Items where Subject is "CAH24 - media, journalism and communications > CAH24-01 - media, journalism and communications > CAH24-01-05 - media studies"

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Afshar, Sahar (2023) Gurmukhi printing types: an historical analysis of British design, development, and distribution in the nineteenth and twentieth centuries. Doctoral thesis, Birmingham City University.

Akinbobola, Yemisi (2020) Defining African Feminism(s) while #BeingFemaleinNigeria. African Diaspora. ISSN 1872-5457

Akinbobola, Yemisi (2019) Neoliberal feminism in Africa. Soundings, 71 (71). pp. 50-61. ISSN 10.3898/SOUN.71.04.2019

Akinbobola, Yemisi (2015) Theorising the African digital public sphere: a West African odyssey. African Journalism Studies, 36 (4). pp. 47-65. ISSN 2374-3670

Ashton, Daniel and Patel, Karen (2020) Girls' Bedroom Cultures. In: The International Encyclopedia of Gender, Media, and Communication. Wiley. ISBN 9781119429104

Ashton, Daniel and Patel, Karen (2024) ‘People don’t buy art, they buy artists’: Robot artists–work, identity,and expertise. Convergence. ISSN 1354-8565

Ashton, Daniel and Patel, Karen (2018) Vlogging Careers: Everyday Expertise, Collaboration and Authenticity. In: The New Normal of Working Lives: Critical Studies in Contemporary Work and Employment. Palgrave Macmillan, pp. 147-169. ISBN 978-3-319-66037-0, 978-3-319-66038-7

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Baker, S. and Collins, J. (2015) Sustaining popular musics material culture in community archives and museums. International Journal of Heritage Studies, 21 (10). pp. 983-996. ISSN 13527258 (ISSN)

Barber, Simon (2016) The Brill Building and the creative labour of the professional songwriter. In: The Cambridge Companion to the Singer-Songwriter. Cambridge University Press, pp. 67-77. ISBN 9781316569207

Barber, Simon (2017) The House Companion. Arrow Films, London.

Barber, Simon (2018) My Jazz World: The Rise and Fall of a Digital Utopia. In: The Routledge Companion to Jazz Studies. Routledge Music Companions . Routledge, New York, pp. 455-464. ISBN 9781138231160

Barber, Simon (2017) Professional Songwriting Techniques: A Range of Views from the Sodajerker Interviews. In: The Singer-Songwriter Handbook. Bloomsbury, pp. 51-68. ISBN 9781628920291

Barber, Simon (2010) Smooth jazz: a case study in the relationships between commercial radio formats, audience research and music production. Radio Journal:International Studies in Broadcast & Audio Media, 8 (1). pp. 51-70. ISSN 14764504

Barber, Simon (2012) Soundstream: The Introduction of Commercial Digital Recording Technologies in the United States. Journal on the Art of Record Production, 7. ISSN 1754-9892

Barber, Simon and Hamilton, Craig (2022) Rate and review: Exploring listener motivations for engagement with music podcasts. Radio Journal: International Studies in Broadcast & Audio Media, 20 (1). pp. 17-32. ISSN 1476-4504

Barber, Simon and O'Connor, Brian (2016) The Secrets of Songwriting. [Audio]

Barber, Simon and Wall, Tim (2012) The collective organization of contemporary jazz musicians in the UK. Jazz Research Journal, 5 (1-2). ISSN 17538637

Barlow, Charlotte and Lynes, Adam (2015) (The Good), The Bad and The Ugly: The Visual Construction of Female Child Sex-offenders. Journalism and Mass Communication, 5 (9). pp. 480-494. ISSN 2160-6579

Bennett, Peter and Kendall, Alex and McDougall, Julian (2011) After the Media: Culture and Identity in the 21st Century. Routledge. ISBN 9780415586832

Bettison, Emily (2020) The Creation of Creativity in Radio: How does radio as an industry define, practice and negotiate creativity? Doctoral thesis, Birmingham City University.

Bore, I.-L.K. (2010) Undermining comediennes: Audience perceptions of women in TV comedy. Feminist Media Studies, 10 (4). pp. 481-485. ISSN 14680777 (ISSN)

Bore, I.-L.K. and Hickman, J. (2013) Studying fan activities on twitter: Reflections on methodological issues emerging from a case study on the west wing fandom. First Monday, 18 (9). ISSN 13960466 (ISSN)

Bore, Inger-Lise Kalviknes and Reid, Grace (2014) Laughing in the Face of Climate Change? Satire as a Device for Engaging Audiences in Public Debate. Science Communication, 36 (4). pp. 454-478. ISSN 1075-5470

Bradshaw, Paul (2016) Chilling Effect: Regional journalists’ source protection and information security practice in the wake of the Snowden and Regulation of Investigatory Powers Act (RIPA) revelations. Digital Journalism, 5 (3). pp. 334-352.

Bradshaw, Paul (2017) The Online Journalism Handbook: Skills to survive and thrive in the digital age. Routledge, Oxon. ISBN 9781138791565

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Carter, Marcus and Bergstrom, Kelly and Webber, Nick and Milik, Oskar (2016) EVE is real: how conceptions of the 'real' affect and reflect an online game community. Well Played, 5 (2). pp. 5-33. ISSN 2164-344X/2164-3458

Carter, Oliver (2017) A Labour of Love: Fantrepreneurship in Home Video Media Distribution. In: DVD, Blu-ray and Beyond: Navigating Formats and Platforms within Media Consumption. Palgrave MacMillan, pp. 197-293. ISBN 978-3-319-62757-1

Carter, Oliver (2013) Making European cult cinema: fan production in an alternative economy. Doctoral thesis, Birmingham City University.

Carter, Oliver (2018) Original Climax Films: historicizing the British hardcore pornography film business. Porn Studies, 5 (4). pp. 411-425. ISSN 2326-8751

Carter, Oliver (2023) Pure cheek: the Ben Dover story. Porn Studies. pp. 1-11. ISSN 2326-8743

Carter, Oliver (2022) Satisfaction Guaranteed: Your Choice and the Transnational Distribution of Hardcore Pornography Between the Netherlands and Britain. Enterprise and Society. ISSN 1467-2227

Carter, Oliver (2021) The Watford Blue Movie Trial: Regulating Rollers in 1970s Britain. Porn Studies. ISSN 2326-8743

Carter, Oliver and Barber, Simon (2017) The Dragon Lives Again: Distributing ‘Bruceploitation. In: Cult Media: Re-packaged, Re-released and Restored. Palgrave Macmillan, pp. 161-180. ISBN 978-3-319-63678-8

Carter, Oliver and Barber, Simon (2017) The Dragon Lives Again: Distributing ‘Bruceploitation’ via Home Entertainment. In: Cult Media. Springer, pp. 161-180. ISBN 978-3-319-63678-8

Carter, Oliver and Coley, S. (2013) Sound and vision: Radio documentary, fandom, and new participatory cultures. In: The Music Documentary: Acid Rock to Electropop. Taylor and Francis, pp. 55-68. ISBN 9780203118689 (ISBN)

Chan, H.M. (2016) The Appreciation of Film: The Postwar Film Society Movement and Film Culture in Britain. Historical Journal of Film, Radio and Television, 36 (4). pp. 698-702. ISSN 0143-9685

Chan, H.M. (2017) Revisiting Film Ontology: Cinema Approaching Reality: Locating Chinese Film Theory. Senses of Cinema, 82. ISSN 1443-4059

Chan, Hiu Man (2013) Mobile Fantasy: Miyazaki’s Transnational Magic. In: Mobility and Fantasy in Visual Culture. Routledge Advances in Art and Visual Studies . Routledge, pp. 91-101. ISBN 978-0-415-82129-2

Charles, Rachel-Ann (2015) Can community media programmes serve as developmental approaches for at-risk youth? Cultural Science Journal, 8 (1). pp. 41-54. ISSN 1836-0416

Cleeve, Sam (2017) Bird in the wire: creativity, resistance, networked citizenships. Digital Creativity. ISSN 1744-3806

Cleeve, Sam (2017) Review: Michiel Kamp, Tim Summers and Mark Sweeney (eds.), Ludomusicology: Approaches to Video Game Music. IASPM@Journal, 7 (1). pp. 119-122. ISSN 2079-3871

Cleeve, Sam (2017) Review: Raphaël Nowak's Consuming Music in the Digital Age: Technologies, Roles and Everyday Life. Popular Music, 36 (3). pp. 448-450. ISSN 0261-1430

Coley, S. (2018) Freelance Radio Practices: Producing Music Documentaries for Commercial Radio. Doctoral thesis, Birmingham City University.

Coley, S. (2020) Parade: A La Recherche De Nouveaux Sons. Spectrum: A Journal on Black Men, 7 (2). pp. 63-82. ISSN 21623244

Coley, Sam (2021) Prince Is on the Radio! On-air Influences and Online Legacies. AMP: American Music Perspectives, 2 (1). pp. 15-35. ISSN 2688-3635

Coley, Samuel (2021) Music Documentaries for Radio. Routledge, United Kingdom. ISBN 9780367226220

Collie, H and Commane, G (2020) ‘Assume the position: two queens stand before me’: RuPaul as Ultimate Queen. Celebrity Studies. ISSN 1939-2397

Collins, J. (2015) Doing-it-together: Public history-making and activist archiving in online popular music community archives. In: Preserving Popular Music Heritage: Do-it-Yourself, Do-it-Together. Taylor and Francis Inc., pp. 77-90. ISBN 9781317670742 (ISBN); 9781138781436 (ISBN)

Collins, J. (2017) Review: Afropop Worldwide: http://www.afropop.org Electric Jive: http://electricjive.blogspot.com.au. Journal of World Popular Music, 4 (1). pp. 110-115. ISSN 2052-4900

Collins, J. and Carter, Oliver (2015) "They're not pirates, they're archivists": The role of fans as curators and archivists of popular music heritage. In: Preserving Popular Music Heritage: Do-it-Yourself, Do-it-Together. Taylor and Francis Inc., pp. 126-138. ISBN 9781317670742 (ISBN); 9781138781436 (ISBN)

Cook, James and Kolassa, Alex and Whittaker, Adam (2015) Representations of Early Music on Stage and Screen: a Brief Introduction. Early Music Performer (36). pp. 19-21. ISSN 1477-478X

Cravinho, Pedro (2016) Historical overview of the development of jazz in Portugal, in the first half of the twentieth century. Jazz Research Journal, 10 (2). pp. 75-108. ISSN 1753-8637

Cravinho, Pedro and Cravinho, Pedro (2020) The ‘Black Angel’ in Lisbon: Josephine Baker challenges Salazar, live on television. EU-topías. A Journal on Interculturality, Communication, and European Studies, 18. pp. 121-131. ISSN 2174-8454

Cushion, S. and Thomas, R. and Kilby, A. and Morani, M. and Sambrook, R. (2016) Interpreting the Media Logic behind Editorial Decisions: Television News Coverage of the 2015 U.K. General Election Campaign. The International Journal of Press/Politics, 21 (4). pp. 472-489. ISSN 1940-1612

Cushion, Stephen and Kilby, Allaina and Thomas, Richard and Morani, Marina and Sambrook, Richard (2016) Newspapers, Impartiality and Television News. Journalism Studies. pp. 1-20. ISSN 1461-670X

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Dakka, Fadia (2023) Voice and Listening as Techniques of Political Life. Journal of Sonic Studies, 24. ISSN 2212–6252

Davies, Faye Patricia (2016) What promotional and textual discourses are constructed over the production lifecycle of ‘The L Word’ and how do audiences respond to producer decisions within such discursive constructions? Doctoral thesis, Birmingham City University.

Dawson Varughese, E. and Dudrah, Rajinder (2016) Introduction: Graphic Novels and Visual Cultures in South Asia. South Asian Popular Culture, 14 (1-2). pp. 1-5. ISSN 1474-6689

Dines, Mike and Grimes, Matt R. (2021) “Message From Thee Temple”: Magick, Occultism, Mysticism, and Psychic TV. In: Exploring the Spiritual in Popular Music: Beatified Beats. Bloomsbury Studies in Religion and Popular Music . Bloomsbury Academic, London. ISBN 9781350086920

Dolhasz, Alan (2021) Perceptually-based Modelling for Image Composite Harmonisation. Doctoral thesis, Birmingham City University.

Donald, Iain and Webber, Nick and Wright, Esther (2024) Video Games, Historical Representation and Soft Power. Journal of Gaming and Virtual Worlds, 15 (2). pp. 105-127. ISSN 1757-191X

Downey, Anthony (2014) Art and Politics Now. Thames and Hudson, London and New York. ISBN 978-0-500-29147-4

Downey, Anthony (2015) Dissonant Archives: Contemporary Visual Culture and Contested Narratives in the Middle East. Visual Culture in the Middle East, 02 . IB Tauris, London and New York. ISBN 978-1-784-53-4110

Downey, Anthony (2016) Future Imperfect: Contemporary Art Practices and Cultural Institutions in the Middle East. Visual Culture in the Middle East, 03 . Sternberg Press, Berlin, Germany. ISBN 978-3-95679-246-5

Downey, Anthony and K, Hiwa and Ali, Bakir and Ginwala, Natasha and Abu Hamdan, Lawrence and Gruijthuijsen, Krist and Mertens, Heike Catherina and Ndikung, Bonaventure Soh Bejeng and Szyłak, Aneta (2017) Don't Shrink Me to the Size of a Bullet: The Works of Hiwa K, edited by Anthony Downey (Walther König Verlag, 2017). Other. Walther König Verlag, London.

Dubber, A. (2015) Collective practice and digital mediation. In: The Cultural Politics of Jazz Collectives: This Is Our Music. Taylor and Francis Inc., pp. 219-235. ISBN 9781317672715 (ISBN); 9781138780620 (ISBN)

Dudrah, Rajinder (2016) “Balle-Balle, Balle-Balle”: Fashion – British bhangra style. Atlantic Studies, 13 (4). pp. 491-511. ISSN 1478-8810

Dudrah, Rajinder (2021) The Geri-Actions of the Aging Amitabh Bachchan. Journal of Popular Film and Television, 49 (3). pp. 136-143. ISSN 0195-6051

Dudrah, Rajinder (2023) Live and let live: The Black 007 in No Time To Die. Journal of Postcolonial Writing. ISSN 1744-9855

Dudrah, Rajinder (2023) Musical Numbers in Bollywood Cinema’s Homeland and Diaspora. In: When Music Takes Over in Film. Palgrave Macmillan, Switzerland, pp. 117-139. ISBN 9783030891558

Dudrah, Rajinder (2017) Slanguages: Languages in the Creative Economy. [Show/Exhibition]

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English, Angela (2020) On the periphery: archive film, public history and memory in places and spaces on the borders of London. Doctoral thesis, Birmingham City University.

el Houri, W. and Saber, Dima (2010) Filming Resistance: A Hezbollah Strategy. Radical History Review, 2010 (106). pp. 70-85. ISSN 0163-6545

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Forkert, Kirsten (2013) Artistic lives: A study of creativity in two European cities. Artistic Lives: A Study of Creativity in Two European Cities . Ashgate Publishing Ltd, pp. 1-157. ISBN 9781409450009 (ISBN)

Forkert, Kirsten (2016) Austere Creativity and Volunteer-run Public Services: The Case of Lewisham's Libraries. New Formations, 87 (87). pp. 11-28. ISSN 09502378

Forkert, Kirsten (2017) Austerity as public mood: Social anxieties and social struggles. Other. Rowman and Littlefield International, London.

Forkert, Kirsten (2013) The persistence of bohemia. City: Analysis of Urban Trends, Culture, Theory, Policy, Action, 17 (2). pp. 149-163. ISSN 1360-4813

Forkert, Kirsten and Huxtable, Jason and Nahaboo, Zaki and Nulman, Eugene and Wilde, Poppy and Windsor, Esther (2022) Revisiting Edward Said’s Representations of the Intellectual: A Roundtable for Perspectives on Academic Activism. Philosophy and Theory in Higher Education, 4 (2). pp. 167-186. ISSN 2578-5753

Forkert, Kirsten and Lopes, A. (2015) Unwaged posts in UK universities: Controversies and campaigns. TripleC, 13 (2). pp. 533-553. ISSN 1726670X

Forkert, Kirsten and Nahaboo, Zaki (2024) The chronopolitics of the ‘Left Behind’: Presentism, populism, and Global Britain. Time and Society. ISSN 1461-7463

Freeman, M. (2015) Author-as-franchise-product: Edgar rice burroughs inc and tarzan as historical branded entertainment. In: Engaging Consumers through Branded Entertainment and Convergent Media. IGI Global, pp. 53-73. ISBN 9781466683433 (ISBN); 1466683422 (ISBN); 9781466683426 (ISBN)

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Gebhardt, Nicholas (2010) Crossing Borders I: The historical context for Ravel's North American tour. In: Ravel Studies. Cambridge University Press, pp. 92-113. ISBN 9780521886970

Gebhardt, Nicholas (2013) Do you know what it means to miss New Orleans? Historical metaphors and mythical realities in Spike Lee’s "When the Levees Broke". Jazz Research Journal, 6 (2). pp. 113-128. ISSN 17538637

Gebhardt, Nicholas (2018) Friends and Neighbors: Jazz and Everyday Aesthetics. In: Routledge Companion To Jazz Studies. Routledge, New York, pp. 389-398. ISBN 9781138231160

Gebhardt, Nicholas (2015) Introduction: Jazz as a collective problem. The Cultural Politics of Jazz Collectives: This Is Our Music. pp. 1-15. ISSN 9781317672715 (ISBN); 9781138780620 (ISBN)

Gebhardt, Nicholas (2011) Introduction: The collective problem in jazz. Jazz Research Journal, 5 (1-2). ISSN 17538637

Gebhardt, Nicholas (2015) 'Let there be rock!' Myth and ideology in the rock festivals of the transatlantic counterculture. In: The Pop Festival History, Music, Media, Culture. Bloomsbury, London, pp. 49-58. ISBN 9781628921984

Gebhardt, Nicholas (2017) Vaudeville Melodies: Popular Musicians and Mass Entertainment in American Culture, 1870-1929. University of Chicago Press, Chicago.

Gebhardt, Nicholas (2012) When Jazz Was Foreign: Rethinking Jazz History. Jazzforschung, 44. ISSN 0075-3572

Gebhardt, Nicholas and Whyton, Tony (2015) The cultural politics of jazz collectives: This is our music. The Cultural Politics of Jazz Collectives: This Is Our Music . Taylor and Francis Inc., pp. 1-250. ISBN 9781317672715 (ISBN); 9781138780620 (ISBN)

Gough, K. and Harte, D. and Jackson, V. (2014) “I think it’s mad sometimes”–unveiling attitudes to identity creation and network building by media studies students on facebook. In: An Education in Facebook?: Higher Education and the World's Largest Social Network. Taylor and Francis, pp. 132-141. ISBN 9781315883458 (ISBN); 9780415713177 (ISBN)

Graefer, Anne (2016) The work of humour in affective capitalism: A case study of celebrity gossip blogs. Ephemera: Theory and Politics in Organisation, 16 (4). pp. 143-162. ISSN 1473-2866

Grieshofer, Tatiana (2022) Lay advisers in family law settings: The role and quality of advice provided on social media. Social & Legal Studies. ISSN 0964-6639

Grimes, Matt R. (2015) Call it Crass but There Is No Authority But Yourself: De-canonizing punk’s underbelly. Punk and Post-Punk, 4 (2). pp. 189-204. ISSN 2044-1983

Grimes, Matt R. (2020) Call it Crass but There Is No Authority But Yourself: De-canonizing punk’s underbelly. In: Punk Now!! Contemporary Perspectives On Punk. Intellect, Bristol, pp. 185-203. ISBN 9781789381740

Grimes, Matt R. (2022) Chumbawamba "Tubthumping". In: One-Hit Wonders: An Oblique History of Popular Music. Bloomsbury Academic, New York, pp. 221-232. ISBN 9781501368417

Grimes, Matt R. (2016) From Protest to Resistance: British anarcho-punk fanzines (1980-1984) as sites of resistance and symbols of defiance. In: The Aesthetics of Our Anger. Anarcho-Punk, Politics and Music, 1979-84. Minor Compositions/Autonomedia, Colchester/ New York/ Port Watson, pp. 157-178. ISBN 9781570273186

Grimes, Matt R. (2020) “Life We Make”: Identity, Memory and British Anarcho-Punk. Doctoral thesis, Birmingham City University.

Grimes, Matt R. and Dines, Mike (2020) Punk Now! Contemporary Perspectives on Punk. Intellect, Bristol. ISBN 9781789381740

Grimes, Matt R. and Stevenson, S (2012) Radio as a Tool for Rehabilitation and Social Inclusion. In: Radio and society: New Thinking for an Old Medium. Cambridge Scholars press, Newcastle Upon Tyne, pp. 179-196. ISBN 9781443836074

Grimes, Matt R. and Wall, Tim (2015) Punk 'zines: 'Symbols of defiance' from the print to the digital age. In: Fight Back: Punk, Politics and Resistance. Manchester University Press, Manchester, pp. 287-303. ISBN 9780719090295

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Halfyard, Janet K. (2017) “Crimson Peak: Monstrous Women and their Music”. In: Fear 2000: 21st century monsters, 21-22 April 2017, Sheffield Hallam University. (Unpublished)

Halfyard, Janet K. (2015) ‘Listen to the Bloody Music: Scoring Women in Vampire TV from Buffy to Hemlock Grove.’. In: aughter of Fangdom: a Conference on Women and the TV Vampire, April 2015, University of Roehampton. (Unpublished)

Halfyard, Janet K. (2016) “The Sound of Whedon: the influence of Joss Whedon’s early television series on TV scoring”. In: Sixth biennial Slayage conference on the Whedonverses, July 2016, Kingston University, UK. (Unpublished)

Hamilton, Craig (2019) The Harkive Project: popular music reception, digital technologies, and data analysis. In: The experience of listening to music: methodologies, identities, histories. The Open University, Milton Keynes.

Hamilton, Craig (2019) Popular music, digital technologies and data analysis: New methods and questions. Convergence, 25 (2). pp. 225-240. ISSN 13548565 (ISSN)

Hamilton, Craig and Raine, Sarah (2020) Popular Music Reception: Tools of Future-Making, Spaces, and Possibilities of Being. In: Metaphors of Internet: Ways of Being in the Age of Ubiquity. Digital Formations . Peter Lang. ISBN 9781433174520

Hamourtziadou, Lily (2023) Iraq 20 years on: death came from the skies on March 19 2003 – and the killing continues to this day. The Conversation.

Hamourtziadou, Lily and Dardagan, Hamit and Sloboda, John (2021) Death in Baghdad. Iraq Body Count website.

Harte, David (2016) ‘Tell it like it is’: The role of community not-for-profit media in regeneration and reputational change. Ethical Space, 13 (2). pp. 35-47.

Harte, David (2023) Unraveling the discourses of hyperlocal journalism. In: Local Journalism: Critical Perspectives on the Provincial Newspaper. Taylor & Francis, pp. 32-45. ISBN 9781138366336

Harte, David and Long, Paul and Naudin, Annette (2019) The university as intermediary for the creative economy: Pedagogues, policy-makers and creative workers in the curriculum. Arts and Humanities in Higher Education, 18 (2-3). pp. 120-139. ISSN 14740222

Harte, David and Turner, Jerome and Williams, Andy (2016) Discourses of Enterprise in Hyperlocal Community News in the UK. Journalism Practice, 10 (2). pp. 233-250. ISSN 1751-2786

Harte, David and Williams, Andy and Turner, Jerome (2016) Reciprocity and the Hyperlocal Journalist. Journalism Practice, 11 (2-3). pp. 160-176. ISSN 1751-2786

Hefny, Noha Atef (2017) The Interaction Between Citizen Media and the Mainstream Media: Media Organisation in Egypt during 2011, 2012 & 2013. Doctoral thesis, Birmingham City University.

Heritage, Frazer (2022) Magical women: Representations of female characters in the Witcher video game series. Discourse, Context and Media, 49. p. 100627. ISSN 2211-6958

Heritage, Frazer (2022) Politics, pronouns, and the players: Examining how videogame players react to the inclusion of a transgender character in World of Warcraft. Gender and Language, 16 (1). pp. 26-51. ISSN 1747-6321

Heritage, Frazer (2022) Public and private discourses of lesbians: exploring the discourses surrounding lesbians in the spoken BNC2014 and the British press in 2017. Journal of Corpora and Discourse Studies, 5 (1). pp. 61-89. ISSN 2515-0251

Hettiarachchi, Hansi (2023) Text Embedding-based Event Detection for Social and News Media. Doctoral thesis, Birmingham City University.

Hinksman, Alexander (2022) Creative Mastering: A New Culture of Audio Post-Production. Doctoral thesis, Birmingham City University.

Hoffin, Kevin (2018) Decay as a Black Metal Symbol. Metal Music Studies, 4 (1). pp. 81-94. ISSN 20523998

Hoffin, Kevin (2020) Glocalization, bricolage and black metal: Towards a music-centric youth culture simultaneously exemplifying the global and the glocal. Metal Music Studies, 6 (1). ISSN 2052-3998

Hoffin, Kevin (2014) "Sans compassion nor will to answer whoever asketh the why": Personal sovereignty within black metal. Metal Music Studies, 5 (2). ISSN 20523998

Hoffin, Kevin (2019) ‘Sans compassion nor will to answer whoever asketh the why’: Personal sovereignty within black metal. Metal Music Studies, 5 (2). pp. 151-162. ISSN 20523998

Howson, Rebecca L. (2023) The Printing Types. A practice based study of design principles in experimental letterpress. Doctoral thesis, Birmingham City University.

Hussein, Nazia (2018) Rethinking New Womanhood: Practices of gender, class, culture and religion in South Asia. In: Rethinking New Womanhood: Practices of Gender, Class, Culture and Religion in South Asia. Palgrave Macmillan. ISBN 978319678993

Hussein, Nazia and Hussain, Saba (2016) Beauty Queens and Hindu Militants: Indian Women’s Negotiation with Neoliberalism and Hindu Nationalism. Exchanges: Warwick Research Journal.

Hussein, Nazia and Hussain, Saba (2019) The (im)possibility of decolonising gender in South Asia: a reading of Bollywood’s ‘new women’. Third World Thematics. ISSN 2379-9978

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Igwe, Ezinne (2018) Formalizing Nollywood: Gentrification in the Contemporary Nigerian Film Industry. Doctoral thesis, Birmingham City University.

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Jackson, Vanessa (2022) Frocks and Powder Puffs. Women's History Today, 3 (5). pp. 13-22. ISSN 2752-6704

Jackson, Vanessa (2022) Interview with David Waine (1944-2021) Head of Network Production Centre/Head of Broadcasting, BBC Pebble Mill, 1983-1994. Critical Studies in Television: The International Journal of Television Studies, 17 (1). pp. 63-75. ISSN 1749-6020

Jackson, Vanessa (2021) ‘There is Still Some Work to be Done, But We’ve Come a Long Way’: The Changing Position of Women in Technical Television Jobs. Women's History Review. ISSN 0961-2025

Jackson, Vanessa (2022) You just had to put your big-girl pants on and get on with it. Representology: The Journal of Media and Diversity, 3. pp. 39-40.

Jones, Hannah and Gunaratnam, Yasmin and Bhattacharyya, Gargi and Davies, Will and Dhaliwal, Sukhwant and Forkert, Kirsten and Jackson, Emma and Saltus, Roiyah (2017) Go home? The politics of immigration controversies. Manchester University Press, Manchester. ISBN 978-1-5261-1322-1

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Kalviknes Bore, I.-L. (2010) TV comedy audiences and media technology: A comparative study of Britain and Norway. Convergence, 16 (2). pp. 185-200. ISSN 13548565 (ISSN)

Kalviknes Bore, I.-L. (2011) Transnational TV Comedy Audiences. Television & New Media, 12 (4). pp. 347-369. ISSN 1527-4764

Kendall, Alex and murphy, Geraldine (2015) “Definitions don’t matter” : digital literacy and the undoing of Subject Media? Media Education Research Journal (MERJ), 5 (2). pp. 42-58.

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La Virgne, Samia (2021) Lust and Disgust: Reimagining Injurious Representations and Experiences of Black Actresses in the U.K. and U.S. Doctoral thesis, Birmingham City University.

Lawson, Robert (2016) A different drum: Social media and the communication of sociolinguistic research. In: Sociolinguistic Research: Application and Impact. Taylor and Francis Inc., pp. 171-192. ISBN 9781317371106 (ISBN); 9780415748506 (ISBN)

Long, Paul (2009) 'Ephemeral Work’: Louis MacNeice and the Moment of ‘Pure Radio'. In: The Century's Wide Margin. Key Words 7: A Journal of Cultural Materialism, 7 . Raymond Williams Society. ISBN 978 0 95315 03-1-1

Long, Paul (2010) 'I think it's over now': The Fall, John Peel, popular music and radio. In: Mark E. Smith and The Fall: Art, Music and Politics. Ashgate Publishing Ltd, pp. 157-167. ISBN 9780754668626 (ISBN)

Long, Paul (2008) Only in the Common People: The Aesthetics of Class in Post-War Britain. Cambridge Scholars Publishing. ISBN 978-1-8471-8417-7

Long, Paul (2015) "Really saying something?" what do we talk about when we talk about popular music heritage, memory, archives and the digital? In: Preserving Popular Music Heritage: Do-it-Yourself, Do-it-Together. Taylor and Francis Inc., pp. 62-76. ISBN 9781317670742 (ISBN); 9781138781436 (ISBN)

Long, Paul (2011) Representing Race and Place: Black Midlanders on Television in the 1960s and 1970s. Midland History, 36 (2). pp. 262-277. ISSN 0047-729X

Long, Paul and Baig-Clifford, Yasmeen and Shannon, Roger (2013) ‘What We’re Trying to Do is Make Popular Politics’: The Birmingham Film and Video Workshop. Historical Journal of Film, Radio and Television, 33 (3). pp. 377-395. ISSN 0143-9685

Long, Paul and Baker, Sarah and Istvandity, Lauren and Collins, J. (2017) A labour of love: the affective archives of popular music culture. Archives and Records, 38 (1). pp. 61-79. ISSN 2325-7962

Long, Paul and Barber, Simon (2017) Conceptualizing Creativity and Strategy in the Work of Professional Songwriters. Popular Music and Society, 40 (5). pp. 556-572. ISSN 0300-7766

Long, Paul and Barber, Simon (2015) Voicing passion: The emotional economy of songwriting. European Journal of Cultural Studies, 18 (2). pp. 142-157. ISSN 1367-5494

Long, Paul and Collins, J. (2016) Affective Memories of Music In Online Heritage Practice. In: Memory, Space, Sound. Studies on Popular Culture . Intellect, Bristol, UK, pp. 85-101. ISBN 978-1-78320-602-5

Long, Paul and Collins, Jez (2012) Mapping the Soundscapes of Popular Music Heritage. In: Mapping Cultures: Place, Practice, Performance. Palgrave Macmillan UK, pp. 144-160. ISBN 978-0-230-30113-9

Long, Paul and Harding, S. (2015) Cross intermediation? Policy, creative industries and cultures across the EU. In: Creative Economies, Creative Communities: Rethinking Place, Policy and Practice. Ashgate Publishing Ltd, pp. 171-188. ISBN 9781472451385 (ISBN); 9781472451378 (ISBN)

Long, Paul and Naudin, Annette (2019) Producing Values Impact Hub Birmingham as Co-working and Social Innovation Space. In: Creative Hubs in Question. Dynamics of Virtual Work. Dynamics of Virtual Work . Palgrave Macmillan, London, pp. 211-227. ISBN 9783030106522

Long, Paul and Thompson, Lauren (2017) Sound, Gown and Town: Students in the Economy and Culture of UK Popular Music. In: Students in Twentieth-Century Britain and Ireland. Springer, pp. 177-202. ISBN 978-3-319-58240-5

Long, Paul and Wall, Tim (2013) Tony Palmer's All You Need is Love: Television's first pop history. In: The Music Documentary: Acid Rock to Electropop. Taylor and Francis, pp. 25-41. ISBN 9780203118689 (ISBN)

Long, Paul and Webber, Nick (2018) ‘...and then there was one’ Cultural Representations of the Last British Veteran of the Great War. Journal of War and Culture Studies, 12 (2). pp. 139-155. ISSN 1752-6272

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Mannion, Frank (2023) The Dependent Film Distributor: The Role of Entrepreneurship and the Experiential in the UK and Irish Theatrical Film Sector. Doctoral thesis, Birmingham City University.

McKeon, Ed (2022) Coming to Our Senses: from the birth of the curator function to curating live arts. TURBA, 1 (1). pp. 28-43. ISSN 2693-0129

McKeon, Ed (2023) Cura, the Curatorial and Paradoxes of Care. Performance Research, 27 (6-7). pp. 174-182. ISSN 1352-8165

McKeon, Ed (2024) Scoring, Casting, Instilling: the Kunsthalle for Music. TURBA. ISSN 2693-0129 (In Press)

Mendik, Xavier (2014) Beneath Still Waters: Brian Yuzna’s Ritual Return in Indonesian Cinema. A Philippine Journal of Communication, Media, and Society, 11 (2). pp. 140-161. ISSN 1656-2534

Mendik, Xavier (2023) Ginger snaps back: generic permutations of porn performance within the films of Ginger Lynn Allen. Porn Studies. ISSN 2326-8743

Mendik, Xavier (2021) Shocking Canadian Cinema of the 70s: An Interview with William Fruet. In: Shocking Cinema of the 70s. Bloomsbury, pp. 189-201. ISBN 9781350136311

Mendik, Xavier (2021) Tax Shelter Terrors: Cinépix and the Hidden History of 1970s Canadian Horror. In: Shocking Cinema of the 70s. Bloomsbury, pp. 161-189. ISBN 9781350136311

Mendik, Xavier and Marlow-Mann, Alex (2016) Death, Desire and Dania: Satire, Sexuality and Erotic Mobility in 1970s and 1980s Italy. Cine-Excess Ejournal, 1 (2). pp. 114-140. ISSN 2053-0706

Mercer, John (2012) Coming of age: Problematizing gay porn and the eroticized older man. Journal of Gender Studies, 21 (3). pp. 313-326. ISSN 0958-9236

Mercer, John (2017) Gay Pornography: Representations of Masculinity and Sexuality. Other. I. B. Tauris, London, UK.

Mercer, John (2011) Gay for Pay: The Internet and the Economics of Homosexual Desire. In: The Handbook of Gender, Sex and Media. Handbooks in Communication and Media . John Wiley & Sons, Inc., pp. 535-551. ISBN 978-1-4443-3854-6

Mercer, John (2013) Introduction: Sex and the celebrity. Celebrity Studies, 4 (1). pp. 1-3. ISSN 19392397 (ISSN)

Mercer, John (2017) The Love That Dare Not Speak Its Name: O Fanstasma and Erotomania. In: Tainted Love: Screening Sexual Perversion. I. B. Tauris, London, UK, pp. 32-46. ISBN 9781780761961

Mercer, John (2017) Popperbate: video collage, vernacular creativity and the scripting of the gay pornographic body. Porn Studies, 4 (2). pp. 242-256. ISSN 2326-8743

Mercer, John (2012) Power Bottom: Performativity in Commercial Gay Pornographic Video. In: Hard to Swallow: Hard-Core Pornography on Screen. Columbia University Press, pp. 215-228. ISBN 9780231162135

Mercer, John (2015) Rock Hudson: Star Studies. Other. BFI Publishing, London, UK.

Mercer, John (2014) The Secret History: Porn Archives, Personal Collections and British Universities. Porn Studies, 1 (4). pp. 411-415. ISSN 2326-8743

Mercer, John (2018) Sex positivity and the persistence of shame. Sexualities, 21 (8). pp. 1304-1307. ISSN 1363-4607

Mercer, John (2013) The enigma of the male sex symbol. Celebrity Studies, 4 (1). pp. 81-91. ISSN 1939-2397

Mercer, John and Attwood, Feona (2018) The Metrosexual: Figures of Masculinity. In: Routledge Companion Media, Sex and Sexuality. Routledge Media and Cultural Studies Companions . Routledge, London, UK, pp. 343-351. ISBN 9781138777217

Mercer, John and Jeffers-McDonald, Tamar (2014) DVD audio commentary for All That Heaven Allows (Douglas Sirk, USA, 1955). [Video]

Mercer, John and Light, Ben and Hakim, Jamie and Moore, Karenza and Garwood-Cross, Lisa and Katz, Rachel and Hinds, Rachel and Upton, Mika (2023) The Covid Sex Lives Project: Health Messaging, Hooking Up And Dating Among Men Who Have Sex With Men During The UK COVID-19 Pandemic. Project Report. University of Salford.

Mercer, John and Sarson, Charlie (2020) Fifteen Seconds of Fame: Rupaul’s Drag Race, Camp, and ‘Memeability’. Celebrity Studies. ISSN 1939-2397

Mercer, John and Sarson, Charlie and Hakim, Jamie (2020) “Charisma, Uniqueness, Nerve and Talent”: RuPaul’s Drag Race and the Cultural Politics of Fame. Celebrity Studies. ISSN 1939-2397

Metherell, Lisa (2020) 'Unspeakable Acts': Coming Out as Werewolf. In: New Queer Horror: Film and Television. University of Wales Press, Cardiff, pp. 189-203. ISBN 9781786836267

Milik, Oskar and Webber, Nick (2017) Barbarians at the Imperium Gates: Organizational Culture and Change in EVE Online. Journal of Virtual Worlds Research, 10 (3). ISSN 1941-8477

Milik, Oskar and Webber, Nick (2020) Feudal Alliances in a Hyper-Capitalist World: Power and Organization in EVE Online. Journal of Gaming and Virtual Worlds, 12 (2). pp. 165-181. ISSN 1757-191X

Moerken, Christian (2022) The Cultural Value of The Analogue Fiction Book in the Digital Age. Doctoral thesis, Birmingham City University.

Morrish, J. and Bradshaw, Paul (2012) Magazine editing: In print and online, third edition. Magazine Editing: In Print and Online, Third Edition . Taylor and Francis, pp. 1-282. ISBN 9780203804643 (ISBN)

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Naudin, Annette (2017) Cultural Entrepreneurs: Identity and becoming a cultural entrepreneur. International Journal of Entrepreneurial Venturing, 9 (3). p. 1. ISSN 1742-5360

Naudin, Annette (2017) Cultural Entrepreneurship: The Cultural Worker's Experience of Entrepreneurship. Routledge Series in Entrepreneurship . Routledge. ISBN 9781138215009

Naudin, Annette (2013) Media enterprise in higher education: A laboratory for learning. In: Cultural Work and Higher Education. Palgrave Macmillan UK, pp. 110-130. ISBN 978-1-137-01393-4

Naudin, Annette and Patel, Karen (2017) Entangled expertise: Women’s use of social media in entrepreneurial work. European Journal of Cultural Studies. ISSN 1367-5494

Noble, Denise (2017) Decolonizing and Feminizing Freedom: a Caribbean Genealogy. Documentation. Palgrave Macmillan, London, UK..

Nulman, Eugene (2021) Coronavirus Capitalism Goes to the Cinema. Routledge, London. ISBN 9781032002750

Nulman, Eugene (2015) Media exposure of novel protests: domestic femininity in news coverage of the Great Railway Adventure protests. Media, Culture & Society, 37 (6). pp. 922-936. ISSN 0163-4437

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O'Connor, Jane (2014) Children and Media. In: An Introduction to Early Childhood. Sage Publications, pp. 166-180. ISBN 9781446254851

O'Connor, Jane (2014) An analysis of British Newspaper Coverage of the Teenage Swimming Gold Medallists at the London 2012 Olympics. Journal of Children and Media, 8 (2). pp. 95-109. ISSN 1748-2798

O'Connor, Jane and Fotakopoulou, Olga and Johnston, Kelly and Kewalramani, Sarika and Ludgate, Shannon (2023) Resisting hyperreality? talking to young children about YouTube and YouTube Kids. Contemporary Issues in Early Childhood. ISSN 1463-9491

O'Connor, Jane and Mercer, John (2017) Childhood and Celebrity. Routledge, London. ISBN 9781138855274

Obia, Vincent (2023) Regulatory Annexation and the Matrix of Dependence: The Regulation of Social Media in Nigeria. Doctoral thesis, Birmingham City University.

Oliver, Carter (2023) Investigating the Illicit: The material traces of Britain’s early trade in obscene 8mm films. In: Media Materialities: Form, Format and Ephemeral Meaning. Intellect, Bristol, pp. 21-40. ISBN 9781789388176

Oyeleye, A. (2014) Lost and found? Globalised neoliberalism and global youth resistance. Critical Arts, 28 (1). pp. 57-68. ISSN 02560046 (ISSN)

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Patel, Karen (2022) Book review of Platforms and Cultural Production. Journal of Consumer Culture. ISSN 1469-5405

Patel, Karen (2017) Expertise and Collaboration: Cultural Workers’ Performance on Social Media. In: Collaborative Production in the Creative Industries. University of Westminster Press, pp. 157-176. ISBN 978-1-911534-29-7

Patel, Karen (2022) "I want to be judged on my work, I don't want to be judged as a person": Inequality, expertise and cultural value in UK craft. European Journal of Cultural Studies, 25 (6). pp. 1556-1571. ISSN 1367-5494

Patel, Karen (2022) In conversation with Deirdre Figueiredo MBE, Director of Craftspace. European Journal of Cultural Studies, 25 (6). pp. 1652-1664. ISSN 1367-5494

Patel, Karen (2018) The Politics of Expertise in Cultural Labour. Doctoral thesis, Birmingham City University.

Patel, Karen (2020) The Politics of Expertise in Cultural Labour: Arts, Work and Inequalities. Rowman and Littlefield International. ISBN 9781786612502

Patel, Karen and Dudrah, Rajinder (2022) Special issue introduction: Craft Economies and Inequalities. European Journal of Cultural Studies, 25 (6). pp. 1549-1555. ISSN 1367-5494

Patel, Karen and Naudin, Annette (2018) Diversity and Cultural Leadership in the West Midlands: A report for the West Midlands Leadership Commission. West Midlands Leadership Commission.

Petley, Julian and Mendik, Xavier (2021) New Shocks to the System: An Introduction to Shocking Cinema of the 70s. In: Shocking Cinema of the 70s. Bloomsbury, pp. 1-33. ISBN 9781350136311

Pettinger, Lynne and Forkert, Kirsten and Goffey, Andrew (2016) The promises of creative industry higher education: An analysis of university prospectuses in Malaysia. International Journal of Cultural Policy. pp. 1-19. ISSN 1028-6632

Pillai, Nic (2015) Among My Souvenirs: Couples, Conventions and the America to Come in ‘The Best Years of Our Lives’. Movie: A Journal of Film Criticism, 2 (6). pp. 53-62. ISSN 2047-1661

Pillai, Nicolas and Jackson, Vanessa (2021) How Television Works - Discourses, Determinants and Dynamics Arising From the Re-enactment of Jazz 625. Journal of Popular Television, 9 (1). pp. 139-157. ISSN 1539-7785

Potter, Jonathan (2017) Discourses of Vision in Nineteenth-Century Britain: Seeing, Thinking, Writing. Palgrave Studies in Nineteenth-Century Writing and Culture . Palgrave Macmillan. ISBN 978-3-319-89736-3

Potter, Jonathan (2024) Interpreters of the Real: Poems about Photographs in the Periodical Press, 1840–1860. Journal of Victorian Culture. ISSN 1355-5502

Potter, Jonathan (2016) The Stereoscope and Popular Fiction: Imagination and Narrative in the Victorian Home. Journal of Victorian Culture, 21 (3). pp. 346-362. ISSN 1355-5502

Potter, Jonathan (2018) Visuality. Victorian Literature and Culture, 46 (3-4). pp. 933-937. ISSN 1060-1503

Pow, Kadian L. (2021) ’The woman saying this is Black like us’: Black Women’s Fandom and Intersectionality Discourse on Tumblr. Doctoral thesis, Birmingham City University.

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Raine, Sarah (2019) ‘Back in the Day’: Experiencing and Retelling the Past as a Claim to Belong in the Current Northern Soul Scene. In: Remembering Popular Music’s Past: Memory-Heritage-History. Anthem Press. ISBN 9781783089703

Raine, Sarah (2017) Noise: The Felt Quality of Sound. Riffs - Experimental Writing on Popular Music, 1 (1). pp. 49-51. ISSN 2513-8537

Raine, Sarah and Wall, Tim (2019) Myths On/Of The Northern Soul Scene. In: The Northern Soul Scene. Equinox Publishing. ISBN ISBN 9781781795583

Robinson, Jill (2021) Constructive Disruption: Young people’s engagement with data and policymaking. Doctoral thesis, Birmingham City University.

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Saber, Dima (2016) From pan-Arab nationalism to political Islam: A Ricoeurian reading of Al Jazeera’s coverage of the ‘6th Arab-Israeli war’ in Lebanon. Journal of Arab & Muslim Media Research, 9 (1). pp. 81-98. ISSN 17519411

Saber, Dima (2019) Refugee Writing, Refugee History: Locating the Refugee Archive in the Making of a History of the Syrian War. In: Refugee Imaginaries Research Across the Humanities. Edinburgh University Press, pp. 444-462. ISBN 9781474443197

Saber, Dima and Al-Jaloud, Abdul Rahman (2024) The Syrian Archive Digital Memory Project: Archiving as Testimony, as Evidence, as Creative Practice. Visual Anthropology, 37 (1). pp. 19-34. ISSN 0894-9468

Saber, Dima and Long, Paul (2017) ‘I will not leave, my freedom is more precious than my blood’ From affect to precarity: crowd-sourced citizen archives as memories of the Syrian war. Archives and Records, 38 (1). pp. 80-99. ISSN 2325-7962

Saber, Dima and Webber, Nick (2016) 'This is our Call of Duty': hegemony, history and resistant videogames in the Middle East. Media, Culture & Society. pp. 1-17. ISSN 0163-4437

Sarson, Charlie (2020) ‘Hey man, how’s u?’: Masculine Speech and Straight-Acting Gay Men Online. Journal of Gender Studies. ISSN 0958-9236

Sarson, Charlie (2019) 'The Neighbourhood Cums: Ding Dong! Dick's Here!': SketchySex and the online/offline cultures of group sex between gay men. Porn Studies. ISSN 2326-8751

Seiwald, Regina (2021) Down with the Commies: Anti-Communist Propaganda in American Cold War Video Games. PAIDIA. ISSN 2363-5630

Seiwald, Regina and Wade, Alex (2022) The Cold War Will Not Take Place: The Cold War in Non-Western Videogames. Studies in Eastern European Cinema. pp. 1-16. ISSN 2040-350X

Sivak, Kateryna (2023) The Informal Screen Media Economy of Ukraine. Doctoral thesis, Birmingham City University.

Stevens, E. Charlotte (2024) Chinese (Pseudo)Archaeology on Television: A Daomu Biji Case Study. In: Routledge Handbook of Archaeology and Media in the 21st Century. Routledge. ISBN 9781032105970

Stevens, E. Charlotte (2017) Curating a fan history of vampires: ‘What We Vid in the Shadows’ at VidUKon 2016. Journal of Adaptation in Film & Performance, 10 (3). pp. 263-275. ISSN 17536421

Stevens, E. Charlotte (2022) Fanvids. In: The Routledge Handbook of Star Trek. Routledge, New York and London, pp. 251-257. ISBN 9780367366674

Stevens, E. Charlotte (2020) Fanvids: Television, Women, and Home Media Re-Use. Amsterdam University Press, Amsterdam, The Netherlands. ISBN 9789462985865

Stevens, E. Charlotte (2021) Haters Gonna Hate: Fanvid Adaptations of Slings & Arrows Villains. In: Slings & Arrows: Performing Shakespeare as Canada. University of Toronto Press. (In Press)

Stevens, E. Charlotte (2021) Historical Binge-Watching: Marathon Viewing on Videotape. In: Binge-Watching and Contemporary Television Research. Edinburgh University Press, pp. 23-39. ISBN 9781474461986

Stevens, E. Charlotte (2017) On Vidding: The Home Media Archive and Vernacular Historiography. In: Cult Media. Springer, pp. 143-159. ISBN 978-3-319-63678-8

Stevens, E. Charlotte (2020) “Researching Starsky and Hutch is exquisite torture”: Female Television Audiences and 1980s Letterzines. Alphaville: Journal of Film and Screen Media, 20. ISSN 2009-4078

Stevens, E. Charlotte (2023) Short Take 4: Materialities of Television History. In: Media Materialities: Form, Format, and Ephemeral Meaning. Intellect. ISBN 9781789388176

Stevens, E. Charlotte (2015) To Watch Wonder Woman. Feminist Media Studies, 15 (5). pp. 900-903. ISSN 1468-0777

Stevens, E. Charlotte (2023) Video Game Fanvids as Paratexts and as Texts. In: (Not) in the Game: History, Paratexts, and Games. Video Games and the Humanities . De Gruyter Oldenbourg, pp. 119-135. ISBN 9783110737691

Stevens, E. Charlotte (2021) Video Game to Streaming Series: The Case of Castlevania on Netflix. In: Global TV Horror. University of Wales Press. ISBN 9781786836946

Stevens, E. Charlotte and Shacklock, Zoë (2024) Monstrous Mobilities and Predatory Perspectives: Drone Shots and the Gaze of Monsters. In: Drones in Society: New Visual Aesthetics. Palgrave Pivot. ISBN 9783031569838

Stevens, E. Charlotte and Webber, Nick (2022) The Fan-Historian. Transformative Works and Cultures, 37. ISSN 1941-2258

Svegaard, Sebastian F. K. (2022) "All the Feels!”: Music, Critique and Affect in Fanmade Music Videos. Doctoral thesis, Birmingham City University.

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Taylor, Iain A. (2021) Curating exhausted commodities: A case study of We Buy White Albums. Popular Music History, 13 (1-2). pp. 126-146. ISSN 1743-1646

Taylor, Iain A. (2020) ‘Well-worn Grooves’ – Music, Materiality, and Biographical Memory. Popular Music History, 12 (3). ISSN 1743-1646

Taylor, Iain A. and Raine, Sarah and Hamilton, Craig (2020) COVID-19 and the UK Live Music Industry: A Crisis of Spatial Materiality. The Journal of Media Art Study and Theory, 1 (2). pp. 219-241. ISSN 2691-1566

Taylor, Iain A. and Raine, Sarah and Hamilton, Craig (2021) Crisis as a Catalyst for Change: COVID-19, Spatiality and the UK Live Music Industry. IASPM@Journal, 11 (1). pp. 6-21. ISSN 2079-3871

Tomsett, Ellie (2022) “Less dick jokes”: Women-only comedy line-ups, audience expectations and stereotypes. In: Alternative Comedy Now and Then: Critical Perspectives. Palgrave Studies in Comedy (1). Palgrave. ISBN 9783030973506

Tomsett, Ellie (2018) Positives and negatives: reclaiming the female body and self-deprecation in stand-up comedy. Comedy Studies, 9 (1). pp. 6-18. ISSN 2040-610X

Tomsett, Ellie (2021) Special Editorial. Comedy Studies, 12 (2). pp. 121-138. ISSN 2040-6118

Tomsett, Ellie (2017) Twenty-first century fumerist: Bridget Christie and the backlash against feminist comedy. Comedy Studies, 8 (1). pp. 57-67. ISSN 2040-610X

Tomsett, Ellie and Weidhase, Nathalie (2023) Independent Women: The impact of pop divas on stand-up comedy. In: Diva: Feminism and Fierceness from pop to hip hop. Bloomsbury, London, pp. 262-276. ISBN 9781501368264

Tomsett, Ellie and Weidhase, Nathalie (2020) A Sign of the Times: Humorous Slogans and Imagery in Modern Day Political Protest. In: Resist! Protest Media and Popular Culture in the Brexit-Trump Era. Experiments/On the Political . Rowman and Littlefield, London. ISBN 9781786615701

Tong, Daniel (2021) Reinterpreting Beethoven: Contemporary Compositional and Performance Responses to the Violin Sonatas (1798–1812). Doctoral thesis, Birmingham City University.

Tsado, Jacob Shaibu (2016) Reporting violence or mediating peace? The Nigerian press and the dilemma of peace building in a democracy. Doctoral thesis, Birmingham City University.

Turner, Jerome (2017) Being @borsetpolice: Autoethnographic Reflections on Archers Fan Fiction on Twitter. In: Custard, Culverts and Cake. Emerald Publishing, pp. 283-304.

Turner, Jerome (2021) From Newsworthiness to Shareworthiness: Understanding Local News Value Judgements Through an Ethnographic Study of Hyperlocal Media Facebook Page Audiences. In: News Values from an Audience Perspective. Palgrave Macmillan, pp. 165-186. ISBN 9783030450465

Turner, Jerome (2015) Good dog, bad dog: Exploring audience uses and attitudes to hyperlocal community news media through the prism of banal pet stories. ANTHROPOLOGICAL NOTEBOOKS, 21 (3). pp. 39-50. ISSN 1408-032X

Turner, Jerome (2018) Hyperlocal Community Media Audiences: An Ethnographic Study of Local Media Spaces and Their Place in Everyday Life. Doctoral thesis, Birmingham City University.

Turner, Jerome and Harte, David (2020) Hyperlocal Media. In: The Routledge Encyclopedia of Citizen Media. Routledge, pp. 202-206. ISBN 9781138665569

Turner, Jerome and Saber, Dima (2021) Understanding factors and barriers to alternative media development in emerging economies: Learning from the Check Global project. First Monday, 26 (2). ISSN 1396-0466

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Vitali, Valentina (2021) B & C Circuit. Bioscope: South Asian Screen Studies, 12 (1-2). pp. 31-34. ISSN 0974-9276

Vitali, Valentina (2023) Foreword. In: Women in East Asian Cinema: Gender Representations, Creative Labour and Global Histories. Edinburgh University Press, Edinburgh, xiii-xvii. ISBN 9781399504928

Vitali, Valentina (2022) South Asian Cinema and VOD Network. WordPress / Ionos, London.

Vitali, Valentina (2023) South Asian Women's Cinema: between Festivals and Streaming. NO NIIN (16). ISSN 2814-4082

van der Hoeven, Arno and Behr, Adam and Hamilton, Craig and Mulder, Martijn and Rozbicka, Patrycja (2021) 1-2-3-4! Measuring the values of live music: methods, models and motivations. Arts and The Market. ISSN 2056-4945

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Wade, Alex (2015) Dots, fruit, speed and pills: the Happy Consciousness of Pac-Man. Journal for Cultural Research, 19 (3). pp. 248-261. ISSN 1479-7585

Wade, Alex (2015) Driving, Dashboards and Dromology: Analysing 1980s Videogames Using Paul Virilio’s Theory of Speed. Fast Capitalism, 12 (1). ISSN 1930-014X

Wade, Alex (2019) Extended Play: Hands on With Forty Years of English Amusement Arcades. In: Hands on Media History: A new methodology in the humanities and social sciences. Routledge, Abingdon, pp. 145-159. ISBN 9781138577497

Wade, Alex (2022) The Gunning Man: Science Fiction in the Videogames of Eugene Jarvis. Science Fiction Film and Television, 15 (1). pp. 61-79. ISSN 1754-3770

Wade, Alex (2018) The Midnight Sun of the Cold War: Terror and World War Three in Theatre Europe. International Journal of Baudrillard Studies, 15 (1). ISSN 1705-6411

Wade, Alex (2018) The Pac-Man Principle: A User's Guide to Capitalism. Zero Books, Abingdon. ISBN 9781785356056

Wade, Alex (2021) The Perfect Crime? Anthropology and Liminality in Joker. In: Breaking Down Joker: Violence, Loneliness and Tragedy. Routledge Advances in Film Studies . Routledge, London, pp. 146-157. ISBN 9780367774240

Wade, Alex (2016) Playback – A Genealogy of 1980s British Videogames. Bloomsbury. ISBN 9781628924862

Wade, Alex (2022) Red Threads: Robert Maxwell and the Early UK and International Videogames Industry. Game Studies, 21 (4). ISSN 1604-7982

Wade, Alex (2014) Social Metaphors and Meaning in Fourth Order Simulacra. International Journal of Baudrillard Studies, 11 (1). ISSN 1705-6411

Wade, Alex and Webber, Nick (2016) A future for game histories? Cogent Arts & Humanities, 3 (1). pp. 1-11. ISSN 2331-1983

Wade, Alex and Whittaker, Adam (2023) Stamp of Approval: A Prosopography of the UK Midlands Videogame Industry. In: Media Materialities. Intellect Books, Bristol. ISBN 9781789388176

Walden, Lauren (2023) Lola Álvarez Bravo: Subverting Surrealist Photography in Mexico. Photography and Culture. pp. 1-25. ISSN 1751-4517

Wall, Tim (2012) Duke Ellington, Radio Remotes, and the Mediation of Big City Nightlife, 1927 to 1933. Jazz Perspectives, 6 (1-2). pp. 197-222. ISSN 1749-4060

Wall, Tim (2013) Editorial. Radio Journal, 11 (2). pp. 101-103. ISSN 1476-4504

Wall, Tim (2013) Mobilising specialist music fans online. In: Content Cultures: Transformations of User Generated Content in Public Service Broadcasting. IB Tauris. ISBN 9781780765136

Wall, Tim (2018) Radio sound. In: The Routledge Companion To Sound Studies. Routledge, Abingdon and New York, pp. 380-390. ISBN 978-1-138-85425-3

Wall, Tim (2008) Rocking Around the Clock: Teenage Dance Fads from 1955 to 1965. In: Ballroom, Boogie, Shimmy Sham, Shake: A Social and Popular Dance Reader. University of Illinois Press, pp. 182-198. ISBN 978-0-252-07565-0

Wall, Tim (2013) The X factor. In: Barthes' Mythologies Today: Readings of Contemporary Culture. Taylor and Francis, pp. 19-23. ISBN 9780203568422 (ISBN)

Wall, Tim and Barber, Simon (2015) Collective cultures and live jazz in Birmingham. In: The Cultural Politics of Jazz Collectives: This Is Our Music. Taylor and Francis Inc., pp. 117-131. ISBN 9781317672715 (ISBN); 9781138780620 (ISBN)

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Wall, Tim and Dubber, Andrew (2009) Specialist music, public service and the BBC in the Internet age. Radio Journal:International Studies in Broadcast & Audio Media, 7 (1). pp. 27-47. ISSN 14764504

Wall, Tim and Long, Paul (2009) Jazz Britannia: mediating the story of British jazz on television. Jazz Research Journal, 3 (2). ISSN 17538637

Wall, Tim and Long, Paul (2014) Sight and sound in concert? the interrelationship between music and television. In: The SAGE Handbook of Popular Music. SAGE Publications Inc., pp. 456-474. ISBN 9781473910362 (ISBN); 9781446210857 (ISBN)

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Webber, Nick (2019) Archives of role-playing’s personal pasts. Analog Game Studies, 2019. ISSN 2643-7112

Webber, Nick (2018) The Britishness of 'British Video Games'. International Journal of Cultural Policy. ISSN 1028-6632

Webber, Nick (2016) EVE Online as History. In: Internet Spaceships are Serious Business: An EVE Online Reader. University of Minnesota Press, pp. 189-209. ISBN 978-0-8166-9908-7

Webber, Nick (2017) EVE Online’s war correspondents: player journalism as history. In: Fans and Videogames: History, Fandom, Archives. Routledge, pp. 93-110. ISBN 9781138679672

Webber, Nick (2014) Law, culture and massively multiplayer online games. International Review of Law, Computers and Technology, 28 (1). pp. 45-59. ISSN 13600869 (ISSN)

Webber, Nick (2014) ‘Pirates’ and ‘Freetards’: the Discourses and Rhetoric of Online Music Consumption. In: The Urban Gaze: Exploring Urbanity through Art, Architecture, Fashion and Media. Inter-Disciplinary Press.

Webber, Nick (2014) Technophilia and Technophobia in Online Medieval Fantasy Games. In: Digital Gaming Re-imagines the Middle Ages. Routledge Studies in New Media and Cyberculture (15). Routledge, pp. 214-226. ISBN 9780415630917

Webber, Nick (2023) The past as (para)text - Relating histories of game experience to games as texts. In: (Not) In the Game: History, Paratexts, and Games. De Gruyter. ISBN 9783110737691

Webber, Nick and Long, Paul (2015) Gaming Global. Project Report. Birmingham City University.

Webber, Nick and Long, Paul (2014) The Last Post: British Press Representations of Veterans of the Great War. Media, War and Conflict, 7 (3). pp. 273-290. ISSN 1750-6352

Webber, Nick and Stevens, E. Charlotte (2019) History, Fandom, and Online Game Communities. In: Historia Ludens: The Playing Historian. Routledge.

Weidhase, Nathalie and Wilde, Poppy (2020) ‘Art’s in pop culture in me’: Posthuman Performance and Authorship in Lady Gaga’s Artpop (2013). Queer Studies in Media and Popular Culture, 5 (2-3). pp. 239-257. ISSN 2055-5695

Whyton, Tony (2017) Moving to Higher Ground: The Changing Discourse of European Jazz 1960–1980. European Journal of Musicology, 16 (1). pp. 13-22. ISSN 2504-1916

Whyton, Tony (2018) Routledge Companion to Jazz Studies. In: The Routledge Companion to Jazz Studies. Routledge, New York. ISBN 9781138231160

Whyton, Tony (2016) Seeking Resolution: John Coltrane, Myth and the Audiovisual. In: Watching Jazz: Encounters with Jazz Performance on Screen. Oxford University Press, New York, pp. 205-220. ISBN 978-0-19-934766-7

Whyton, Tony (2014) Song of Praise: Musicians, Myths and the "Cult" of John Coltrane. In: Popular Music Fandom: Identities, Roles and Practices. Routledge Studies in popular Music . Routledge, Newy York and London, pp. 97-114. ISBN 978-0-415-50639-7

Whyton, Tony and Gebhardt, Nicholas (2015) Preface. The Cultural Politics of Jazz Collectives: This is Our Music. ix-xii. ISSN 9781317672708 (ISBN); 9781138780620 (ISBN)

Whyton, Tony and Gebhardt, Nicholas (2015) Series foreword. The Cultural Politics of Jazz Collectives: This Is Our Music. ISSN 9781317672715 (ISBN); 9781138780620 (ISBN)

Whyton, Tony and McKay, George (2019) ‘Cultural heritage and jazz festivals’ special issue editors’ introduction. Internationa Journal of Heritage Studies. ISSN Online ISSN: 1470-3610

Whyton, Tony and Perry, Beth (2021) Cultural Heritage and Improvised Music in European Festivals. In: A Research Agenda for Heritage Planning. Elgar Publishing, Cheltenham, pp. 163-173. ISBN 9781788974622

Wilby, Peter James (2013) Amateur music-making as intersubjective discourse in folk clubs in the English Midlands. Doctoral thesis, Birmingham City University.

Wilde, Poppy (2018) Avatar affectivity and affection. Transformations, 31. pp. 25-43. ISSN 1444-3775

Wilde, Poppy (2022) Beyond Good and Evil… and gender and humanism? Exploring Jade as a Posthuman Protagonist. In: Reclaiming the Tomboy: The Body, Representation, and Identity. Rowman & Littlefield. ISBN 9781793622945

Wilde, Poppy (2022) Diffractively Watching Queer Eye: difficult knowledge through critical posthumanism and neoliberalism. Interconnections: Journal of Posthumanism, 1 (2). ISSN 2564-260X

Wilde, Poppy (2020) I, posthuman: A deliberately provocative title. International Review of Qualitative Research. ISSN 1940-8447

Wilde, Poppy (2023) Moral Ambiguity and the Zombie Scapegoat in Red Dead Redemption: Undead Nightmare. In: Red Dead Redemption: History, Myth, and Violence in the Video Game West. University of Oklahoma. ISBN 9780806191850

Wilde, Poppy (2023) Posthuman Gaming : Avatars, Gamers, and Entangled Subjectivities. Routledge. ISBN 9781003207191

Wilde, Poppy (2022) Storytelling the Multiple Self: Posthuman Autoethnography as Critical Praxis. In: Children and the Power of Stories: Posthuman and Autoethnographic Perspectives in Early Childhood Education. Children: Global Posthumanist Perspectives and Materialist Theories . Springer, pp. 1-16. ISBN 9789811692864

Wilde, Poppy (2022) Zombies, Deviance and the Right to Posthuman Life. In: Theorising the Contemporary Zombie: Contextual Pasts, Presents, and Futures. University of Wales Press. ISBN 9781786838575

Wilde, Poppy and Evans, Adrienne (2017) Empathy at play: Embodying posthuman subjectivities in gaming. Convergence, 25 (5-6). pp. 791-806. ISSN 1354-8565

Wilkes, Karen (2015) Colluding with Neoliberalism: Postfeminist subjectivities, whiteness and expressions of entitlement. Feminist Review, 110 (1). pp. 18-33. ISSN 1466-4380

Wilkes, Karen (2019) Eating Paradise: Food as Coloniality and Leisure. Annals of Leisure Research. pp. 1-17. ISSN 1174-5398

Wilkes, Karen (2021) Eating, Looking and Living Clean: Techniques of White Femininity in Contemporary Neoliberal Food Culture. Gender, Work and Organization. ISSN 0968-6673

Winterton, Connor (2020) Representations of Gay, Lesbian and Queer Sex in Contemporary French and North American Cinema. Doctoral thesis, Birmingham City University.

Wyver, John and Stevens, E. Charlotte (2018) Intermedial Relationships of Radio Features with Denis Mitchell’s and Philip Donnellan’s Early Television Documentaries. Media History, 24 (2). pp. 252-265. ISSN 1368-8804