Items where Subject is "V300 History by topic"

Up a level
Export as [feed] RSS
Group by: Creators | Item Type
Jump to: A | B | C | F | G | H | I | L | M | N | S | T | V | W
Number of items at this level: 69.

A

Ananisarab, Soudabeh (2018) Too True to Be Good at the 1932 Malvern Festival. SHAW: The Journal of Bernard Shaw Studies, 38 (1). pp. 48-65. ISSN 1553-6505

Archer, Caroline (2017) The Cambridge cult of the Baskerville Press. In: John Baskerville: art, industry & technology of the Enlightenment. Eighteenth Century Worlds . Liverpool University Press, Newcastle, pp. 206-221. ISBN 978-1-78694-064-3

Archer, Caroline (2000) The Kynoch Press: the anatomy of a printing house 1876-1981. British Library, London. ISBN 0712347046

Archer, Caroline (2018) Leonard Jay. In: Oxford Dictionary of National Biography. Oxford University Press, Oxford.

Archer, Caroline (2005) Paris underground. Mark Batty Publishers, New York. ISBN 0972424075

Archer, Caroline (2017) Paris: text and image underground. In: Text & Image in the City. Cambridge Scholars, Newcastle, pp. 3-24. ISBN 978-1-4438-4388-1

Archer, Caroline (2016) Printing and the printed word. In: Birmingham: workshop of the world. Liverpool University Press, Liverpool, pp. 261-282. ISBN 978-1-78138-247-9

Archer, Caroline (2003) Tart Cards: London's illicit advertising art. Mark Batty Publishers, New York. ISBN 0972424040

Archer, Caroline (2019) Type, typography and the typographer. In: A companion to the history of the book. Wiley-Blackwell, Oxford, pp. 81-94. ISBN 9781119018193

Archer, Caroline (2019) A brief history of type historians. In: Graphic Design Reader. Bloomsbury Visual Arts . Bloomsbury Academic, London. ISBN 9781472536204

Archer, Caroline and Day, Matthew (2017) From Codex to Computer. Book 2.0, 7 . Intellect Books, Bristol. ISBN 9772042802003

Archer, Caroline and Dick, Malcolm (2020) James Watt: Culture, Innovation and Enlightenment. Eighteenth Century Worlds . Liverpool University Press, Liverpool. ISBN 9781789620825

Archer, Caroline and Dick, Malcolm (2017) John Baskerville: art & industry of the Enlightenment. Eighteenth Century Worlds . University of Liverpool Press, Liverpool. ISBN 978-1-78694-064-3

Archer, Caroline and Dick, Malcolm (2020) Pen and Print: communication in the eighteenth century. Eighteenth Century Worlds . Liverpool University Press, Liverpool.

Archer, Caroline and Hinks, John (2019) Printing History and Culture in the Midlands. Midland History . Taylor & Francis, London.

Archer, Caroline and McKay, Barry (2015) A Black Letter Volume from the Home of the Roman Letter: a Venetian Missale Romanum of 1597 - a case study of the Archer copy. In: Religion and the Book Trade. Cambridge Scholars, Newcastle, pp. 29-44. ISBN 978-1-4438-7724-4

Archer, Caroline and Philips, Lisa (2015) Religion & the book trade. Cambridge Scholars, Newcastle. ISBN 978-1-4438-7724-4.

Archer-Parre, Caroline and Dick, Malcolm (2020) Introduction: pen, print and communication in the eighteenth century. In: Pen, print and communication in the eighteenth century. Eighteenth Century Worldsg . Liverpool University Press, Liverpool, pp. 1-10. ISBN 9781789622300

B

Botham, P. (2016) 'Look at the Ground and Imagine its Past': David Greig's History Plays. Contemporary Theatre Review, 26 (1). pp. 49-59. ISSN 10486801 (ISSN)

C

Carter, Marcus and Bergstrom, Kelly and Webber, Nick and Milik, Oskar (2016) EVE is real: how conceptions of the 'real' affect and reflect an online game community. Well Played, 5 (2). pp. 5-33. ISSN 2164-344X/2164-3458

Collins, J. (2015) Doing-it-together: Public history-making and activist archiving in online popular music community archives. In: Preserving Popular Music Heritage: Do-it-Yourself, Do-it-Together. Taylor and Francis Inc., pp. 77-90. ISBN 9781317670742 (ISBN); 9781138781436 (ISBN)

Collins, J. and Carter, O. (2015) "They're not pirates, they're archivists": The role of fans as curators and archivists of popular music heritage. In: Preserving Popular Music Heritage: Do-it-Yourself, Do-it-Together. Taylor and Francis Inc., pp. 126-138. ISBN 9781317670742 (ISBN); 9781138781436 (ISBN)

F

Fischer, Karl Friedhelm and Larkham, Peter J. (2018) Coventry: a model of modernist reconstruction. In: Windows upon planning history. Routledge, London, pp. 83-103. ISBN 978-1-4724-6956-4

G

Gebhardt, Nicholas (2010) Crossing Borders I: The historical context for Ravel's North American tour. In: Ravel Studies. Cambridge University Press, pp. 92-113. ISBN 9780521886970

Gebhardt, Nicholas (2013) Do you know what it means to miss New Orleans? Historical metaphors and mythical realities in Spike Lee’s "When the Levees Broke". Jazz Research Journal, 6 (2). pp. 113-128. ISSN 17538637

Gebhardt, Nicholas (2018) Jazz and Popular Music. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge, pp. 335-338. ISBN 9781316257678

Gebhardt, Nicholas (2016) A Time For Jazz: Narrative and History in Alan Lomax’s Mister Jelly Roll. In: New Jazz Conceptions History, Theory, Practice. Routledge, London, pp. 190-203. ISBN 9781848936096

Gebhardt, Nicholas (2012) When Jazz Was Foreign: Rethinking Jazz History. Jazzforschung, 44. ISSN 0075-3572

Gomez Arana, Arantza (2018) Ep. 8 - The History of Gibraltar and why it's problematic for a smooth Brexit. [Audio]

H

Hill, C.R. (2015) Nations of peace: Nuclear disarmament and the making of national identity in Scotland and Wales. Twentieth Century British History, 27 (1). pp. 26-50. ISSN 09552359 (ISSN)

I

Issa, Islam and Awan, Imran (2020) Rethinking Islamophobia: From Renaissance to WW1 to the Radical Right. Oxford Islamic Studies Online. (In Press)

L

Larkham, Peter J. (2018) Planning in Britain during and immediately after the Second World War: planners, processes and plans. Storia Urbana (158). pp. 35-59. ISSN 0391-2248

Larkham, Peter J. (2013) Visions for a new Birmingham. In: When We Build Again. Studies in International Planning History . Routledge. ISBN 978-0415815673

Long, P. (2015) "Really saying something?" what do we talk about when we talk about popular music heritage, memory, archives and the digital? In: Preserving Popular Music Heritage: Do-it-Yourself, Do-it-Together. Taylor and Francis Inc., pp. 62-76. ISBN 9781317670742 (ISBN); 9781138781436 (ISBN)

Long, P. and Wall, T. (2013) Tony Palmer's All You Need is Love: Television's first pop history. In: The Music Documentary: Acid Rock to Electropop. Taylor and Francis, pp. 25-41. ISBN 9780203118689 (ISBN)

Long, Paul (2009) 'Ephemeral Work’: Louis MacNeice and the Moment of ‘Pure Radio'. In: The Century's Wide Margin. Key Words 7: A Journal of Cultural Materialism, 7 . Raymond Williams Society. ISBN 978 0 95315 03-1-1

Long, Paul (2008) Only in the Common People: The Aesthetics of Class in Post-War Britain. Cambridge Scholars Publishing. ISBN 978-1-8471-8417-7

Long, Paul and Collins, Jez (2012) Mapping the Soundscapes of Popular Music Heritage. In: Mapping Cultures: Place, Practice, Performance. Palgrave Macmillan UK, pp. 144-160. ISBN 978-0-230-30113-9

M

May, Susan (2008) Christian Neoplatonism and early reform thought in the manuscripts and narrative murals of the Piccolomini Library. The Book Collector, 57 (3). pp. 371-399.

May, Susan (2017) The Commentaries of Pope Pius II (1458–1464) and the Crisis of the Fifteenth-Century Papacy, by Emily O’Brien. The English Historical Review, 132 (556). pp. 692-694. ISSN 0013-8266

May, Susan (2018) Dress and its significance in the decorative mural cycle of the Piccolomini Library (1502-8), Siena Cathedral. In: Culture, Costume and Dress: Proceedings of the 1st International Conference, 10-12 May 2017. Gold Word Publishing, e-book, pp. 55-64. ISBN 978-1-909379-26-8

May, Susan (2017) Establishing the Tudor dynasty: the role of Francesco Piccolomini in Rome as first Cardinal Protector of England. Royal Studies Journal, 4 (2). pp. 103-140. ISSN 2057-6730

May, Susan (2015) Mobilising mob mentality: the miracle of the relic of Saint Andrew. Zetesis, 2 (1). pp. 42-53. ISSN 2059-2582

May, Susan (2005) The Piccolomini Library in Siena Cathedral: a new reading with particular reference to two compartments of the vault decoration. Renaissance Studies, 19 (3). pp. 287-324. ISSN 0269-0213

May, Susan (2004) The Piccolomini Library in Siena Cathedral: questions of patronage and iconography considered in the light of Cardinal Francesco Piccolomini's humanism and theology. Papers of the British School at Rome, 72. pp. 369-370. ISSN 0068-2462

May, Susan (2018) Pruning and propagating civic behaviour: three feste in and around Santa Maria della Vittoria in Mantua, 1495-97. In: Architecture, Festival and the City. Routledge, pp. 17-34. ISBN 9781138362345

Milik, Oskar and Webber, Nick (2020) Feudal Alliances in a Hyper-Capitalist World: Power and Organization in EVE Online. Journal of Gaming and Virtual Worlds, 12 (2). ISSN 1757-191X (In Press)

N

Nahaboo, Zaki (2018) Remy Ollier and Imperial Citizenship. Interventions: International Journal of Postcolonial Studies, 20 (5). pp. 717-733. ISSN 1369-801X

Noszlopy, .George T and May, Susan (2007) Reflections on patronage, form, iconography and politics in Pinturicchio's 'Fossi altarpiece'. Arte Cristiana, 95 (842). pp. 343-360.

S

Sjølyst-Jackson,, P. (2013) Reframing history: Fiction and testimony in Roy Jacobsen's the loggers. In: Readings in Twenty-First-Century European Literatures. Peter Lang Publishing Group, pp. 161-180. ISBN 9783035304695 (ISBN); 3034308086 (ISBN); 9783034308083 (ISBN)

T

Taylor, Iain, Andrew (2020) ‘Well-worn Grooves’ – Music, Materiality, and Biographical Memory. Popular Music History, 12 (3). ISSN 1743-1646 (In Press)

V

Vaughan, Sian (2014) The Art School, Society of Artists and the City. In: in A Place for Art: the story of the Royal Birmingham Society of Artists,. RBSA, Birmingham, pp. 39-44.

Vaughan, Sian (2018) Art and sonic mining in the archives: methods for investigating the wartime history of Birmingham School of Art. History of Education, 47 (2). pp. 225-240. ISSN 0046-760X

Vaughan, Sian (2019) Art and sonic mining in the archives: methods for investigating the wartime history of Birmingham School of Art. In: Sight, Sound and Text in the History of Education. Routledge, London, pp. 75-90. ISBN 9780367194710

W

Wade, Alex (2019) Extended Play: Hands on With Forty Years of English Amusement Arcades. In: Hands on Media History: A new methodology in the humanities and social sciences. Routledge, Abingdon, pp. 145-159. ISBN 9781138577497

Walden, Lauren (2019) British Museum Ethnographic Photography at the 1936 International Surrealist Exhibition. Visual Resources, 36 (1). pp. 43-69. ISSN 0197-3762

Walden, Lauren (2017) From the "Rue des Nations" to the "Rue aux Lèvres" : the 1938 International Surrealist Exhibition Parody of the 1889 and 1900 World Fair cityscapes. MDCCC 1800, 6 (1). pp. 9-18. ISSN 2280-8841

Walden, Lauren (2018) Le surréalisme et la Chine : terrain inconnu. Histoire de l'art / publ.sous l'égide de l'Association des Professeurs d'Archéologie et d'Histoire de l'Art des Universités (APAHAU), avec le soutien de la Direction générale des patrimoines, de l'École du Louvre, de l'Institut national d'(TRUNCATED), 82 (82). pp. 157-168. ISSN 0992-2059

Walden, Lauren (2017) Transmediality in Symbolist and Surrealist Photo-Literature. Open Cultural Studies, 1 (1). pp. 214-231. ISSN 2451-3474

Wall, Tim (2008) Rocking Around the Clock: Teenage Dance Fads from 1955 to 1965. In: Ballroom, Boogie, Shimmy Sham, Shake: A Social and Popular Dance Reader. University of Illinois Press, pp. 182-198. ISBN 978-0-252-07565-0

Wall, Tim and Webber, Nick (2014) Changing Cultural Coordinates: The Transistor Radio and Space / Time / Identity. In: The Oxford Handbook of Mobile Music Studies. Oxford University Press, pp. 118-131. ISBN 9780195375725

Wall, Tim and Webber, Nick (2014) Personal Listening Pleasures. In: Routledge Companion to British Media History. Routledge, pp. 539-549. ISBN 9780415537186

Wall, Tim and Webber, Nick (2020) Rock ‘n’ Roll: Cars, Convergence and Culture. In: Popular Music and Automobiles. Bloomsbury, pp. 15-32. ISBN 9781501352300

Webber, Nick (2016) EVE Online as History. In: Internet Spaceships are Serious Business: An EVE Online Reader. University of Minnesota Press, pp. 189-209. ISBN 978-0-8166-9908-7

Webber, Nick (2017) EVE Online’s war correspondents: player journalism as history. In: Fans and Videogames: History, Fandom, Archives. Routledge, pp. 93-110. ISBN 9781138679672

Webber, Nick and Long, Paul (2014) The Last Post: British Press Representations of Veterans of the Great War. Media, War and Conflict, 7 (3). pp. 273-290. ISSN 1750-6352

Webber, Nick and Stevens, E. Charlotte (2019) History, Fandom, and Online Game Communities. In: Historia Ludens: The Playing Historian. Routledge.

Whyton, Tony (2017) Moving to Higher Ground: The Changing Discourse of European Jazz 1960–1980. European Journal of Musicology, 16 (1). pp. 13-22. ISSN 2504-1916

Whyton, Tony (2018) Routledge Companion to Jazz Studies. In: The Routledge Companion to Jazz Studies. Routledge, New York. ISBN 9781138231160

This list was generated on Tue Sep 29 21:17:12 2020 UTC.

Research

In this section...