Browse by BCU Staff

Moss, Gemma (2021) Modernism, Music and the Politics of Aesthetics. Edinburgh University Press. ISBN 9781474429900

Moss, Gemma (2020) Popular Culture. In: The Edinburgh Companion to D. H. Lawrence and the Arts. Edinburgh University Press, Edinburgh, pp. 145-159. ISBN 9781474456623

Moss, Gemma (2020) Classical Music and Literature. In: Sound and Literature. Cambridge University Press, pp. 92-113. ISBN 9781108855532

Moss, Gemma (2020) Women in and out: Forster, Social Purity, and Florence Barger. In: Twenty-First-Century Readings of E. M. Forster's 'Maurice'. Liverpool University Press. ISBN 9781789621808

Moss, Gemma (2019) Pound as music theorist: Antheil and the Treatise on Harmony. In: Edinburgh Companion to Ezra Pound and the Arts. Edinburgh University Press. ISBN 9781474429177

Moss, Gemma (2017) Music, Noise, and the First World War in Ford Madox Ford’s Parade’s End. Modernist Cultures, 12 (1). pp. 59-77. ISSN 2041-1022

Moss, Gemma (2016) Music in E. M. Forster’s A Room with a View and Howards End: The Conflicting Presentation of Nineteenth-Century Aesthetics. English Literature in Transition, 1880-1920, 59 (4). pp. 493-509. ISSN 0013-8339

Moss, Gemma (2016) Music in e. m. forster's a room with a view and howards end: The conflicting presentation of nineteenth-century aesthetics. English Literature in Transition, 1880-1920, 59 (4). pp. 493-509. ISSN 00138339 (ISSN)

Moss, Gemma (2015) A "Beginning rather than an end:" Popular culture and modernity in D.H. Lawrence's St. Mawr. Journal of D. H. Lawrence Studies, 4 (1). pp. 119-139.