Browse by BCU Staff

Article

Moss, Gemma (2017) Music, Noise, and the First World War in Ford Madox Ford’s Parade’s End. Modernist Cultures, 12 (1). pp. 59-77. ISSN 2041-1022

Moss, Gemma (2016) Music in E. M. Forster’s A Room with a View and Howards End: The Conflicting Presentation of Nineteenth-Century Aesthetics. English Literature in Transition, 1880-1920, 59 (4). pp. 493-509. ISSN 0013-8339

Moss, Gemma (2016) Music in e. m. forster's a room with a view and howards end: The conflicting presentation of nineteenth-century aesthetics. English Literature in Transition, 1880-1920, 59 (4). pp. 493-509. ISSN 00138339 (ISSN)

Moss, Gemma (2015) A "Beginning rather than an end:" Popular culture and modernity in D.H. Lawrence's St. Mawr. Journal of D. H. Lawrence Studies, 4 (1). pp. 119-139.

Book Section

Moss, Gemma (2020) Popular Culture. In: The Edinburgh Companion to D. H. Lawrence and the Arts. Edinburgh University Press, Edinburgh, pp. 145-159. ISBN 9781474456623

Moss, Gemma (2020) Classical Music and Literature. In: Sound and Literature. Cambridge University Press, pp. 92-113. ISBN 9781108855532

Moss, Gemma (2020) Women in and out: Forster, Social Purity, and Florence Barger. In: Twenty-First-Century Readings of E. M. Forster's 'Maurice'. Liverpool University Press. ISBN 9781789621808

Moss, Gemma (2019) Pound as music theorist: Antheil and the Treatise on Harmony. In: Edinburgh Companion to Ezra Pound and the Arts. Edinburgh University Press. ISBN 9781474429177

Book

Moss, Gemma (2021) Modernism, Music and the Politics of Aesthetics. Edinburgh University Press. ISBN 9781474429900