Items where Division is "College of English and Media" and Year is 2024

Ashton, Daniel and Patel, Karen (2024) ‘People don’t buy art, they buy artists’: Robot artists–work, identity,and expertise. Convergence. ISSN 1354-8565

Carter, Oliver (2024) Soho’s ‘other’ film industry: Researching Hidden Screen Economies. Open Screens, 6 (3). ISSN 2516-2888

Coley, Sam (2024) Get things done: The commodification of David Bowie in 1983. Popular Culture Review, 35 (1). ISSN 2831-865X

Denny, Matt and Webber, Nick (2024) Not Actual Play: Examples of Play and Expectations of Experience in TTRPGs. PAIDIA. ISSN 2363-5630

Donald, Iain and Webber, Nick and Wright, Esther (2024) Video Games, Historical Representation and Soft Power. Journal of Gaming and Virtual Worlds, 15 (2). pp. 105-127. ISSN 1757-191X

Forkert, Kirsten and Nahaboo, Zaki (2024) The chronopolitics of the ‘Left Behind’: Presentism, populism, and Global Britain. Time and Society. ISSN 1461-7463

Gebhardt, Nicholas and Rushton, Richard (2024) Music, Miles Davis, and Theatricality. In: Theatricality and the Arts: Film, Theatre, Art. Edinburgh University Press, pp. 201-219. ISBN 9781399511650

Gee, Matt and Kehoe, Andrew and Renouf, Antoinette (2024) Establishing a ‘new normal’: detecting fluctuating trends in word frequency over time. In: Crossing Boundaries through Corpora. Innovative corpus approaches within and beyond linguistics. Studies in Corpus Linguistics, 119 . John Benjamins, pp. 125-152. ISBN 9789027215949

Hamer, Carla (2024) Reimagining Past Histories and Experiences through Performative Photography and Auto-ethnography. In: The Art of Research Conference VIII, 30th November -1st December 2023, Espoo, Finland.

Hawkes, Ross (2024) The semi-professional journalist: An investigation into the practice and experiences of independent local news journalists. Doctoral thesis, Birmingham City University.

Herbst, Jan-Peter and Ahlers, Michael and Barber, Simon (2024) ‘The song factories have closed!’: songwriting camps as spaces of collaborative creativity in the post-industrial age. Creative Industries Journal. ISSN 1751-0694

Herbst, Jan-Peter and Williams, Katherine and Tolstad, Ingrid and Barber, Simon (2024) The Benefits of Collaborative Popular Music Songwriting: A Spectrum of Artist-Songwriter Involvement. Popular Music and Society, 48 (1). pp. 1-24. ISSN 1740-1712

Issa, Islam (2024) Uncovering ‘Islamic Art’: al-Birūnī and the Ilkhanid Miniatures. Cankaya University Journal of Humanities and Social Sciences, 18 (1). pp. 157-162. ISSN 1309-6761

Kehoe, Andrew and Gee, Matt and Lutzky, Ursula (2024) From pre-owned printers to pristine Porsches - A corpus linguistic analysis of eBay item descriptions. International Journal of Corpus Linguistics. ISSN 1384-6655

Li, Mengqi (2024) Beyond Stereotypes: Exploring the Multi-layered Portray of China in and around Video Games. Doctoral thesis, Birmingham City University.

Makwambeni, Blessing and Matsilele, Trust (2024) Comedy as journalism in Zimbabwe. The European Journal of Humour Research, 12 (3). pp. 36-52. ISSN 2307-700X

Matsilele, Trust and Msimanga, Mbongeni Jonny and Tshuma, Lungile and Jamil, Sadia (2024) Reporting on Science in the Southern African Context: Exploring Influences on Journalistic Practice. Journal of Asian and African Studies. ISSN 0021-9096

McIntosh, Claire-Gillian (2024) Teaching Through Music: The Curriculum for Excellence and Interdisciplinary Learning. Doctoral thesis, Birmingham City University.

McKeon, Ed (2024) Scoring, Casting, Instilling: the Kunsthalle for Music. TURBA. ISSN 2693-0129

McLaren, Lauren and Tsatsou, Panayiota and Zhu, Yimei (2024) Blaming minorities during public health crises: post-COVID-19 substantive and methodological reflections from the UK. Ethnic and Racial Studies. pp. 1-23. ISSN 0141-9870

Potter, Jonathan (2024) Interpreters of the Real: Poems about Photographs in the Periodical Press, 1840–1860. Journal of Victorian Culture. ISSN 1355-5502

Saber, Dima and Al-Jaloud, Abdul Rahman (2024) The Syrian Archive Digital Memory Project: Archiving as Testimony, as Evidence, as Creative Practice. Visual Anthropology, 37 (1). pp. 19-34. ISSN 0894-9468

Sheppard, Daniel (2024) Gays, Women, and Chainsaws: Queer Approaches to Characterisation and Identification in Contemporary Slasher Film and Television, 1996-2019. Doctoral thesis, Birmingham City University.

Stevens, E. Charlotte and Webber, Nick (2024) Teaching With Fan Video. In: Routledge Handbook on Fan Video and Digital Authorship. Routledge. (In Press)

Stevens, E. Charlotte (2024) Chinese (Pseudo)Archaeology on Television: A Daomu Biji Case Study. In: Routledge Handbook of Archaeology and Media in the 21st Century. Routledge. ISBN 9781032105970

Stevens, E. Charlotte and Shacklock, Zoë (2024) Monstrous Mobilities and Predatory Perspectives: Drone Shots and the Gaze of Monsters. In: Drones in Society: New Visual Aesthetics. Palgrave Pivot. ISBN 9783031569838

Wilde, Poppy (2024) Posthumanist, post-apocalyptic, and post-anthropocentric possibilities: Kantian morals and posthuman ethics in My Friend is a Raven. Journal of Games Criticism, 16 (A). ISSN 2374-202X

Zhang, Shiyi and Tsatsou, Panayiota and McLaren, Lauren and Zhu, Yimei (2024) Comparing location-specific and location-open social media data: methodological lessons from a study of blaming of minorities on Twitter during the COVID-19 pandemic. Journal of Computational Social Science, 7 (3). pp. 2457-2479. ISSN 2432-2717