century Worlds . University of Liverpool Press, Liverpool. ISBN 978-1-78694-064-3

Barber, Simon (2017) The House Companion. Arrow Films, London.

Barber, Simon (2017) Professional Songwriting Techniques: A Range of Views from the Sodajerker Interviews. In: The Singer-Songwriter Handbook. Bloomsbury, pp. 51-68. ISBN 9781628920291

Bradshaw, Paul (2017) The Online Journalism Handbook: Skills to survive and thrive in the digital age. Routledge, Oxon. ISBN 9781138791565

Carter, Oliver (2017) A Labour of Love: Fantrepreneurship in Home Video Media Distribution. In: DVD, Blu-ray and Beyond: Navigating Formats and Platforms within Media Consumption. Palgrave MacMillan, pp. 197-293. ISBN 978-3-319-62757-1

Carter, Oliver and Barber, Simon (2017) The Dragon Lives Again: Distributing ‘Bruceploitation. In: Cult Media: Re-packaged, Re-released and Restored. Palgrave Macmillan, pp. 161-180. ISBN 978-3-319-63678-8

Carter, Oliver and Barber, Simon (2017) The Dragon Lives Again: Distributing ‘Bruceploitation’ via Home Entertainment. In: Cult Media. Springer, pp. 161-180. ISBN 978-3-319-63678-8

Chan, H.M. (2017) Revisiting Film Ontology: Cinema Approaching Reality: Locating Chinese Film Theory. Senses of Cinema, 82. ISSN 1443-4059

Cleeve, Sam (2017) Bird in the wire: creativity, resistance, networked citizenships. Digital Creativity. ISSN 1744-3806

Cleeve, Sam (2017) Review: Michiel Kamp, Tim Summers and Mark Sweeney (eds.), Ludomusicology: Approaches to Video Game Music. IASPM@Journal, 7 (1). pp. 119-122. ISSN 2079-3871

Cleeve, Sam (2017) Review: Raphaël Nowak's Consuming Music in the Digital Age: Technologies, Roles and Everyday Life. Popular Music, 36 (3). pp. 448-450. ISSN 0261-1430

Collins, J. (2017) Review: Afropop Worldwide: http://www.afropop.org Electric Jive: http://electricjive.blogspot.com.au. Journal of World Popular Music, 4 (1). pp. 110-115. ISSN 2052-4900

Downey, Anthony and K, Hiwa and Ali, Bakir and Ginwala, Natasha and Abu Hamdan, Lawrence and Gruijthuijsen, Krist and Mertens, Heike Catherina and Ndikung, Bonaventure Soh Bejeng and Szyłak, Aneta (2017) Don't Shrink Me to the Size of a Bullet: The Works of Hiwa K, edited by Anthony Downey (Walther König Verlag, 2017). Other. Walther König Verlag, London.

Dudrah, Rajinder (2017) Slanguages: Languages in the Creative Economy. [Show/Exhibition]

Forkert, Kirsten (2017) Austerity as public mood: Social anxieties and social struggles. Other. Rowman and Littlefield International, London.

Gebhardt, Nicholas (2017) Vaudeville Melodies: Popular Musicians and Mass Entertainment in American Culture, 1870-1929. University of Chicago Press, Chicago.

Halfyard, Janet K. (2017) “Crimson Peak: Monstrous Women and their Music”. In: Fear 2000: 21st century monsters, 21-22 April 2017, Sheffield Hallam University. (Unpublished)

Hefny, Noha Atef (2017) The Interaction Between Citizen Media and the Mainstream Media: Media Organisation in Egypt during 2011, 2012 & 2013. Doctoral thesis, Birmingham City University.

Jones, Hannah and Gunaratnam, Yasmin and Bhattacharyya, Gargi and Davies, Will and Dhaliwal, Sukhwant and Forkert, Kirsten and Jackson, Emma and Saltus, Roiyah (2017) Go home? The politics of immigration controversies. Manchester University Press, Manchester. ISBN 978-1-5261-1322-1

Long, Paul and Baker, Sarah and Istvandity, Lauren and Collins, J. (2017) A labour of love: the affective archives of popular music culture. Archives and Records, 38 (1). pp. 61-79. ISSN 2325-7962

Long, Paul and Barber, Simon (2017) Conceptualizing Creativity and Strategy in the Work of Professional Songwriters. Popular Music and Society, 40 (5). pp. 556-572. ISSN 0300-7766

Long, Paul and Thompson, Lauren (2017) Sound, Gown and Town: Students in the Economy and Culture of UK Popular Music. In: Students in Twentieth-Century Britain and Ireland. Springer, pp. 177-202. ISBN 978-3-319-58240-5

Marsden, Rachel Elizabeth Mary (2017) The Transcultural Curator: Translating Networked Curatorial Practices in the Chinese Context since 1980. Doctoral thesis, Birmingham City University.

Mercer, John (2017) Gay Pornography: Representations of Masculinity and Sexuality. Other. I. B. Tauris, London, UK.

Mercer, John (2017) The Love That Dare Not Speak Its Name: O Fanstasma and Erotomania. In: Tainted Love: Screening Sexual Perversion. I. B. Tauris, London, UK, pp. 32-46. ISBN 9781780761961

Mercer, John (2017) Popperbate: video collage, vernacular creativity and the scripting of the gay pornographic body. Porn Studies, 4 (2). pp. 242-256. ISSN 2326-8743

Milik, Oskar and Webber, Nick (2017) Barbarians at the Imperium Gates: Organizational Culture and Change in EVE Online. Journal of Virtual Worlds Research, 10 (3). ISSN 1941-8477

Naudin, Annette (2017) Cultural Entrepreneurs: Identity and becoming a cultural entrepreneur. International Journal of Entrepreneurial Venturing, 9 (3). p. 1. ISSN 1742-5360

Naudin, Annette (2017) Cultural Entrepreneurship: The Cultural Worker's Experience of Entrepreneurship. Routledge Series in Entrepreneurship . Routledge. ISBN 9781138215009

Naudin, Annette and Patel, Karen (2017) Entangled expertise: Women’s use of social media in entrepreneurial work. European Journal of Cultural Studies. ISSN 1367-5494

Noble, Denise (2017) Decolonizing and Feminizing Freedom: a Caribbean Genealogy. Documentation. Palgrave Macmillan, London, UK..

O'Connor, Jane and Mercer, John (2017) Childhood and Celebrity. Routledge, London. ISBN 9781138855274

Patel, Karen (2017) Expertise and Collaboration: Cultural Workers’ Performance on Social Media. In: Collaborative Production in the Creative Industries. University of Westminster Press, pp. 157-176. ISBN 978-1-911534-29-7

Potter, Jonathan (2017) Discourses of Vision in Nineteenth-Century Britain: Seeing, Thinking, Writing. Palgrave Studies in Nineteenth-Century Writing and Culture . Palgrave Macmillan. ISBN 978-3-319-89736-3

Raine, Sarah (2017) Noise: The Felt Quality of Sound. Riffs - Experimental Writing on Popular Music, 1 (1). pp. 49-51. ISSN 2513-8537

Saber, Dima and Long, Paul (2017) ‘I will not leave, my freedom is more precious than my blood’ From affect to precarity: crowd-sourced citizen archives as memories of the Syrian war. Archives and Records, 38 (1). pp. 80-99. ISSN 2325-7962

Stevens, E. Charlotte (2017) Curating a fan history of vampires: ‘What We Vid in the Shadows’ at VidUKon 2016. Journal of Adaptation in Film & Performance, 10 (3). pp. 263-275. ISSN 17536421

Stevens, E. Charlotte (2017) On Vidding: The Home Media Archive and Vernacular Historiography. In: Cult Media. Springer, pp. 143-159. ISBN 978-3-319-63678-8

Tomsett, Ellie (2017) Twenty-first century fumerist: Bridget Christie and the backlash against feminist comedy. Comedy Studies, 8 (1). pp. 57-67. ISSN 2040-610X

Turner, Jerome (2017) Being @borsetpolice: Autoethnographic Reflections on Archers Fan Fiction on Twitter. In: Custard, Culverts and Cake. Emerald Publishing, pp. 283-304.

Webber, Nick (2017) EVE Online’s war correspondents: player journalism as history. In: Fans and Videogames: History, Fandom, Archives. Routledge, pp. 93-110. ISBN 9781138679672

Whyton, Tony (2017) Moving to Higher Ground: The Changing Discourse of European Jazz 1960–1980. European Journal of Musicology, 16 (1). pp. 13-22. ISSN 2504-1916

Wilde, Poppy and Evans, Adrienne (2017) Empathy at play: Embodying posthuman subjectivities in gaming. Convergence, 25 (5-6). pp. 791-806. ISSN 1354-8565