Labouring under inauthentic conceptions: Some caveats to the predominant visions of artistic and contractual freedom

Mason, Luke (2019) Labouring under inauthentic conceptions: Some caveats to the predominant visions of artistic and contractual freedom. Caveat.

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Abstract

Contracts and artists have a similar recent history: their emergence as dominant visions of human existence and human ways of life have accompanied the ‘long enlightenment’ in the West, from the late medieval period to our own confusing late-modern times. While recognisably contractual and artistic forms have existed in all recorded human history, they have by no means possessed the conceptual coherence and prominence which they now have.

Item Type:	Article
Dates:	Date Event 1 November 2019 Accepted 16 December 2019 Published
Uncontrolled Keywords:	Law; Art; Relational contracts
Subjects:	CAH15 - social sciences > CAH15-02 - economics > CAH15-02-01 - economics CAH16 - law > CAH16-01 - law > CAH16-01-01 - law CAH25 - design, and creative and performing arts > CAH25-01 - creative arts and design > CAH25-01-05 - others in creative arts and design
Divisions:	Faculty of Business, Law and Social Sciences > School of Law
Depositing User:	Luke Mason
Date Deposited:	19 Nov 2019 12:04
Last Modified:	12 Jan 2022 17:20
URI:	https://www.open-access.bcu.ac.uk/id/eprint/8433

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• Labouring under inauthentic conceptions: Some caveats to the predominant visions of artistic and contractual freedom. (deposited 12 Nov 2019 10:26)
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