Items where Subject is "CAH25 - design, and creative and performing arts > CAH25-01 - creative arts and design > CAH25-01-05 - others in creative arts and design"

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Number of items at this level: 143.


Aftab, Mersha (2023) Fostering an Environment of Belongingness in the Post‐pandemic Workplace. DMI: Design Management Review, 34 (3). pp. 20-25. ISSN 1557-0614

Albugami, Khulod Mohammed (2019) Al-Sadu as a way of understanding the sociospatial practices of contemporary art by Saudi women. Doctoral thesis, Birmingham City University.

Alexander, Dauvit (2019) Join The Car-Crash Set: Jewellery, Violence, Ethics. Journal of Jewellery Research, 2. ISSN 2516-337X

Almonstasheri, Ahmad Saleh A. (2018) The Transformation of Calligraphy from Spirituality to Materialism in Contemporary Saudi Arabian Mosques. Doctoral thesis, Birmingham City University.

Anderson, Anthony David (2019) Happy accidents? Music teacher perceptions of curriculum design at Key Stage 3 in the English secondary school. Doctoral thesis, Birmingham City University.

Anthony, Downey (2018) “Transposing the Vernacular: Moving Images in the Work of Akram Zaatari”, catalogue published on the occasion of Akram Zaatari’s touring show, The Script, ISBN: 978-0-9932659-8-3. n/a, n/a (n/a). New Art Exchange, Nottingham, pp. 3-18. ISBN ISBN: 978-0-9932659-8-3

Archer, Caroline (2017) The Cambridge cult of the Baskerville Press. In: John Baskerville: art, industry & technology of the Enlightenment. Eighteenth Century Worlds . Liverpool University Press, Newcastle, pp. 206-221. ISBN 978-1-78694-064-3

Archer, Caroline (2018) Leonard Jay. In: Oxford Dictionary of National Biography. Oxford University Press, Oxford.

Archer, Caroline (2017) Paris: text and image underground. In: Text & Image in the City. Cambridge Scholars, Newcastle, pp. 3-24. ISBN 978-1-4438-4388-1

Archer, Caroline (2016) Printing and the printed word. In: Birmingham: workshop of the world. Liverpool University Press, Liverpool, pp. 261-282. ISBN 978-1-78138-247-9

Archer, Caroline (2019) Type, typography and the typographer. In: A companion to the history of the book. Wiley-Blackwell, Oxford, pp. 81-94. ISBN 9781119018193

Archer, Caroline (2019) A brief history of type historians. In: Graphic Design Reader. Bloomsbury Visual Arts . Bloomsbury Academic, London. ISBN 9781472536204

Archer, Caroline and Dick, Malcolm (2017) John Baskerville: art & industry of the Enlightenment. Eighteenth Century Worlds . University of Liverpool Press, Liverpool. ISBN 978-1-78694-064-3

Archer, Caroline and Dick, Malcolm (2020) Pen and Print: communication in the eighteenth century. Eighteenth Century Worlds . Liverpool University Press, Liverpool.

Archer, Caroline and Hinks, John (2019) Printing History and Culture in the Midlands. Midland History . Taylor & Francis, London.

Archer, Caroline and McKay, Barry (2015) A Black Letter Volume from the Home of the Roman Letter: a Venetian Missale Romanum of 1597 - a case study of the Archer copy. In: Religion and the Book Trade. Cambridge Scholars, Newcastle, pp. 29-44. ISBN 978-1-4438-7724-4


Baker, Catherine (2023) BackBone: Interdisciplinary Creative Practice and Body Positive Resilience. Backbone, 107. pp. 24-26.

Bell, C. (2016) Seeing like a classroom: theatre and performance in education. Studies in Theatre and Performance, 36 (3). pp. 145-158. ISSN 14682761 (ISSN)

Bolton, S. and Chinneck, C. (2014) Power of ideas in shaping and delivering design business success. In: 2013 IEEE-Tsinghua International Design Management Symposium, TIDMS 2013, 1 December 2013 through 2 December 2013, Shenzhen; China.

Bottomley, Stephen (2017) ACJ 20:20 Visions. [Show/Exhibition]

Bottomley, Stephen (2017) The quick and the dead. The changing meaning and significance of jewellery beyond the grave. In: Canadian Craft Biennial, 15th and 16th September 2017, Burlington and Toronto.

Bottomley, Stephen and Cross, Susan (2018) Like a Rolling Stone. [Show/Exhibition]

Bourbon, Amy Victoria (2014) Towards a new way of thinking in painting through the application of analogous notions of listening and analysis in acousmatic music. Doctoral thesis, Birmingham City University.


Carey, Charlotte (2013) Gender and entrepreneurship in creative industry career journeys. Doctoral thesis, Birmingham City University.

Carruthers Thomas, Kate (2018) Being Between Binary (Graphic Essay). [Artefact]

Ceglarz, Jakub Jan (2020) Love Manifesto: Embodying disorientation through erotohistoriography. [Show/Exhibition]

Ceglarz, Jakub Jan (2018) Materializing palimpsest: interrogation into palimpsestuousness as a queer enactment in artistic research. Doctoral thesis, Birmingham City University.

Chen, Lichiou (2008) The development of digital forms of illustration and their impact on print publishing from 1990 to the present, with particular reference to children's books (2 Volumes). Doctoral thesis, Birmingham City University.

Columbano, Alessandro (2019) Futuremakers: Play and Festivities in the Park. AHRA Architecture and Culture Journal, 6 (3). pp. 522-525.

Cooper, Frank (2021) Anglo-Saxon bling — a warrior king’s Golden Helmet. Gold Bulletin. ISSN 2190-7579

Cooper, Frank (2016) Do the New, Low-Cost Photopolymer 3D Printers Now Becoming Available Have a Place in the Jewelry Manufacturing Environment? In: Santa Fe Symposium, Albuquerque NM USA.

Cooper, Frank (2018) How Do You Replace The Irreplaceable? In: The Santa Fe Symposium, 20th - 23rd May 2018, Albuquerque New Mexico.

Creed, Chris (2016) Assistive tools for disability arts: collaborative experiences in working with disabled artists and stakeholders. Journal of Assistive Technologies, 10 (2). pp. 121-129. ISSN 1754-9450


Day, Jonathan P (2019) The Dim Lit Subterranea of the Ancient Mind: the influence of place in ‘inspired’ composition. Music, Myth and Realities 2017. pp. 56-68.

Dooley, James (2016) esthesis. [Composition]

Dooley, James (2016) formuls: audiovisual performance at SPECTRA Festival, Malaysia. [Performance]

Dooley, James (2016) formuls: performance at Electric Nights Festival, Athens, Greece. [Performance]

Dooley, James (2016) formuls: performance at sonADA Festival. [Performance]

Dooley, James and Di Donato, Balandino (2015) equinode. [Show/Exhibition]

Dooley, James and Di Donato, Balandino (2016) equinode II. Integra Lab.

Downey, Anthony (2017) “Scopic Reflections: Incoming and the Technology of Exceptionalism", catalogue published on the occasion of Richard Mosse: Incoming, 15 February – 23 April 2017, published in 2017 by Barbican Curve Gallery, London EC2Y 8DS United Kingdom. ISBN 978 0 9957082 0 4. Barbican Curve Series, 27 (n/a). Barbican Gallery, London, UK, pp. 21-25. ISBN ISBN 978 0 9957082 0 4

Downey, Anthony (2015) Slavs and Tatars: Mirrors for Princes. JRP Ringier, Zurich. ISBN 978-3-03764-407-2

Downey, Anthony (2017) "Where to Now: Imminent Impermanence in the Work of Sheela Gowda", catalogue published on the occasion of Sheela Gowda, Ikon Gallery, November 2017. ISBN 978-1-911155-10-2. Ikon Gallery, Birmingham.

Downey, Anthony and K, Hiwa and Ali, Bakir and Ginwala, Natasha and Abu Hamdan, Lawrence and Gruijthuijsen, Krist and Mertens, Heike Catherina and Ndikung, Bonaventure Soh Bejeng and Szyłak, Aneta (2017) Don't Shrink Me to the Size of a Bullet: The Works of Hiwa K, edited by Anthony Downey (Walther König Verlag, 2017). Other. Walther König Verlag, London.

Dudrah, Rajinder (2016) “Balle-Balle, Balle-Balle”: Fashion – British bhangra style. Atlantic Studies, 13 (4). pp. 491-511. ISSN 1478-8810


Estrada, Nicolas and Wild, Julia and Caballero, Leo (2016) New Necklaces: 400 Designs in Contemporary Jewellery. In: New Necklaces: 400 Designs in Contemporary Jewellery. promopress, Spain, p. 172. ISBN 978 84 16504 08 04


Fautley, Martin (2017) The location of creativity in curriculum and assessment in the lower secondary school in England. In: Creativity and innovation. Helbling Verlag.

Fletcher, David and Cooper, Frank (2018) The Precious Project: Polishing and Finishing of Additive Manufacturing (AM) Jewelry. In: Thirty-Second Santa Fe Symposium, 20th - 23rd May 2018, Albuquerque New Mexico.

Forkert, Kirsten (2013) Artistic lives: A study of creativity in two European cities. Artistic Lives: A Study of Creativity in Two European Cities . Ashgate Publishing Ltd, pp. 1-157. ISBN 9781409450009 (ISBN)


Gadsby, Jenniefer (2014) Scenography in museum design: an examination of its current use, and its impact on visitors’ value of experience. Doctoral thesis, Birmingham City University.

Galasso, Giula (2019) The mass collection Octo missae (1663) by Francesco Foggia (1603-1688): an analytical study and critical edition. Doctoral thesis, Birmingham City University.

Galbreath, Daniel Johnston (2019) Conceptualising choral play: the creative experience of aleatory choral music. Doctoral thesis, Birmingham City University.

Gegenwart, Beate and Parsons, Gregory (2018) With Other Eyes. [Show/Exhibition]

Giachritsis, Christos D. and I'Anson, Steve and Prytherch, David (2011) Haptic discrimination of different types of pencils during writing. Ergonomics, 54 (8). pp. 684-689. ISSN 0014-0139

Golding, Johnny (2016) In the Shadow of Akimbo Corporatism: Arched Athleticism and the Becoming-Human of ‘a People’. Deleuze Studies, 10 (2). pp. 263-279. ISSN 1750-2241

Grayson, John (2019) South Staffordshire enamels: the lost craftsmanship of eighteenth-century copper substrate. Doctoral thesis, Birmingham City University.

Gretter, Alessandro and Nikologianni, Anastasia and Morganti, Elisa (2020) Our Journey To And With Saturn - Webinar JUNE, 17th 2020. [Video]


Hards, L. and Vaughan, Sian and Williams, James J. (2014) Place-making and other purposes: Public art on campus. In: The Physical University: Contours of Space and Place in Higher Education. Taylor and Francis, pp. 106-130. ISBN 9781315813776 (ISBN)

Harte, David and Long, Paul and Naudin, Annette (2019) The university as intermediary for the creative economy: Pedagogues, policy-makers and creative workers in the curriculum. Arts and Humanities in Higher Education, 18 (2-3). pp. 120-139. ISSN 14740222

Hellings, J. (2013) Precautions against Fan(atic)s: A Reevaluation of Adorno's Uncompromising Philosophy of Popular Culture. New German Critique, 40 (1 118). pp. 149-174. ISSN 0094-033X

Hill, Geof (2018) What happens when a researcher wants to publish differently? [Performance]

Hill, Geof (2017) What happens when a researcher wants to publish differently? : A vision of the possibilities – Cabaret as academic discourse. In: BCU ADM Research Conference, July 7th 2017, Parkside, Birmingham.

Holroyd, Amy Twigger (2013) Folk fashion: amateur re-knitting as a strategy for sustainability. Doctoral thesis, Birmingham City University.

Huang, Ching-Yu (2011) The integration of Chinese historical costumes and contemporary women’s fashion: with special reference to the Shuitianyi. Doctoral thesis, Birmingham City University.


Jarvis, Joanna (2020) Performance of the self in the theatre of the elite - The King’s Theatre, 1760–1789:The opera house as a political and social nexus for women. Doctoral thesis, Birmingham City University.

Jerrard, R.N. and Barnes, N. and Reid, A. (2008) Design, risk and new product development in five small creative companies. International Journal of Design, 2 (1). pp. 21-30. ISSN 19913761 (ISSN)


Keiany, Mohsen (2010) Architecture, craft and religious symbolism in rural areas of Baluchistan in Pakistan. Doctoral thesis, Birmingham City University.

Kim, K. and Numakura, K. and Lim, Hye-Won and Takatera, M. (2020) Effect of waistline position of clothing on perceived attractiveness. In: KEER2020 8th International Confrence on Kansei Engineering and Emotion Research, 7th -9th September 2020, Tokyo, Japan.

Kinsella, Victoria (2018) The Use of Activity Theory as a Methodology for Developing Creativity within the Art and Design Classroom. International Journal of Art and Design Education, 37 (3). pp. 493-506. ISSN 14768062 (ISSN)

Kinsella, Victoria and Thorpe, Vicki (2020) Re-thinking accountability measures for secondary school arts in England: lessons we could learn from New Zealand. Arts Education Policy Review. ISSN 1063-2913


Lacruz-Rengel, Rafael (2008) A theory of reference for product design: the semantics of product ideation. Doctoral thesis, Birmingham City University.

Li, Yinglong (2023) Expanding the Boundaries of Traditional Enamel Plique à Jour through Hybrid Craft Practice. Doctoral thesis, Birmingham City University.

Lim, Hye-Won (2019) An Institutional Approach to Sustainable Fashion: A Case Study of Zero Waste Fashion. In: Sustainable Apparel & Textiles (SAT) in the Circular Economy Symposium, 2nd - 4th September 2020, University of Huddersfield, UK. (Unpublished)

Lim, Hye-Won and Burton, Elizabeth (2020) Designing and Delivering Sustainable Fashion Design Curriculum: A Case Study of Upcycling Garment Workshop. In: The Korean Society of Fashion Business International Conference, 24th October 2020, Seoul, Korea.

Little, Marlene (2013) Beyond Surface and Material: The meeting point between photography and textiles. [Show/Exhibition]

Liu, Yi (2019) An experimental and critical exploration of strategies for the enhancement of academic achievement for Chinese master of arts jewellery students in contemporary UK higher education. Post-Doctoral thesis, Birmingham City University.


Mason, Luke (2020) The Art of Equity/The Equity of Art: The History and Future of a Malleable Concept. A Modest Proposal.

Mason, Luke (2019) Labouring under inauthentic conceptions: Some caveats to the predominant visions of artistic and contractual freedom. Caveat.

Metherell, Lisa (2014) Glittering orientations: towards a non-figurative queer art practice. Doctoral thesis, Birmingham City University.

Metherell, Lisa (2020) 'Unspeakable Acts': Coming Out as Werewolf. In: New Queer Horror: Film and Television. University of Wales Press, Cardiff, pp. 189-203. ISBN 9781786836267

Miles, Ian and Green, Lawrence (2010) Innovation and Creative Services. In: The Handbook of Innovation and Services A Multi-disciplinary Perspective. Edward Elgar. ISBN 978 1 84720 504 9

Morfill, Sally and Čavić, Ana and Michailidis, Tychonas (2021) I am not listening: poem object as hybrid publication in the post-digital era. In: Story Work for a Just Future Exploring Diverse Experiences and Methods within an International Community of Practice. Smithsonian Scholarly Press. (In Press)

Mustafa, Muhizam B. (2009) Public sculpture in Malaysia: a case study of Putrajaya. Doctoral thesis, Birmingham City University.


Nikologianni, Anastasia (2019) Low carbon design in large scale public schemes - Βιοκλιματικός σχεδιασμός σε δημόσια έργα μεγάλης κλίμακας. In: Public Space+ / Δημόσιος Χώρος+. IANOS - TEE/TKM, Greece, pp. 254-256. ISBN 9786185141592

Nikologianni, Anastasia and Betta, Alessandro and Gretter, Alessandro (2022) Contribution of Conceptual-Drawing Methods to Raise Awareness on Landscape Connectivity: Socio-Environmental Analysis in the Regional Context of Trentino (Italy). Sustainability, 14 (13). p. 7975. ISSN 2071-1050

Nikologianni, Anastasia and Moore, Kathryn and Albans, Alex J. (2018) Creating a National Park for the West Midlands. [Video]

Nikologianni, Anastasia and Moore, Kathryn and Grayson, Nick and Betta, Alessandro and Pianegonda, Angelica and Gretter, Alessandro and Morganti, Elisa and Favargiotti, Sara and Elmqvist, Bodil and Ternell, Anna and Berg, Martin and Ciolli, Marco and Angeli, Michela and Pedersen, M.A.B and Nilsson, Anders (2020) New Integrated Approaches on Climate Change, the case of SATURN Pan-European Project. In: OpenEARTH Conference on Climate Change Adaptation and Mitigation, 12-14 February 2020, Thessaloniki, Greece.

Nikologianni, Anastasia and Moore, Kathryn and Larkham, Peter J. (2019) Making Sustainable Regional Design Strategies Successful. Sustainability, 11 (4). pp. 1-20. ISSN 2071-1050

Nikologianni, Anastasia and Moore, Kathryn and Larkham, Peter J. (2017) The role of design in sustainable regional landscape strategies. In: World Design Summit—Montréal 2017, 16th –25th October 2017, Montreal, Canada.


Patel, Karen (2020) Diversity initiatives and addressing inequalities in craft. In: Pathways into Creative Working Lives. Palgrave Macmillan. ISBN 9783030382452

Prytherch, David (2008) Touching Ghosts: Haptic technologies in museums. In: The Power of Touch: Handling Objects in Museum and Heritage Context. Routledge. ISBN 9781598743043


Querol, Nuria (2020) India at the Venice Biennale: Collateral Events From and Beyond the Nation. Journal of Curatorial Studies, 9 (1). pp. 70-89. ISSN 2045-5836

Querol, Nuria (2019) The art of walking. Fostering experiential learning through observation and creative practice. Creatives Pedagogies Imprint, 1 (2). pp. 21-26.


Rajapakse, Dilusha (2019) An investigation of the activation of multi-colour changing photochromic textiles. Journal of Textiles and Engineer (Tekstil ve Mühendis), 26 (114). pp. 196-208. ISSN 1300-7599

Reardon, A. (2012) Self-Reflexivity and the Creative Voice: Issues of Transgression Identified with Participant Ethnographic Research in Art and Design Education. International Journal of Art and Design Education, 31 (2). pp. 127-139. ISSN 14768062 (ISSN)

Reeves-Evison, Theo (2016) Deception and Fiction as Forms of World-making in Contemporary Art. Paragrana, 25 (2). pp. 135-143. ISSN 0938-0116

Reeves-Evison, Theo and Rainey, Mark Justin (2018) Ethico-Aesthetic Repairs. Third Text, 32 (150). pp. 1-15. ISSN 0952-8822 (Print) 1475-5297 (Online)

Rogers, Henry (2013) All About My Mother's Shame. Zētēsis Research generated by curiosity, 1 (1).

Rogers, Henry (2013) Queertexturalities. ARTicle Press. ISBN 978-1-873352-74-8


Sabri, Sonia and Dooley, James and Di Donato, Balandino (2017) NuBody. [Performance]

Saxon, Andrew and Walker, Shane and Prytherch, David (2011) Measuring the Unmeasurable? Eliciting Hard to Measure Information about the User Experience. In: Web Engineered Applications for Evolving Organizations: Emerging Knowledge. IGI Global, pp. 256-278. ISBN 9781609605230

Scarffe, Joe William (2020) Conceptualising Musical Graphic Performance: An Investigative Journey of Self-Reflective Artistic Practice and Autoethnography. Doctoral thesis, Birmingham City University.

Schenk, Franziska (2015) Biomimetics, color, and the arts. In: Bioinspiration, Biomimetics, and Bioreplication 2015, 9 March 2015 through 11 March 2015, San Diego; United States.

Schenk, Franziska and Stavenga, Doekele (2020) The lesser purple emperor butterfly, Apatura ilia: from mimesis to biomimetics. Faraday Discussions, 223. pp. 145-160. ISSN 1359-6640

Skeels, Rebecca (2018) 20:20 Spectacles. [Artefact]

Skeels, Rebecca (2017) 20:20 Visions. [Artefact]

Skeels, Rebecca (2014) Book Review: Ute Eitzenhöfer Schmuck Jewellery. Findings (58). p. 28. ISSN 2041-7047

Skeels, Rebecca (2016) Book review: Shows and Tales: On Jewelry Exhibition-Making, published by Art Jewelry Forum. Findings (62). p. 31. ISSN 2041-7047

Skeels, Rebecca (2015) Craft and Design Awards, Jewellery & precious metal category. Craft & Design. ISSN 0953-9190

Skeels, Rebecca (2014) Exhibition review of 'Digital revolution: an immersive exhibition of art, design, film, music and video games' at the Barbican, London, 3 Jul-14 Sep 2014. Findings (59). p. 29. ISSN 2041-7047

Skeels, Rebecca (2019) Farnham Craft Town/Craft Town England - Arts Council Funding. Farnham Town Council.

Skeels, Rebecca (2018) Future craft: entrepreneurship or enterprise? In: Future craft: entrepreneurship or enterprise?, 14 March 2018, University for the Creative Arts, Farnham, Surrey, GU9 7DS.

Skeels, Rebecca (2016) Material Symphysis. [Show/Exhibition]

Skeels, Rebecca (2019) Pop up. [Show/Exhibition]

Skeels, Rebecca (2017) Postgraduate study at UCA. In: ISCAEE 2017, 10-16 July 2017, University for the Creative Arts, Farnham, Surrey, GU9 7DS.

Skeels, Rebecca (2017) Practical talk and demonstration. In: 20:20 Visions, 7 - 9 July, Sheffield Hallam University, Sheffield, UK.

Skeels, Rebecca (2017) Soldering for Jewellers. Crowood Press, Wiltshire. ISBN 9781785002748

Skeels, Rebecca (2014) Stepping to Success. In: Rising Stars 2014. Lulu, pp. 13-16. ISBN 978-1-291-74606-8

Skeels, Rebecca (2015) Thriving as a business person in the crafts industry by Rebecca Skeels Published: May 2015. Craft & Design.

Skeels, Rebecca (2018) Triple Parade. In: Triple Parade, 19th October 2018 to 5th February 2018, HOW Design Center (3rd Floor of HOW Art Museum) 1, Lane 2277 Zuchongzhi Rd., Shanghai 201203, China..

Skeels, Rebecca (2015) The University for the Creative Arts Partnership. In: Rising Stars 2015. Lulu, p. 4.

Skeels, Rebecca (2019) What is Jewellery. In: Encompassing: Research. University for the Creative Arts.

Skeels, Rebecca (2019) The transatlantic view: 22 years of ACJ. In: The Loop: Coming Full Circle - 50 years of SNAG, 22 - 25 May 2019, Chicago, USA.

Struthers, Rebecca (2016) Unravelling the myth of the ‘Dutch forgery’. Post-Doctoral thesis, Birmingham City University.

skeels, Rebecca (2015) Book review: Digital Hand Made, Lucy Johnson. Findings (60). p. 28. ISSN 2041-7047

skeels, rebecca (2014) Exhibition review: Digital revolution: an immersive exhibition of art, design, film, music and video games, 3 Jul-14 Sep 2014. Barbican, London. Findings. pp. 24-25. ISSN 20417047


Tait, Stuart (2009) Becoming multiple: collaboration in contemporary art practice. Doctoral thesis, Birmingham City University.

Taylor, Jacqueline (2019) Discourses of Dissonance: Enabling sites of praxis and practice amongst Arts, Design & Media doctoral study. In: Time and Space in the Neoliberal University: Futures and fractures in higher education. Palgrave Macmillan, London, pp. 191-220. ISBN 9783030152451

Taylor, Jacqueline (2018) Research-practice-pedagogy: establishing new topologies of doctoral research in the arts’. In: Using Art as Research in Learning and Teaching: Multidisciplinary approaches across the arts. Intellect, London, pp. 91-108. ISBN 9781783208920

Taylor, Jacqueline (2021) Subversive Spaces, Embodied Places and Mentoring as Onto-Epistemology. In: Mentoring and Communication: Theories and Practices. Peter Lang. ISBN 9781433162725

Taylor, Jacqueline and Vaughan, Sian (2016) A Different Practice? Professional Identity and Doctoral Education in Art & Design. In: Perspectives on Designing Professional Practice Doctorates: Applying the Critical Friends Approach to the EdD and Beyond. Palgrave Macmillan, pp. 126-141. ISBN 9781137527059

Taylor, Jacqueline and Vaughan, Sian (2015) “The same but different: researching and enhancing PGR employability and experience in Art & Design”. The Journal of Educational Innovation, Partnership and Change, 1 (2). ISSN 2055-4990

Topham, Selina-Jayne (2012) Soft glass: the aesthetic qualities of kiln formed glass with recycled inclusions. Doctoral thesis, Birmingham City University.


Vaughan, Sian (2020) Confidence in Practice: positioning institutional and individual creative research as para-academic. In: Institution as Praxis: new curatorial directions for collaborative research. Sternberg Press, Berlin, pp. 200-213. ISBN 9783956795060

Vaughan, Sian (2021) Practice submissions – are doctoral regulations and policies responding to the needs of creative practice? Research in Post-Compulsory Education, 26 (3). pp. 333-352. ISSN 1359-6748

Vaughan, Sian and Williams, Grace (2013) Student Engagement with Learning Resources in Art & Design: Seeding Possibilities. In: Student Engagement - Identity, Motivation and Community. Libri Publishing, pp. 17-35. ISBN 9781907471650

Vermeir, Katleen and Heiremans, Ronny and Mason, Luke (2018) A Modest Proposal. [Video]

Vermeir, Katleen and Heiremans, Ronny and Mason, Luke (2018) A Modest Proposal. [Show/Exhibition]


Walden, Lauren (2021) Africa in the Surrealist Imaginary: Photographs of Sculpture in Minotaure and Documents. Visual Anthropology, 34 (3). pp. 185-213. ISSN 0894-9468

Wild, C. (2011) Making creative spaces: The art and design classroom as a site of performativity. International Journal of Art and Design Education, 30 (3). pp. 423-432. ISSN 14768062 (ISSN)

Wild, C. (2013) Who owns the classroom? Profit, pedagogy, belonging, power. International Journal of Art and Design Education, 32 (3). pp. 288-299. ISSN 14768062 (ISSN)

Wu, Ching-Chih and Tsai, Chih-Wei (2018) 2018 Blaze: International Art Enamel. [Show/Exhibition]


Zhao, Ting (2018) Contemporary Fashion Illustration in China and Its Application in the Chinese Fashion Market with Special Reference to Chinese Elements. Doctoral thesis, Birmingham City University.

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