Browse by BCU Staff

Hunt, William (2022) From Byrd to Gibbons by way of Hooper: The performance of consort anthems from the golden era with illustrative reference to a critical edition of three anthems by Edmund Hooper. Doctoral thesis, Birmingham City University.

Perkins, Martin (2021) Music in Country Houses of the English Midlands, 1750–1810. Doctoral thesis, Birmingham City University.

Sadler, Graham (2018) Rameau and the Tax Farmers. In: Musiques en Liberté. l’École nationale des chartes, pp. 259-271. ISBN 9782357230989

Sadler, Graham (2018) Saint-Saëns, d’Indy and the Rameau Œuvres complètes. In: Historical interplay in French Music and Culture, 1860–1960. Routledge.

Sadler, Graham (2016) Rameau, Cahusac and the rituals of French freemasonry: curious parallels between Zoroastre and a contemporary masonic “exposure”. In: Rameau, entre art et science. École des Chartes.

Sadler, Graham (2015) ‘Even good Homer nods’: Marc-Antoine Charpentier’s Remarques sur les Messes a 16 Parties d’Italie and his copy of Beretta’s Missa Mirabiles elationes maris. Bulletin Charpentier, 5 (1). pp. 3-28. ISSN 1141-9822

Thompson, Shirley and Sadler, Graham (2015) The Italian Roots of Marc-Antoine Charpentier’s Harmonic Idiom. In: Europäische Musiker in Venedig, Rom und Neapel 1650-1750 / Les musiciens européens à Venise, Rome et Naples 1650-1750 / Musicisti europei a Venezia, Roma e Napoli 1650-1750. Bärenreiter, Kassel, pp. 546-570. ISBN 978-3-7618-2138-1

Sadler, Graham (2014) The Rameau Compendium. Boydell composer compendium series, 114 . Boydell Press. ISBN 1843839059

Sadler, Graham (2010) Charpentier’s Void Notation: The Italian Background and its Implications. In: New Perspectives on Marc-Antoine Charpentier. Ashgate, pp. 31-62. ISBN 9780754665793

Sadler, Graham (2009) The 'Orchestral' French Cantata (1706–1730): Performance, Edition and Classification of a Neglected Repertory. In: Aspects of the Secular Cantata in Late Baroque Italy. Ashgate, pp. 227-254. ISBN 9780754657941