Items where Subject is "CAH25-01-02 - art"

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Number of items at this level: 127.

A

Alfahal, Tamadher (2019) Curating & Creating A Practical Approach for Contemporary Islamic Design Pedagogy and Practice. Doctoral thesis, Birmingham City University.

Amin, Heba Y. and Downey, Anthony (2023) The techno-politics of programming vision. Visual Studies, 38 (2). pp. 192-195. ISSN 1472-586X

Amin, Heba Y. and Downey, Anthony and Kazan, Helene and Mohaiemen, Naeem and Schuppli, Susan (2022) Witness statements and the technologies of memory: A conversation between Heba Y. Amin, Anthony Downey, Helene Kazan, Naeem Mohaiemen, and Susan Schuppli. Memory, Mind & Media, 1. ISSN 2635-0238

Anthony, Downey (2018) “Transposing the Vernacular: Moving Images in the Work of Akram Zaatari”, catalogue published on the occasion of Akram Zaatari’s touring show, The Script, ISBN: 978-0-9932659-8-3. n/a, n/a (n/a). New Art Exchange, Nottingham, pp. 3-18. ISBN ISBN: 978-0-9932659-8-3

B

Bailey, Sally (2021) Locating a Space of Exchange: re-imagining the liminal in contemporary painting practice. Doctoral thesis, Birmingham City University.

Baker, Catherine (2023) Distance and Disruption: The Organized Disorder of the Body in Illness. In: Pattern and Chaos in Art, Science and Everyday Life. Intellect. ISBN 9781789387803

Baker, Catherine (2022) Held. [Show/Exhibition]

Baker, Catherine (2022) Thinking of Place III. [Show/Exhibition]

Baker, Catherine and Tsirikos, Athanasios (2023) BackBone: Interdisciplinary Creative Practice and Body Positive Resilience Full Report. Project Report. British Scoliosis Research Foundation and SAUK, London, UK. (Unpublished)

Barnes, John (2008) Transformations of the Renaissance iconography of antichrist concept and image (2 Volumes: Vol. 1: text & Vol. 2: plates). Doctoral thesis, Birmingham City University.

Bourbon, Amy Victoria (2014) Towards a new way of thinking in painting through the application of analogous notions of listening and analysis in acousmatic music. Doctoral thesis, Birmingham City University.

C

Carey, Charlotte (2021) Conflicting Values, the Balancing Act of Artists. In: Exploring Cultural Value: Contemporary Issues for Theory and Practice. Emerald Publishing Limited, pp. 119-132. ISBN 9781789735161

Carter, Harriet (2022) Beyond Transposition? Exploring metaphysicality in birdsong and Olivier Messiaen’s Catalogue d’oiseaux through painting practice. Doctoral thesis, Birmingham City University.

Ceglarz, Jakub Jan (2020) Love Manifesto: Embodying disorientation through erotohistoriography. [Show/Exhibition]

Chen, Lichiou (2008) The development of digital forms of illustration and their impact on print publishing from 1990 to the present, with particular reference to children's books (2 Volumes). Doctoral thesis, Birmingham City University.

Chen, Sijing (2018) The Transformation of Guai Imagery in China (1949-78). Doctoral thesis, Birmingham City University.

Colin, Anna and Yee, Lydia (2015) British Art Show 8. In: British Art Show 8. Hayward Publishing, UK, pp. 120-124. ISBN 9781853323317

Cox, Martin (2024) Understanding Socially Engaged Arts as Discourse and Experience: Discursive structures of inequality, and art as experience. Doctoral thesis, Birmingham City University.

colin, Anna and Yee, Lydia (2015) British Art Show 8. [Show/Exhibition]

D

Downey, Anthony (2021) The Algorithmic Apparatus of Neo-Colonialism: Or, Can We Hold "Operational Images" to Account? The Nordic Journal of Aesthetics, 30 (61-62). pp. 78-82. ISSN 2000-1452

Downey, Anthony (2023) Algorithmic predictions and pre-emptive violence: artificial intelligence and the future of unmanned aerial systems. Digital War. ISSN 2662-1975

Downey, Anthony (2014) Art and Politics Now. Thames and Hudson, London and New York. ISBN 978-0-500-29147-4

Downey, Anthony (2015) Dissonant Archives: Contemporary Visual Culture and Contested Narratives in the Middle East. Visual Culture in the Middle East, 02 . IB Tauris, London and New York. ISBN 978-1-784-53-4110

Downey, Anthony (2016) Future Imperfect: Contemporary Art Practices and Cultural Institutions in the Middle East. Visual Culture in the Middle East, 03 . Sternberg Press, Berlin, Germany. ISBN 978-3-95679-246-5

Downey, Anthony (2023) Mnemotechnics: Digital Epistemologies and the Techno-Politics of Archiving a Revolution. In: The Handbook of Media and Culture in the Middle East. Wiley, pp. 363-381. ISBN 9781119637066

Downey, Anthony (2017) “Scopic Reflections: Incoming and the Technology of Exceptionalism", catalogue published on the occasion of Richard Mosse: Incoming, 15 February – 23 April 2017, published in 2017 by Barbican Curve Gallery, London EC2Y 8DS United Kingdom. ISBN 978 0 9957082 0 4. Barbican Curve Series, 27 (n/a). Barbican Gallery, London, UK, pp. 21-25. ISBN ISBN 978 0 9957082 0 4

Downey, Anthony (2015) Slavs and Tatars: Mirrors for Princes. JRP Ringier, Zurich. ISBN 978-3-03764-407-2

Downey, Anthony (2017) "Where to Now: Imminent Impermanence in the Work of Sheela Gowda", catalogue published on the occasion of Sheela Gowda, Ikon Gallery, November 2017. ISBN 978-1-911155-10-2. Ikon Gallery, Birmingham.

Downey, Anthony and K, Hiwa and Ali, Bakir and Ginwala, Natasha and Abu Hamdan, Lawrence and Gruijthuijsen, Krist and Mertens, Heike Catherina and Ndikung, Bonaventure Soh Bejeng and Szyłak, Aneta (2017) Don't Shrink Me to the Size of a Bullet: The Works of Hiwa K, edited by Anthony Downey (Walther König Verlag, 2017). Other. Walther König Verlag, London.

F

Forkert, Kirsten and Huxtable, Jason and Nahaboo, Zaki and Nulman, Eugene and Wilde, Poppy and Windsor, Esther (2022) Revisiting Edward Said’s Representations of the Intellectual: A Roundtable for Perspectives on Academic Activism. Philosophy and Theory in Higher Education, 4 (2). pp. 167-186. ISSN 2578-5753

G

Galasso, Giula (2019) The mass collection Octo missae (1663) by Francesco Foggia (1603-1688): an analytical study and critical edition. Doctoral thesis, Birmingham City University.

Gegenwart, Beate and Parsons, Gregory (2018) With Other Eyes. [Show/Exhibition]

Gill, Roger (2015) Pinturicchio’s Frescoes in the Sala dei Santi in the Vatican Palace: authorship and a new iconological interpretation of the ‘Egyptian’ theme. Doctoral thesis, Birmingham City University.

Golding, Johnny (2013) Ana-Materialism and the Pineal Eye: Becoming Mouth-Breast. In: The Next Thing: Art in the Twenty-first Century. Fairleigh Dickinson University Press. ISBN 978-1-61147-451-0

Golding, Johnny (2010) Fractal Philosophy (And the Small Matter of Learning How to Listen): Attunement as the Task of Art. In: Deleuze and Contemporary Art. Deleuze Connections . Edinburgh University Press, pp. 133-155. ISBN 9780748638376

H

Hagen, Ole and Seers, Lindsay (2012) Nowhere Less Now. Abraxas Journal (4).

Hellings, J. (2012) Messages in a Bottle and Other Things Lost to the Sea: The Other Side of Critical Theory or a Reevaluation of Adorno's Aesthetic Theory. Telos, 2012 (160). pp. 77-97. ISSN 0090-6514

Hindle, Sian (2024) Jewellery’s Circular Economy: Materialising connections through the gifting and wearing of adornments. Journal of Jewellery Research. ISSN 2516-337X (In Press)

Hope, Janet Elizabeth (2011) Transformations of the image of St Joseph in early modern art - volume 1: text; volume 2: illustrations. Doctoral thesis, Birmingham City University.

Horn, Sheridan (2018) Living with Loss: An Enquiry into the Expression of Grief and Mourning in Contemporary Art Practice. Doctoral thesis, Birmingham City University.

Hughes, Dean (2024) Roger Ackling: Stillness as a drawing method. Drawing: Research, Theory, Practice, 9 (1). pp. 55-73. ISSN 2057-0384

Hughes-Johnson, Samantha J.C. (2017) The Fresco Decoration of the Oratorio dei Buonomini di San Martino: Piety and Charity in Late-Fifteenth Century Florence. Doctoral thesis, Birmingham City University.

J

Jarvis, Joanna (2021) Natural Beauty or Paint-Painted? Giovanna Baccelli by Thomas Gainsborough. In: With a grace not to be captured: Representing the Georgian theatrical dancer 1760-1830. Brepols, Turnhout. ISBN 9782503583563

Jiang, Jiehong (2020) Editorial - Biennials, Triennials in China. Journal of Contemporary Chinese Art, 7 (1). pp. 3-5. ISSN 2051-7041

Jiang, Jiehong (2018) Editorial - Chinese Art outside the Art Space. Journal of Contemporary Chinese Art, 5 (2/3). pp. 111-115. ISSN 2051-7041

Jiang, Jiehong (2018) Editorial - Contemporary Chinese Artists in the Globalised Art World. Journal of Contemporary Chinese Art, 5 (1). pp. 3-6. ISSN 2051-7041

Jiang, Jiehong (2019) Editorial - Everyday Legend: Reinventing Tradition in Chinese Contemporary Art. Journal of Contemporary Chinese Art, 6 (2/3). pp. 159-165. ISSN 2051-7041

Jiang, Jiehong (2017) Editorial - Making the New World: The Arts of China’s Cultural Revolution. Journal of Contemporary Chinese Art, 4 (2/3). pp. 121-124. ISSN 2051-7041

Jiang, Jiehong (2017) Editorial - The world of Art Museums in China. Journal of Contemporary Chinese Art, 4 (1). pp. 3-4. ISSN 2051-7041

Jiang, Jiehong (2020) Editorial - Urban Transformations and Contemporary Art in China. Journal of Contemporary Chinese Art, 7 (2/3). pp. 171-176. ISSN 2051-7041

Jiang, Jiehong and Shen, Jiawei and Li, BIn (2017) Freedom, suppression and passion in Mao’s Cultural Revolution. Journal of Contemporary Chinese Art, 4 (2/3). pp. 287-301. ISSN 2051-7041

K

Kinsella, Victoria (2024) Birmingham Arts School Evaluation. Project Report. Birmingham City University.

Kinsella, Victoria (2024) Creativity Collaboratives Final Report. Project Report. Birmingham City University.

Koster, J. A. (2023) Prefigurative Politics and Social Practice: A Critique. Doctoral thesis, Birmingham City University.

L

Leng, Jian (2015) Gatekeeping the arts: national policy, student perception and the art and design entrance examination in China. Doctoral thesis, Birmingham City University.

Lin, Nuo (2021) Art Museums in China’s Urban Regeneration. Doctoral thesis, Birmingham City University.

Little, Marlene (2013) Beyond Surface and Material: The meeting point between photography and textiles. [Show/Exhibition]

Lopez, Lucy (2024) Instituting with Care: How Might Art Institutions Care Well? Doctoral thesis, Birmingham City University.

M

Makhoul, Bashir and Hon, Gordon (2013) The Origins of Palestinian Art. Value: Art: Politics (9). Liverpool University Press. ISBN 9781846319525

Marsden, Rachel Elizabeth Mary (2017) The Transcultural Curator: Translating Networked Curatorial Practices in the Chinese Context since 1980. Doctoral thesis, Birmingham City University.

May, Susan (2008) Christian Neoplatonism and early reform thought in the manuscripts and narrative murals of the Piccolomini Library. The Book Collector, 57 (3). pp. 371-399.

May, Susan (2005) The Piccolomini Library in Siena Cathedral: a new reading with particular reference to two compartments of the vault decoration. Renaissance Studies, 19 (3). pp. 287-324. ISSN 0269-0213

May, Susan (2004) The Piccolomini Library in Siena Cathedral: questions of patronage and iconography considered in the light of Cardinal Francesco Piccolomini's humanism and theology. Papers of the British School at Rome, 72. pp. 369-370. ISSN 0068-2462

May, Susan (2012) Pienza: Relics, ritual and architecture in the city of a Renaissance pope. In: Foundation, Dedication and Consecration in Early Modern Europe. Intersections (22). BRILL. ISBN 9789004217577

Metherell, Lisa (2014) Glittering orientations: towards a non-figurative queer art practice. Doctoral thesis, Birmingham City University.

Mhairi, Vari and Cheeseman, David (2008) Analogue. [Show/Exhibition]

Mirra, Federica (2024) Artistic and spatial mobility in China’s urban villages. In: Urban Mobilities in Literature and Art Activism. Palgrave Macmillan, Cham, Switzerland. ISBN 9783031427978

Mirra, Federica (2024) From Erasure to Engagement: Visual arts and migrant workers in contemporary China. Third Text, 37 (4). pp. 487-507. ISSN 0952-8822

Mirra, Federica (2022) Urban Imaginaries: Contemporary art and urban transformations in China since 2001. Doctoral thesis, Birmingham City University.

Mirra, Federica (2023) Visual arts: imagining a shanzhai city in twenty-first century China. Visual Studies. ISSN 1472-586X

Mirra, Federica (2024) Water calligraphy: A living aesthetics in China’s south-western cities. Journal of Contemporary Chinese Art, 11 (1). pp. 51-74. ISSN 2051-7041

Mitchell, Lily (2020) ‘The Other Stage’: Issues of Identity and Translation at The Centre for Chinese Contemporary Art. Doctoral thesis, Birmingham City University.

Mugridge, Stuart (2018) -becoming-#langscape-[fold here] intra-rupting landscape, language, and the creative act. Doctoral thesis, Birmingham City University.

Muller, Nathalie (2022) Lost Futurities: Science Fiction in Contemporary Art from the Middle East. Doctoral thesis, Birmingham City University.

N

Neumeister, H.M. (2008) Notes on the 'ethnographic turn' of the European avant-garde: Reading Carl Einstein's Negerplastik (1915) and Vladimir Markov's Iskusstvo Negrov (1919). Acta Historiae Artium, 49 (1). pp. 172-185. ISSN 00015830 (ISSN)

Neumeister, Heike M. (2010) Carl Einstein's Negerplastik: early twentieth-century avant-garde encounters between art and ethnography. Doctoral thesis, Birmingham City University.

Ng, Jennifer (2023) The 'lost' Peranakan Reimagined: Creating new interpretation of lost Peranakan objects through contemporary artistic imagination. Doctoral thesis, Birmingham City University.

Noszlopy, .George T and May, Susan (2007) Reflections on patronage, form, iconography and politics in Pinturicchio's 'Fossi altarpiece'. Arte Cristiana, 95 (842). pp. 343-360.

Noszlopy, George T. and May, Susan (2015) Cosimo Rosselli's Birmingham altarpiece, the Vallombrosan Abbey of S. Trinita in Florence and its Gianfigliazzi Chapel. Journal of the Warburg and Courtauld Institutes, 78. pp. 97-133. ISSN 0075-4390

P

Paganelli, Mattia (2017) Finitude, Possibility, Dimensionality: Aesthetics After Complexity. Doctoral thesis, Birmingham City University.

Q

Querol, Nuria (2020) India at the Venice Biennale: Collateral Events From and Beyond the Nation. Journal of Curatorial Studies, 9 (1). pp. 70-89. ISSN 2045-5836

Querol, Nuria (2019) The art of walking. Fostering experiential learning through observation and creative practice. Creatives Pedagogies Imprint, 1 (2). pp. 21-26.

R

Reeves-Evison, Theo (2021) The Art of Disciplined Imagination: Prediction, Scenarios, and Other Speculative Infrastructures. Critical Inquiry, 47 (4). pp. 719-748. ISSN 0093-1896

Reeves-Evison, Theo (2016) Deception and Fiction as Forms of World-making in Contemporary Art. Paragrana, 25 (2). pp. 135-143. ISSN 0938-0116

Reeves-Evison, Theo and Rainey, Mark Justin (2018) Ethico-Aesthetic Repairs. Third Text, 32 (150). pp. 1-15. ISSN 0952-8822 (Print) 1475-5297 (Online)

Rubinstein, Daniel and Golding, Johnny and Fisher, Andy (2013) On the Verge of Photography: Imaging Beyond Representation. ARTicle Press. ISBN 978-1-873352-02-1

S

Scarrott, Emily (2023) Nurturing the Unfertilised Egg: Towards the Absurd Heroine. Doctoral thesis, Birmingham City University.

Schenk, Franziska (2020) Biomimetics, Colour and the Arts. Society for Artistic Research.

Schenk, Franziska (2009) Nature's fluctuating colour captured on canvas? International Journal of Design & Nature and Ecodynamics, 4 (3). pp. 274-284. ISSN 1755-7437

Schenk, Franziska and Parker, Andrew (2011) Iridescent Color: From Nature to the Painter's Palette. Leonardo, 44 (2). pp. 108-115. ISSN 0024-094X

Schenk, Franziska and Wilts, Bodo D and Stavenga, Doekele G (2013) The Japanese jewel beetle: a painter's challenge. Bioinspiration & Biomimetics, 8 (4). 045002. ISSN 1748-3182

Sergeant, Ian Lloyd (2022) Visual Representations and Cultural (Re)Constructions of Black British Masculinities in 21st Century Birmingham. Doctoral thesis, Birmingham City University.

Stanley, Nick (2012) The Making of Asmat Art: Indigenous art in a world perspective. Sean Kingston Publishing. ISBN 978-1-907774-20-1

T

Tait, Stuart (2009) Becoming multiple: collaboration in contemporary art practice. Doctoral thesis, Birmingham City University.

Taylor, Jacqueline (2013) Collisions, Slippages and Getting Lost. In: I See What You’re Saying: The Materialisation of Words in Contemporary Art. ARTicle Press, Birmingham, pp. 31-40.

Taylor, Jacqueline (2014) From ‘or’ to ‘and’: L’écriture féminine as a methodological approach in Fine Art research. Arts and Humanities in Higher Education, 13 (3). pp. 303-311. ISSN 1474-0222

Taylor, Jacqueline (2018) Research-practice-pedagogy: establishing new topologies of doctoral research in the arts’. In: Using Art as Research in Learning and Teaching: Multidisciplinary approaches across the arts. Intellect, London, pp. 91-108. ISBN 9781783208920

Taylor, Jacqueline (2021) Subversive Spaces, Embodied Places and Mentoring as Onto-Epistemology. In: Mentoring and Communication: Theories and Practices. Peter Lang. ISBN 9781433162725

Taylor, Jacqueline (2018) Thinking Difference Differently: An Exploration of l'écriture féminine, Women's Art Practice, and Postfeminism. L'Esprit Créateur, 58 (2). pp. 41-55. ISSN 0014-0767

Taylor, Jacqueline (2013) Writing//painting; l’écriture féminine and difference in the making. Doctoral thesis, Birmingham City University.

Taylor, Jacqueline and Vaughan, Sian (2016) A Different Practice? Professional Identity and Doctoral Education in Art & Design. In: Perspectives on Designing Professional Practice Doctorates: Applying the Critical Friends Approach to the EdD and Beyond. Palgrave Macmillan, pp. 126-141. ISBN 9781137527059

Thompson, Shirley (2009) Declensions and Debauchery: Exploring Two 'New' Charpentier Attributions. Bulletin Charpentier, 2. pp. 20-40. ISSN 1141-9822

V

Vaughan, Sian (2013) The Archive and Public Art: Archiving the Materialities of our times. In: Wet-Dry-thick-Thin (Getting Beyond the Raw and the Cooked. Zetesis: Research generated by curiosity, 1 (2). Article Press, Birmingham, pp. 49-57. ISBN 9781873352076

Vaughan, Sian (2014) The Art School, Society of Artists and the City. In: in A Place for Art: the story of the Royal Birmingham Society of Artists,. RBSA, Birmingham, pp. 39-44.

Vaughan, Sian (2018) Art and sonic mining in the archives: methods for investigating the wartime history of Birmingham School of Art. History of Education, 47 (2). pp. 225-240. ISSN 0046-760X

Vaughan, Sian (2019) Art and sonic mining in the archives: methods for investigating the wartime history of Birmingham School of Art. In: Sight, Sound and Text in the History of Education. Routledge, London, pp. 75-90. ISBN 9780367194710

Vaughan, Sian (2019) Artists' Methods in the Lace Archive. In: Bummock The Lace Archive. ftb Press, Waddington, pp. 74-81. ISBN 9781999883010

Vaughan, Sian (2020) Confidence in Practice: positioning institutional and individual creative research as para-academic. In: Institution as Praxis: new curatorial directions for collaborative research. Sternberg Press, Berlin, pp. 200-213. ISBN 9783956795060

Vaughan, Sian (2024) Privilege and Practice—Challenges for Doctoral Education in Art and Design. International Journal of Art & Design Education. ISSN 1476-8062

Vaughan, Sian (2016) Reflecting on Practice: Artists’ Experiences in the Archives. In: Engaging with Archives and Records: Histories and Theories. Facet Publishing, pp. 211-231. ISBN 9781783301584

Vermeir, Katleen and Heiremans, Ronny and Mason, Luke (2018) A Modest Proposal. [Show/Exhibition]

W

Wade, Gavin (2020) A–Z Display Units (after Kiesler & Krischanitz) 2015–2020 (2020). [Show/Exhibition]

Walden, Lauren (2021) Africa in the Surrealist Imaginary: Photographs of Sculpture in Minotaure and Documents. Visual Anthropology, 34 (3). pp. 185-213. ISSN 0894-9468

Walden, Lauren (2019) British Museum Ethnographic Photography at the 1936 International Surrealist Exhibition. Visual Resources, 36 (1). pp. 43-69. ISSN 0197-3762

Walden, Lauren (2020) Cultural diplomacy and internationalism in regional art institutions. Visual Studies, 34 (4). pp. 350-363. ISSN 1472-586X

Walden, Lauren (2017) From the "Rue des Nations" to the "Rue aux Lèvres" : the 1938 International Surrealist Exhibition Parody of the 1889 and 1900 World Fair cityscapes. MDCCC 1800, 6 (1). pp. 9-18. ISSN 2280-8841

Walden, Lauren (2018) Le surréalisme et la Chine : terrain inconnu. Histoire de l'art / publ.sous l'égide de l'Association des Professeurs d'Archéologie et d'Histoire de l'Art des Universités (APAHAU), avec le soutien de la Direction générale des patrimoines, de l'École du Louvre, de l'Institut national d'(TRUNCATED), 82 (82). pp. 157-168. ISSN 0992-2059

Walden, Lauren (2023) Surrealism in Chinese Periodicals: Hedonism, Horror, and Shanghai’s Former French Concession. Dada/Surrealism, 24 (1). ISSN 0084-9537

Walden, Lauren (2017) Transmediality in Symbolist and Surrealist Photo-Literature. Open Cultural Studies, 1 (1). pp. 214-231. ISSN 2451-3474

Whipps, Stuart (2020) The Kipper and The Corpse. [Show/Exhibition]

Whipps, Stuart (2020) Necessary Amendments. [Show/Exhibition]

Whipps, Stuart (2020) Tick Tack Tick Tack Tick Tack. [Show/Exhibition]

Williams, Grace Alexandra (2017) The supernatural sex: women, magick & mediumship; assembling a field of fascination in contemporary Art. Doctoral thesis, Birmingham City University.

Wilson, Sean Elder (2023) A Study of Queer Affect and Relation in Curatorial Practice and Writing. Doctoral thesis, Birmingham City University.

Windows, P. (2014) Gabriele Vendramin's 'disegni divini'. Journal of the History of Collections, 26 (1). pp. 1-19. ISSN 09546650 (ISSN)

Windows, P. (2012) New identifications in the drawings collection of Gabriele Vendramin. Master Drawings, 50 (1). pp. 33-48. ISSN 0025-5025

Z

Zhang, Zhen and Jiang, Jiehong and Chang, Ellen (2021) Life in-between Screens: “The World, Two Meters Away”. Feminist Media Histories, 7 (1). pp. 61-80. ISSN 2373-7492

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