Browse by BCU Staff

Article

Sadler, Graham (2015) ‘Even good Homer nods’: Marc-Antoine Charpentier’s Remarques sur les Messes a 16 Parties d’Italie and his copy of Beretta’s Missa Mirabiles elationes maris. Bulletin Charpentier, 5 (1). pp. 3-28. ISSN 1141-9822

Book Section

Sadler, Graham (2018) Rameau and the Tax Farmers. In: Musiques en Liberté. l’École nationale des chartes, pp. 259-271. ISBN 9782357230989

Sadler, Graham (2018) Saint-Saëns, d’Indy and the Rameau Œuvres complètes. In: Historical interplay in French Music and Culture, 1860–1960. Routledge.

Sadler, Graham (2016) Rameau, Cahusac and the rituals of French freemasonry: curious parallels between Zoroastre and a contemporary masonic “exposure”. In: Rameau, entre art et science. École des Chartes.

Thompson, Shirley and Sadler, Graham (2015) The Italian Roots of Marc-Antoine Charpentier’s Harmonic Idiom. In: Europäische Musiker in Venedig, Rom und Neapel 1650-1750 / Les musiciens européens à Venise, Rome et Naples 1650-1750 / Musicisti europei a Venezia, Roma e Napoli 1650-1750. Bärenreiter, Kassel, pp. 546-570. ISBN 978-3-7618-2138-1

Sadler, Graham (2010) Charpentier’s Void Notation: The Italian Background and its Implications. In: New Perspectives on Marc-Antoine Charpentier. Ashgate, pp. 31-62. ISBN 9780754665793

Sadler, Graham (2009) The 'Orchestral' French Cantata (1706–1730): Performance, Edition and Classification of a Neglected Repertory. In: Aspects of the Secular Cantata in Late Baroque Italy. Ashgate, pp. 227-254. ISBN 9780754657941

Book

Sadler, Graham (2014) The Rameau Compendium. Boydell composer compendium series, 114 . Boydell Press. ISBN 1843839059

Thesis

Hunt, William (2022) From Byrd to Gibbons by way of Hooper: The performance of consort anthems from the golden era with illustrative reference to a critical edition of three anthems by Edmund Hooper. Doctoral thesis, Birmingham City University.

Perkins, Martin (2021) Music in Country Houses of the English Midlands, 1750–1810. Doctoral thesis, Birmingham City University.