Items where Subject is "W100 Fine Art"

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Number of items at this level: 74.


Alfahal, Tamadher (2019) Curating & Creating A Practical Approach for Contemporary Islamic Design Pedagogy and Practice. Doctoral thesis, Birmingham City University.

Anthony, Downey (2018) “Transposing the Vernacular: Moving Images in the Work of Akram Zaatari”, catalogue published on the occasion of Akram Zaatari’s touring show, The Script, ISBN: 978-0-9932659-8-3. n/a, n/a (n/a). New Art Exchange, Nottingham, pp. 3-18. ISBN ISBN: 978-0-9932659-8-3


Barnes, John (2008) Transformations of the Renaissance iconography of antichrist concept and image (2 Volumes: Vol. 1: text & Vol. 2: plates). Doctoral thesis, Birmingham City University.

Bourbon, Amy Victoria (2014) Towards a new way of thinking in painting through the application of analogous notions of listening and analysis in acousmatic music. Doctoral thesis, Birmingham City University.


Chen, Lichiou (2008) The development of digital forms of illustration and their impact on print publishing from 1990 to the present, with particular reference to children's books (2 Volumes). Doctoral thesis, Birmingham City University.

Chen, Sijing (2018) The Transformation of Guai Imagery in China (1949-78). Doctoral thesis, Birmingham City University.

colin, Anna and Yee, Lydia (2015) British Art Show 8. [Show/Exhibition]


Downey, Anthony (2014) Art and Politics Now. Thames and Hudson, London and New York. ISBN 978-0-500-29147-4

Downey, Anthony (2015) Dissonant Archives: Contemporary Visual Culture and Contested Narratives in the Middle East. Visual Culture in the Middle East, 02 . IB Tauris, London and New York. ISBN 978-1-784-53-4110

Downey, Anthony (2016) Future Imperfect: Contemporary Art Practices and Cultural Institutions in the Middle East. Visual Culture in the Middle East, 03 . Sternberg Press, Berlin, Germany. ISBN 978-3-95679-246-5

Downey, Anthony (2017) “Scopic Reflections: Incoming and the Technology of Exceptionalism", catalogue published on the occasion of Richard Mosse: Incoming, 15 February – 23 April 2017, published in 2017 by Barbican Curve Gallery, London EC2Y 8DS United Kingdom. ISBN 978 0 9957082 0 4. Barbican Curve Series, 27 (n/a). Barbican Gallery, London, UK, pp. 21-25. ISBN ISBN 978 0 9957082 0 4

Downey, Anthony (2015) Slavs and Tatars: Mirrors for Princes. JRP Ringier, Zurich. ISBN 978-3-03764-407-2

Downey, Anthony (2017) "Where to Now: Imminent Impermanence in the Work of Sheela Gowda", catalogue published on the occasion of Sheela Gowda, Ikon Gallery, November 2017. ISBN 978-1-911155-10-2. Ikon Gallery, Birmingham.

Downey, Anthony and K, Hiwa and Ali, Bakir and Ginwala, Natasha and Abu Hamdan, Lawrence and Gruijthuijsen, Krist and Mertens, Heike Catherina and Ndikung, Bonaventure Soh Bejeng and Szyłak, Aneta (2017) Don't Shrink Me to the Size of a Bullet: The Works of Hiwa K, edited by Anthony Downey (Walther König Verlag, 2017). Other. Walther König Verlag, London.


Galasso, Giula (2019) The mass collection Octo missae (1663) by Francesco Foggia (1603-1688): an analytical study and critical edition. Doctoral thesis, Birmingham City University.

Gegenwart, Beate and Parsons, Gregory (2018) With Other Eyes. [Show/Exhibition]

Gill, Roger (2015) Pinturicchio’s Frescoes in the Sala dei Santi in the Vatican Palace: authorship and a new iconological interpretation of the ‘Egyptian’ theme. Doctoral thesis, Birmingham City University.

Golding, Johnny (2013) Ana-Materialism and the Pineal Eye: Becoming Mouth-Breast. In: The Next Thing: Art in the Twenty-first Century. Fairleigh Dickinson University Press. ISBN 978-1-61147-451-0

Golding, Johnny (2010) Fractal Philosophy (And the Small Matter of Learning How to Listen): Attunement as the Task of Art. In: Deleuze and Contemporary Art. Deleuze Connections . Edinburgh University Press, pp. 133-155. ISBN 9780748638376


Hagen, Ole and Seers, Lindsay (2012) Nowhere Less Now. Abraxas Journal (4).

Hellings, J. (2012) Messages in a Bottle and Other Things Lost to the Sea: The Other Side of Critical Theory or a Reevaluation of Adorno's Aesthetic Theory. Telos, 2012 (160). pp. 77-97. ISSN 0090-6514

Hope, Janet Elizabeth (2011) Transformations of the image of St Joseph in early modern art - volume 1: text; volume 2: illustrations. Doctoral thesis, Birmingham City University.

Horn, Sheridan (2018) Living with Loss: An Enquiry into the Expression of Grief and Mourning in Contemporary Art Practice. Doctoral thesis, Birmingham City University.

Hughes-Johnson, Samantha J.C. (2017) The Fresco Decoration of the Oratorio dei Buonomini di San Martino: Piety and Charity in Late-Fifteenth Century Florence. Doctoral thesis, Birmingham City University.


Leng, Jian (2015) Gatekeeping the arts: national policy, student perception and the art and design entrance examination in China. Doctoral thesis, Birmingham City University.

Little, Marlene (2013) Beyond Surface and Material: The meeting point between photography and textiles. [Show/Exhibition]


Makhoul, Bashir and Hon, Gordon (2013) The Origins of Palestinian Art. Value: Art: Politics (9). Liverpool University Press. ISBN 9781846319525

Marsden, Rachel Elizabeth Mary (2017) The Transcultural Curator: Translating Networked Curatorial Practices in the Chinese Context since 1980. Doctoral thesis, Birmingham City University.

May, Susan (2008) Christian Neoplatonism and early reform thought in the manuscripts and narrative murals of the Piccolomini Library. The Book Collector, 57 (3). pp. 371-399.

May, Susan (2005) The Piccolomini Library in Siena Cathedral: a new reading with particular reference to two compartments of the vault decoration. Renaissance Studies, 19 (3). pp. 287-324. ISSN 0269-0213

May, Susan (2004) The Piccolomini Library in Siena Cathedral: questions of patronage and iconography considered in the light of Cardinal Francesco Piccolomini's humanism and theology. Papers of the British School at Rome, 72. pp. 369-370. ISSN 0068-2462

May, Susan (2012) Pienza: Relics, ritual and architecture in the city of a Renaissance pope. In: Foundation, Dedication and Consecration in Early Modern Europe. Intersections (22). BRILL. ISBN 9789004217577

Metherell, Lisa (2014) Glittering orientations: towards a non-figurative queer art practice. Doctoral thesis, Birmingham City University.

Mhairi, Vari and Cheeseman, David (2008) Analogue. [Show/Exhibition]

Mugridge, Stuart (2018) -becoming-#langscape-[fold here] intra-rupting landscape, language, and the creative act. Doctoral thesis, Birmingham City University.


Neumeister, H.M. (2008) Notes on the 'ethnographic turn' of the European avant-garde: Reading Carl Einstein's Negerplastik (1915) and Vladimir Markov's Iskusstvo Negrov (1919). Acta Historiae Artium, 49 (1). pp. 172-185. ISSN 00015830 (ISSN)

Neumeister, Heike M. (2010) Carl Einstein's Negerplastik: early twentieth-century avant-garde encounters between art and ethnography. Doctoral thesis, Birmingham City University.

Noszlopy, .George T and May, Susan (2007) Reflections on patronage, form, iconography and politics in Pinturicchio's 'Fossi altarpiece'. Arte Cristiana, 95 (842). pp. 343-360.

Noszlopy, George T. and May, Susan (2015) Cosimo Rosselli's Birmingham altarpiece, the Vallombrosan Abbey of S. Trinita in Florence and its Gianfigliazzi Chapel. Journal of the Warburg and Courtauld Institutes, 78. pp. 97-133. ISSN 0075-4390


Paganelli, Mattia (2017) Finitude, Possibility, Dimensionality: Aesthetics After Complexity. Doctoral thesis, Birmingham City University.


Querol, Nuria (2020) India at the Venice Biennale: Collateral Events From and Beyond the Nation. Journal of Curatorial Studies, 9 (1). pp. 70-89. ISSN 2045-5836

Querol, Nuria (2019) The art of walking. Fostering experiential learning through observation and creative practice. Creatives Pedagogies Imprint, 1 (2). pp. 21-26.


Reeves-Evison, Theo (2016) Deception and Fiction as Forms of World-making in Contemporary Art. Paragrana, 25 (2). pp. 135-143. ISSN 0938-0116

Reeves-Evison, Theo and Rainey, Mark Justin (2018) Ethico-Aesthetic Repairs. Third Text, 32 (150). pp. 1-15. ISSN 0952-8822 (Print) 1475-5297 (Online)

Rubinstein, Daniel and Golding, Johnny and Fisher, Andy (2013) On the Verge of Photography: Imaging Beyond Representation. ARTicle Press. ISBN 978-1-873352-02-1


Schenk, Franziska (2009) Nature's fluctuating colour captured on canvas? International Journal of Design & Nature and Ecodynamics, 4 (3). pp. 274-284. ISSN 1755-7437

Schenk, Franziska and Parker, Andrew (2011) Iridescent Color: From Nature to the Painter's Palette. Leonardo, 44 (2). pp. 108-115. ISSN 0024-094X

Schenk, Franziska and Wilts, Bodo D and Stavenga, Doekele G (2013) The Japanese jewel beetle: a painter's challenge. Bioinspiration & Biomimetics, 8 (4). 045002. ISSN 1748-3182

Stanley, Nick (2012) The Making of Asmat Art: Indigenous art in a world perspective. Sean Kingston Publishing. ISBN 978-1-907774-20-1


Tait, Stuart (2009) Becoming multiple: collaboration in contemporary art practice. Doctoral thesis, Birmingham City University.

Taylor, Jacqueline (2013) Collisions, Slippages and Getting Lost. In: I See What You’re Saying: The Materialisation of Words in Contemporary Art. ARTicle Press, Birmingham, pp. 31-40.

Taylor, Jacqueline (2014) From ‘or’ to ‘and’: L’écriture féminine as a methodological approach in Fine Art research. Arts and Humanities in Higher Education, 13 (3). pp. 303-311. ISSN 1474-0222

Taylor, Jacqueline (2018) Research-practice-pedagogy: establishing new topologies of doctoral research in the arts’. In: Using Art as Research in Learning and Teaching: Multidisciplinary approaches across the arts. Intellect, London, pp. 91-108. ISBN 9781783208920

Taylor, Jacqueline (2020) Subversive Spaces, Embodied Places and Mentoring as Onto-Epistemology. In: Mentoring and Communication: Theories and Practices. Peter Lang. (In Press)

Taylor, Jacqueline (2018) Thinking Difference Differently: An Exploration of l'écriture féminine, Women's Art Practice, and Postfeminism. L'Esprit Créateur, 58 (2). pp. 41-55. ISSN 0014-0767

Taylor, Jacqueline (2013) Writing//painting; l’écriture féminine and difference in the making. Doctoral thesis, Birmingham City University.

Taylor, Jacqueline and Vaughan, Sian (2016) A Different Practice? Professional Identity and Doctoral Education in Art & Design. In: Perspectives on Designing Professional Practice Doctorates: Applying the Critical Friends Approach to the EdD and Beyond. Palgrave Macmillan, pp. 126-141. ISBN 9781137527059

Thompson, Shirley (2009) Declensions and Debauchery: Exploring Two 'New' Charpentier Attributions. Bulletin Charpentier, 2. pp. 20-40. ISSN 1141-9822


Vaughan, Sian (2013) The Archive and Public Art: Archiving the Materialities of our times. In: Wet-Dry-thick-Thin (Getting Beyond the Raw and the Cooked. Zetesis: Research generated by curiosity, 1 (2). Article Press, Birmingham, pp. 49-57. ISBN 9781873352076

Vaughan, Sian (2014) The Art School, Society of Artists and the City. In: in A Place for Art: the story of the Royal Birmingham Society of Artists,. RBSA, Birmingham, pp. 39-44.

Vaughan, Sian (2018) Art and sonic mining in the archives: methods for investigating the wartime history of Birmingham School of Art. History of Education, 47 (2). pp. 225-240. ISSN 0046-760X

Vaughan, Sian (2019) Art and sonic mining in the archives: methods for investigating the wartime history of Birmingham School of Art. In: Sight, Sound and Text in the History of Education. Routledge, London, pp. 75-90. ISBN 9780367194710

Vaughan, Sian (2019) Artists' Methods in the Lace Archive. In: Bummock The Lace Archive. ftb Press, Waddington, pp. 74-81. ISBN 9781999883010

Vaughan, Sian (2020) Confidence in Practice: positioning institutional and individual creative research as para-academic. In: Institution as Praxis: new curatorial directions for collaborative research. Sternberg Press, Berlin, pp. 200-213. ISBN 9783956795060

Vaughan, Sian (2016) Reflecting on Practice: Artists’ Experiences in the Archives. In: Engaging with Archives and Records: Histories and Theories. Facet Publishing, pp. 211-231. ISBN 9781783301584

Vermeir, Katleen and Heiremans, Ronny and Mason, Luke (2018) A Modest Proposal. [Show/Exhibition]


Walden, Lauren (2019) British Museum Ethnographic Photography at the 1936 International Surrealist Exhibition. Visual Resources, 36 (1). pp. 43-69. ISSN 0197-3762

Walden, Lauren (2020) Cultural diplomacy and internationalism in regional art institutions. Visual Studies, 34 (4). pp. 350-363. ISSN 1472-586X

Walden, Lauren (2017) From the "Rue des Nations" to the "Rue aux Lèvres" : the 1938 International Surrealist Exhibition Parody of the 1889 and 1900 World Fair cityscapes. MDCCC 1800, 6 (1). pp. 9-18. ISSN 2280-8841

Walden, Lauren (2018) Le surréalisme et la Chine : terrain inconnu. Histoire de l'art / publ.sous l'égide de l'Association des Professeurs d'Archéologie et d'Histoire de l'Art des Universités (APAHAU), avec le soutien de la Direction générale des patrimoines, de l'École du Louvre, de l'Institut national d'(TRUNCATED), 82 (82). pp. 157-168. ISSN 0992-2059

Walden, Lauren (2017) Transmediality in Symbolist and Surrealist Photo-Literature. Open Cultural Studies, 1 (1). pp. 214-231. ISSN 2451-3474

Williams, Grace Alexandra (2017) The supernatural sex: women, magick & mediumship; assembling a field of fascination in contemporary Art. Doctoral thesis, Birmingham City University.

Windows, P. (2014) Gabriele Vendramin's 'disegni divini'. Journal of the History of Collections, 26 (1). pp. 1-19. ISSN 09546650 (ISSN)

Windows, P. (2012) New identifications in the drawings collection of Gabriele Vendramin. Master Drawings, 50 (1). pp. 33-48. ISSN 0025-5025

This list was generated on Sun Oct 25 11:32:22 2020 UTC.


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