Items where Subject is "W300 Music"

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Number of items at this level: 161.

B

Baltuch, David S. (2014) Orchestral conducting since 1950: a comparative analysis of conducting manuals, practitoners' testimonies and two orchestral performances. Doctoral thesis, Birmingham City University.

Barber, Simon (2016) The Brill Building and the creative labour of the professional songwriter. In: The Cambridge Companion to the Singer-Songwriter. Cambridge University Press, pp. 67-77. ISBN 9781316569207

Barber, Simon (2017) Professional Songwriting Techniques: A Range of Views from the Sodajerker Interviews. In: The Singer-Songwriter Handbook. Bloomsbury, pp. 51-68. ISBN 9781628920291

Barber, Simon (2012) Soundstream: The Introduction of Commercial Digital Recording Technologies in the United States. Journal on the Art of Record Production, 7. ISSN 1754-9892

Barber, Simon and O'Connor, Brian (2016) The Secrets of Songwriting. [Audio]

Barber, Simon and O'Connor, Brian and Kane, David (2018) Riffs on the Beatles. [Audio]

Barber, Simon and Wall, Tim (2012) The collective organization of contemporary jazz musicians in the UK. Jazz Research Journal, 5 (1-2). ISSN 17538637

Blackburn, Carolyn (2018) Promoting children’s wellbeing, right to make choices and engage in playful activities in restricted environments through music and singing. Project Report. Birmingham City University, Birmingham.

Blackburn, Carolyn and Axtell, Ian (2016) Communicative musicality: Sound, pulse and rhythm in music and language. Project Report. Birmingham City University.

Boggio, Paolo (2011) The Stained Glass Island: analytical commentary. Doctoral thesis, Birmingham City University.

Bullock, J. and Frisk, H. (2009) An object oriented model for the representation of temporal data in the integra framework. In: 2009 International Computer Music Conference, ICMC 2009), 16 August 2009 through 21 August 2009, Montreal, QC; Canada.

Bullock, J. and Frisk, H.A. and Coccioli, L. (2008) Sustainability of 'live electronic' music in the Integra project. In: MELECON 2008 - 2008 IEEE Mediterranean Electrotechnical Conference, 5 May 2008 through 7 May 2008, Ajaccio, France.

Bullock, James and Coccioli, Lamberto (2010) Integra Live: A New Software Environment for the Composition and Performance of Live Electronic Music. Birmingham City University.

Bullock, James and Coccioli, Lamberto (2009) Towards a Humane Graphical User Interface for Live Electronic Music. In: 9th International Conference on New Interfaces for Musical Expression (NIME), 4-6 June 2009, Pittsburgh, USA.

Bullock, Jamie and Coccioli, Lamberto and Dooley, James and Michailidis, Tychonas (2013) Live Electronics in Practice: Approaches to Training Professional Performers. Organised Sound, 18 (2). pp. 170-177. ISSN 1355-7718

Burnard, P. and Fautley, Martin (2015) Assessing diverse creativities in music: A spectrum of challenges, possibilities and practices. In: The Routledge International Handbook of the Arts and Education. Taylor and Francis Inc., pp. 254-267. ISBN 9781317586944 (ISBN); 9780415839211 (ISBN)

C

Cannon, Susan (2015) Anubis: an orchestral triptych: analytical commentary. Doctoral thesis, Birmingham City University.

Carter, O. and Coley, S. (2013) Sound and vision: Radio documentary, fandom, and new participatory cultures. In: The Music Documentary: Acid Rock to Electropop. Taylor and Francis, pp. 55-68. ISBN 9780203118689 (ISBN)

Churnside, Carrie (2017) “Guerra, guerra, all’armi o guerrieri!”: Depictions of the Ottoman Conflict in Bolognese Cantatas. Journal of Seventeenth-Century Music, 20 (1). ISSN 1089-747X

Cleeve, Sam (2017) Review: Michiel Kamp, Tim Summers and Mark Sweeney (eds.), Ludomusicology: Approaches to Video Game Music. IASPM@Journal, 7 (1). pp. 119-122. ISSN 2079-3871

Cleeve, Sam (2017) Review: Raphaël Nowak's Consuming Music in the Digital Age: Technologies, Roles and Everyday Life. Popular Music, 36 (3). pp. 448-450. ISSN 0261-1430

Coccioli, Lamberto (2013) Beauty and the Beast The Faustian Bargain between Music and Techne. In: Inaugural Professorial Lecture, 28 February 2017, Recital Hall, Birmingham Conservatoire. (Unpublished)

Collins, J. and Carter, O. (2015) "They're not pirates, they're archivists": The role of fans as curators and archivists of popular music heritage. In: Preserving Popular Music Heritage: Do-it-Yourself, Do-it-Together. Taylor and Francis Inc., pp. 126-138. ISBN 9781317670742 (ISBN); 9781138781436 (ISBN)

Cook, James and Kolassa, Alex and Whittaker, Adam Introduction: Understanding the Present through the Past; the Past through the Present. In: Recomposing the Past: Representations of Early Music on Stage and Screen. Routledge, pp. 1-13.

Cook, James and Kolassa, Alex and Whittaker, Adam (2015) Representations of Early Music on Stage and Screen: a Brief Introduction. Early Music Performer (36). pp. 19-21. ISSN 1477-478X

Crothers, Galina I. (2010) Heinrich Neuhaus: life, philosophy and pedagogy. Doctoral thesis, Birmingham City University.

D

Daubney, Alison and Fautley, Martin (2015) A Framework for Curriculum, Pedagogy and Assessment in Key Stage 3 Music. ISM.

Daubney, Alison and Fautley, Martin (2015) The national curriculum for Music: An assessment and progression framework. Incorporated Society of Musicians. pp. 1-9.

Day, Jonathan (2016) Jazz, Kant and Zen: The Philosophy of Improvisation. Culture and Dialogue, 4 (2). pp. 301-316. ISSN 2222-3282

Dean, Jeffrey (2009) Josquin’s Teaching: Ignored and Lost Sources. In: Uno gentile et subtile ingenio. Brepols Publishers, pp. 741-750. ISBN 978-2-503-53163-2

Dean, Jeffrey (2013) Towards a Restoration of Tinctoris' L'Homme armé Mass: Coherence, Mensuration, Varietas. Journal of the Alamire Foundation, 5 (1). pp. 11-41. ISSN 2032-5371

Derry, Sian (2016) Ludwig van Beethoven: An understated prodigy. In: Musical Prodigies: Interpretations from Psychology, Education, Musicology, and Ethnomusicology. Oxford University Press. ISBN 9780199685851

Derry, Sian (2014) Piecing Together A Mystery: Beethoven and his Fingering Indications for the Fourth Piano Concerto Op. 58. Bonner Beethoven Studien, 11. pp. 47-66.

Derry, Sian (2014) The origins of Beethoven's Twenty-Third 'Diabelli' Variation, Op. 120. Arietta Journal of the Beethoven Piano Society of Europe, 8. pp. 29-33. ISSN 1465-9387

Dessanay, Sebastiano (2013) The cry of the double bass: a chamber opera - (Vol. 1. Analytical commentary; Vol. 2. Full score; Vol. 3. On D; Vol. 4. Noise; Vol. 5. Sonatina for tuba and electronics; Vol. 6. Appendixes). Doctoral thesis, Birmingham City University.

Di Donato, Balandino and Dooley, James and Coccioli, Lamberto (2017) HarpCI, empowering performers to control and transform harp sounds in live performance. Contemporary Music Review. ISSN 0749-4467 (In Press)

Di Donato, Balandino and Dooley, James and Hockman, Jason and Hall, Simon and Bullock, Jamie (2017) MyoSpat: A hand-gesture controlled system for sound and light projections manipulation. In: Proceedings of the 43rd International Computer Music Conference. Shanghai Conservatory of Music No. 20 FenYang Road, 200031, Shanghai, China, pp. 335-340. ISBN 9780984527465

Dingle, Christopher (2013) Appendix: Yvonne Loriod Discography. In: Messiaen Perspectives 1: Sources and Influences. Ashgate, pp. 323-338. ISBN 9781409426950

Dingle, Christopher (2018) Commission and Omission: The Canon According to Messiaen. In: Historical Interplay in French Music and Culture, 1860-1960. Routledge, London and New York, pp. 214-232. ISBN 9781472474759

Dingle, Christopher (2013) Messiaen and Mozart: A Love Without Influence? In: Messiaen Perspectives 1: Sources and Influences. Ashgate, pp. 217-234. ISBN 9781409426950

Dingle, Christopher (2014) Messiaen as Pianist: A Romantic in a Modernist World. In: Perspectives on the Performance of French Piano Music. Ashgate, Farnham, pp. 29-50. ISBN 9781409400646

Dingle, Christopher (2013) Messiaen's Final Works. Ashgate. ISBN 9780754606338

Dingle, Christopher (2014) Players and Pianos: An Overview of Early Recorded Resources for the French Piano Repertoire. In: Perspectives on the Performance of French Piano Music. Ashgate, pp. 125-148. ISBN 978-1-4094-0064-6

Dingle, Christopher (2013) Sacred Machines: Fear, Mystery and Transfiguration in Messiaen’s Mechanical Procedures. In: Messiaen Perspectives 2: Techniques, Influence and Reception. Ashgate, pp. 13-32. ISBN 9781409426967

Dingle, Christopher (2013) Yvonne Loriod as Source and Influence. In: Messiaen Perspectives 1: Sources and Influences. Ashgate, pp. 197-212. ISBN 9781409426950

Dingle, Christopher and Hamer, Laura (2014) False Memories and Dissonant Truths: Digital Newspaper Archives as a Catalyst for a New Approach to Music Reception Studies. Proceedings of the Digital Humanities Congress 2012. Studies in the Digital Humanities..

Dooley, James (2017) arK1a. [Audio]

Dooley, James (2016) entryiseasierthantheexit_entry. [Audio]

Dooley, James (2016) entryiseasierthantheexit_exit. [Audio]

Dooley, James (2016) esthesis. [Composition]

Dooley, James (2016) formuls: audiovisual performance at SPECTRA Festival, Malaysia. [Performance]

Dooley, James (2016) formuls: performance at Electric Nights Festival, Athens, Greece. [Performance]

Dooley, James (2016) formuls: performance at sonADA Festival. [Performance]

Dooley, James (2017) rive: splitting sound and light. [Performance]

Dooley, James and Di Donato, Balandino (2015) equinode. [Show/Exhibition]

Dooley, James and Di Donato, Balandino (2016) equinode II. Integra Lab.

Dooley, James and Hall, Simon (2018) MYtrOmbone: exploring gesture controlled live electronics in solo trombone performance. In: New Interfaces for Musical Expression 2018, 3rd - 6th June 2018, Blacksburg, Virginia. (Submitted)

Dubber, A. (2015) Collective practice and digital mediation. In: The Cultural Politics of Jazz Collectives: This Is Our Music. Taylor and Francis Inc., pp. 219-235. ISBN 9781317672715 (ISBN); 9781138780620 (ISBN)

Dudrah, Rajinder (2016) “Balle-Balle, Balle-Balle”: Fashion – British bhangra style. Atlantic Studies, 13 (4). pp. 491-511. ISSN 1478-8810

Dudrah, Rajinder (2017) Slanguages: Languages in the Creative Economy. [Show/Exhibition]

F

Fautley, M. (2013) Assessment of composing in higher music education: Purposes and practices. In: Developing Creativities in Higher Music Education: International Perspectives and Practices. Taylor and Francis, pp. 199-210. ISBN 9781315885223 (ISBN)

Fautley, M. (2012) Developing musical leadership. In: Teaching Secondary Music. SAGE Publications Inc., pp. 98-108. ISBN 9781446288900 (ISBN); 9780857023933 (ISBN)

Fautley, M. (2013) The potential of audio and video for formative assessment purposes in music education in the lower secondary school in Eengland: Iissues arising from a small-scale study of trainee music teachers. Journal of Music, Technology and Education, 6 (1). pp. 29-42. ISSN 17527066 (ISSN)

Fautley, Martin (2015) Music Education Assessment and Social Justice: Resisting Hegemony Through Formative Assessment. In: The Oxford Handbook of Social Justice in Music Education. Oxford University Press, pp. 513-524. ISBN 9780199356157

Fautley, Martin and Kinsella, Victoria (2016) The Use of Activity Theory as an Analytical Tool for the Music Learning Processes. In: Contemporary Research in Music Learning Across the Lifespan: Music Education and Human Development. Routledge Studies in Music Education . Routledge, pp. 26-38. ISBN 9781138650428

Fautley, Martin and Kinsella, Victoria and Whittaker, Adam (2017) Whole Class Ensemble Teaching Research Report. Project Report. Birmingham City University, Birmingham.

Forcada-Delgado, Claudio (2014) Good practice in violin pedagogy: psychological aspects related to the acquisition of motor skills. Doctoral thesis, Birmingham City University.

G

Gebhardt, N. (2015) Introduction: Jazz as a collective problem. The Cultural Politics of Jazz Collectives: This Is Our Music. pp. 1-15. ISSN 9781317672715 (ISBN); 9781138780620 (ISBN)

Gebhardt, N. and Whyton, T. (2015) The cultural politics of jazz collectives: This is our music. The Cultural Politics of Jazz Collectives: This Is Our Music . Taylor and Francis Inc., pp. 1-250. ISBN 9781317672715 (ISBN); 9781138780620 (ISBN)

Gebhardt, Nicholas (2010) Crossing Borders I: The historical context for Ravel's North American tour. In: Ravel Studies. Cambridge University Press, pp. 92-113. ISBN 9780521886970

Gebhardt, Nicholas (2011) Introduction: The collective problem in jazz. Jazz Research Journal, 5 (1-2). ISSN 17538637

Gebhardt, Nicholas (2016) Screening the Event: Watching Miles Davis's "My Funny Valentine". In: Watching Jazz: Encounters With Jazz Performance on Screen. Oxford University Press, New York, pp. 221-238. ISBN 978-0-19-934766-7

Gebhardt, Nicholas (2017) Vaudeville Melodies: Popular Musicians and Mass Entertainment in American Culture, 1870-1929. Other. University of Chicago Press, Chicago.

Gebhardt, Nicholas (2012) When Jazz Was Foreign: Rethinking Jazz History. Jazzforschung, 44. ISSN 0075-3572

Goursaud, Christian (2018) CD booklet notes | Thomas Tallis: Gentleman of the Chapel Royal (RES10229). Resonus Classics.

Goursaud, Christian (2016) The Neapolitan Presentation Manuscripts of Tinctoris’s Music Theory: Valencia 835 and Bologna 2573. Doctoral thesis, Birmingham City University.

Granieri, Niccolo and Dooley, James and Michailidis, Tychonas (2018) Harnessing ancillary microgestures in piano technique: implementing microgestural control in to an expressive keyboard-based hyper-instrument. Innovation in Music. (Submitted)

H

Halfyard, Janet (2013) Cue the Big Theme? The Sound of the Superhero. In: The Oxford Handbook of New Audiovisual Aesthetics. Oxford University Press, pp. 171-193. ISBN 9780199733866

Halfyard, Janet (2010) 'Everybody Scream!' Tim Burton's Animated Gothic-Horror Musical-Comedies. In: Drawn to Sound: Animation, Film, Music and Sonicity. Genre, Music and Sound . Equinox Publishing, pp. 25-39. ISBN 9781845533526

Halfyard, Janet (2010) Love, Death, Curses and Reverses (in E minor): Music, Gender and Identity in 'Buffy the Vampire Slayer' and 'Angel'. In: Music, Sound, and Silence in Buffy the Vampire Slayer. Ashgate Popular and Folk Music Series . Ashgate, pp. 15-32. ISBN 9780754660415

Halfyard, Janet K. (2017) “Crimson Peak: Monstrous Women and their Music”. In: Fear 2000: 21st century monsters, 21-22 April 2017, Sheffield Hallam University. (Unpublished)

Halfyard, Janet K. (2015) ‘Listen to the Bloody Music: Scoring Women in Vampire TV from Buffy to Hemlock Grove.’. In: aughter of Fangdom: a Conference on Women and the TV Vampire, April 2015, University of Roehampton. (Unpublished)

Halfyard, Janet K. (2016) “The Sound of Whedon: the influence of Joss Whedon’s early television series on TV scoring”. In: Sixth biennial Slayage conference on the Whedonverses, July 2016, Kingston University, UK. (Unpublished)

Hall, Simon and Perkins, Martin (2012) The Conservatoire Collection (Software Sample Library of Historical Instruments). Soniccouture Sound Design Ltd.

Harris, Antony (2011) The Legacy of Cornelius Cardew. Doctoral thesis, Birmingham City University.

Hill, Geof (2014) Research cabaret: come hear the music play. The Conversation.

Hill, Geof (2015) Strategies for evidencing the Frascatian notion of systematic creative work contributing to the body of knowledge: An example in ‘academic’ cabaret. Action Learning and Action Research Journal (ALARA), 21 (2). pp. 150-175.

Hockman, Jason A. and Davies, Matthew E. P. (2015) Computational strategies for breakbeat classification and resequencing in hardcore, jungle and drum & bass. In: Proceedings of the 18th International Conference on Digital Audio Effects. International Conference on Digital Audio Effects, DAFX-1. ISBN 2413-6700

Hoffin, Kevin (2018) Decay as a Black Metal Symbol. Metal Music Studies, 4 (1). pp. 81-94. ISSN 20523998

Hubrich, Sara (2014) The creative embodiment of music: practice-based investigations into staged and embodied interpretations of instrumental music - Volume 1, Volume 2: portfolio of documented examples. Doctoral thesis, Birmingham City University.

J

Johnson, Daniel and Fautley, Martin (2017) Assessment of whole-class instrumental music learning in England and the United States of America: an international comparative study. Education 3-13, 45 (6). pp. 701-709. ISSN 0300-4279

Johnson, Peter (2010) Illusion and Aura in the Classical Audio Recording. In: Recorded Music Performance, Culture and Technology. Cambridge University Press, pp. 137-151. ISBN 9780521863094

Johnson, Peter (2012) ‘Labyrinthine pathways and bright rings of light’: Hoffmann's aesthetics of music in performance. Nineteenth-Century Music Review, 9 (1). pp. 75-92. ISSN 1479-4098

K

Kane, David (2017) Bob Dylan: Nobility, Lyrics and Ghosts. Riffs - Experimental Writing on Popular Music, 1 (1). ISSN 2513-8537

Kane, David (2017) Book Review: Popular Music and Retro Culture in the Digital Age. Hogarty, Jean (2017). IASPM@Journal, 7 (1). pp. 114-118. ISSN 2079-3871

Kane, David (2018) Kane, David (2018) Book Review: The Beatles. Inglis, Ian (2017). Riffs - Experimental Writing on Popular Music, 1 (2). ISSN 2513-8537

Kane, David Martha My Dear. In: The Beatles or The White Album. Headpress, London. (In Press)

Kaufman, Gabrielle (2013) Gaspar Cassadó: a study of Catalan cello arrangements and cello performance style. Doctoral thesis, Birmingham City University.

Kinsella, Victoria and Fautley, Martin (2016) The use of Activity Theory as an analytical tool for the music learning processes. In: Contemporary Research in Music Learning Across the Lifespan: Music Education and Human Development. Routledge Studies in Music Education . Routledge, pp. 26-38. ISBN 9781138650428

Kinsella, Victoria and Fautley, Martin and Evans, Nancy (2018) Musician-Teacher collaborations in composing contemporary music in secondary schools. In: Musician-Teacher Collaborations: Altering the Chord. Routledge, New York, pp. 180-192. ISBN 978-1138631601

Kinsella, Victoria and Fautley, Martin and Whittaker, Adam (2017) Exchanging Notes Year Three Interim Report. Project Report. Birmingham City Univeristy, Online.

L

Lee, Joanna (2015) Every inch of many effigies: six courthouse songs: music theatre piece for baritone and chamber ensemble: dramatic vocal composition combining lyric singing with extended vocal techniques: analytical commentary. Doctoral thesis, Birmingham City University.

Long, P. (2010) 'I think it's over now': The Fall, John Peel, popular music and radio. In: Mark E. Smith and The Fall: Art, Music and Politics. Ashgate Publishing Ltd, pp. 157-167. ISBN 9780754668626 (ISBN)

Long, P. and Wall, T. (2013) Tony Palmer's All You Need is Love: Television's first pop history. In: The Music Documentary: Acid Rock to Electropop. Taylor and Francis, pp. 25-41. ISBN 9780203118689 (ISBN)

Long, Paul and Baker, Sarah and Istvandity, Lauren and Collins, J. (2017) A labour of love: the affective archives of popular music culture. Archives and Records, 38 (1). pp. 61-79. ISSN 2325-7962

Long, Paul and Barber, Simon (2017) Conceptualizing Creativity and Strategy in the Work of Professional Songwriters. Popular Music and Society, 40 (5). pp. 556-572. ISSN 0300-7766

Long, Paul and Barber, Simon (2015) Voicing passion: The emotional economy of songwriting. European Journal of Cultural Studies, 18 (2). pp. 142-157. ISSN 1367-5494

M

Mawer, D. (2014) French music and Jazz in conversation: From Debussy to Brubeck. French Music and Jazz in Conversation: From Debussy to Brubeck . Cambridge University Press, pp. 1-304. ISBN 9781139775359 (ISBN); 9781107037533 (ISBN)

Mawer, Deborah (2010) Crossing Borders II: Ravel’s Theory and Practice of Jazz. In: Ravel Studies. Cambridge University Press, pp. 114-137. ISBN 9780521886970

Mawer, Deborah (2009) Jazzing a Classic: Hylton and Stravinsky's Mavra at the Paris Opéra. Twentieth-century Music, 6 (2). pp. 155-182. ISSN 1478-5722

Mawer, Deborah (2008) Jolivet's Search for a New French Voice: Spiritual 'Otherness' in Mana (1935). In: French Music, Culture and National Identity, 1870-1939. Eastman Studies in Music . University of Rochester Press, pp. 172-196. ISBN 9781580462723

Mawer, Deborah (2018) ‘Jolivet’s Rameau: Theory, Practice and Temporal Interplay’. In: Historical Interplay in French Music and Culture, 1860-1960. Routledge, London and New York, pp. 176-197. ISBN ISBN 9781472474759; 9781315586847 (ebk)

Mawer, Deborah (2008) ‘Parisomania’? Jack Hylton and the French Connection. Journal of the Royal Musical Association, 133 (2). pp. 270-317. ISSN 0269-0403

Mawer, Deborah (2014) ‘Retour au point de départ? Les dernières œuvres de musique de chambre de Darius Milhaud et la notion de “tardivité”’. In: Darius Milhaud: Compositeur et expérimentateur. Musicologies . Vrin, Paris, pp. 65-88. ISBN 9782711625277

Mayes, Andrew (2008) Aspects of performance practice in works for recorder composed for Carl Dolmetsch between 1939 and 1989 (2 Volumes). Doctoral thesis, Birmingham City University.

McCaleb, James Murphy (2012) Embodied knowledge: the case of ensemble performance. Doctoral thesis, Birmingham City University.

Messiaen, Olivier (2015) Olivier Messiaen: Un oiseau des arbres de Vie (Oiseau Tui), orchestration realized by Christopher Dingle. [Composition] (In Press)

Michailidis, T. and Bullock, J. (2011) Improving performers' musicality through live interaction with haptic feedback: A case study. In: 8th Sound and Music Computing Conference, SMC 2011, 6 July 2011 through 9 July 2011, Padova; Italy.

Michailidis, Tychonas and Hockman, Jason (2018) Affordances of vibrations in performances and composition. In: Sound and Music Computing Conference, 4th-7th July 2018, Limassol, Cyprus.

Mogensen, Rene (2016) Evaluating a swarm algorithm as an improvising accompanist: an experiment in using transformed analysis of George E. Lewis’s Voyager. In: 1st Conference on Computer Simulation of Musical Creativity, 17th - 19th June 2016, University of Huddersfield, UK.

Moss, G. (2016) Music in e. m. forster's a room with a view and howards end: The conflicting presentation of nineteenth-century aesthetics. English Literature in Transition, 1880-1920, 59 (4). pp. 493-509. ISSN 00138339 (ISSN)

N

Noulis, Christos (2014) Somatic education and piano performance. Doctoral thesis, Birmingham City University.

P

Palau, Carolina Noguera (2011) Carnivalesque expressions in musical composition: a Colombian perspective - volume 1: analytical commentary; volume 2: portfolio. Doctoral thesis, Birmingham City University.

Perkins, Tim (2014) Metta Vee: a stylistic journey through a landscape of string: contextual & analytical commentary. Doctoral thesis, Birmingham City University.

S

Sabri, Sonia and Dooley, James and Di Donato, Balandino (2017) NuBody. [Performance]

Sadler, Graham (2010) Charpentier’s Void Notation: The Italian Background and its Implications. In: New Perspectives on Marc-Antoine Charpentier. Ashgate, pp. 31-62. ISBN 9780754665793

Sadler, Graham (2015) ‘Even good Homer nods’: Marc-Antoine Charpentier’s Remarques sur les Messes a 16 Parties d’Italie and his copy of Beretta’s Missa Mirabiles elationes maris. Bulletin Charpentier, 5 (1). pp. 3-28. ISSN 1141-9822

Sadler, Graham (2009) The 'Orchestral' French Cantata (1706–1730): Performance, Edition and Classification of a Neglected Repertory. In: Aspects of the Secular Cantata in Late Baroque Italy. Ashgate, pp. 227-254. ISBN 9780754657941

Savan, Jamie (2018) Revoicing a 'choice eunuch': the cornett and historical models of vocality. Early Music. (In Press)

Savan, Jamie (2016) Unlocking the Mysteries of the Venetian Cornett: ad imitar piu la voce humana. Historic Brass Society Journal, 28. pp. 31-55.

Savan, Jamie (2018) Venice 1629. [Audio]

Southall, Carl and Jillings, N. and Stables, Ryan and Hockman, Jason (2017) ADTWeb: An open-source browser based automatic drum transcription system. In: International Society for Music Information Retrieval Conference.

Southall, Carl and Stables, Ryan and Hockman, Jason (2018) Improving peak picking using multiple time-step loss functions. In: International Society of Music Information Retrieval Conference, 23rd-27th September, 2018, Paris, France. (In Press)

Southall, Carl and Stables, Ryan and Hockman, Jason (2018) Player vs Transcriber: A Game approach to automatic music transcription. In: International Society of Music Information Retrieval Conference, 23rd-27th September, 2018, Paris, France. (In Press)

Southall, Carl and Wu, Chih-Wei and Lerch, Alexander and Hockman, Jason (2017) MDB Drums: An annotated subset of MedleyDB for automatic drum transcription. In: International Society for Music Information Retrieval Conference, 23rd-27th October 2017, Suzhou, China.

Stables, R. and Bullock, J. and Williams, I. (2011) Perceptually relevant models for articulation in synthesised drum patterns. In: 131st Audio Engineering Society Convention 2011; New York, NY; United States; 20 October 2011 through 23 October 2011, 20 October 2011 through 23 October 2011, New York, NY; United States.

Stables, Ryan and Athwal, Cham and Bullock, Jamie (2012) Fundamental Frequency Modulation in Singing Voice Synthesis. In: Speech, Sound and Music Processing: Embracing Research in India. Lecture Notes in Computer Science, 7172 . Springer Berlin Heidelberg, pp. 104-119. ISBN 978-3-642-31979-2

T

Thompson, Shirley (2010) New Perspectives on Marc-Antoine Charpentier. Ashgate. ISBN 978-0-7546-6579-3

Trillo, Roberto
 Alonso (2012) The music of Tomas Marco: a holistic approach, with particular regard to selected works for violin: volume 1. Doctoral thesis, Birmingham City University.

W

Wall, T. (2013) The X factor. In: Barthes' Mythologies Today: Readings of Contemporary Culture. Taylor and Francis, pp. 19-23. ISBN 9780203568422 (ISBN)

Wall, T. and Long, P. (2014) Sight and sound in concert? the interrelationship between music and television. In: The SAGE Handbook of Popular Music. SAGE Publications Inc., pp. 456-474. ISBN 9781473910362 (ISBN); 9781446210857 (ISBN)

Wall, Tim (2013) Mobilising specialist music fans online. In: Content Cultures: Transformations of User Generated Content in Public Service Broadcasting. IB Tauris. ISBN 9781780765136

Wall, Tim (2008) Rocking Around the Clock: Teenage Dance Fads from 1955 to 1965. In: Ballroom, Boogie, Shimmy Sham, Shake: A Social and Popular Dance Reader. University of Illinois Press, pp. 182-198. ISBN 978-0-252-07565-0

Wall, Tim and Barber, Simon (2015) Collective Cultures and Live Jazz in Birmingham. In: The Cultural Politics of Jazz Collectives: This Is Our Music. Routledge, New York, pp. 117-131. ISBN 9781138780637

Wall, Tim and Dubber, Andrew (2010) Experimenting with Fandom, Live Music, and the Internet: Applying Insights from Music Fan Culture to New Media Production. Journal of New Music Research, 39 (2). pp. 159-169. ISSN 0929-8215

Whittaker, A (2018) Musical Divisions of the Sacred and Secular in The Hunchback of Notre Dame. In: Recomposing the Past: Representations of Early Music on Stage and Screen. Ashgate Screen Music Series . Routledge. ISBN 9781138287471

Whittaker, A (2018) A Plague of Medievalism on You All: Medievalism, Music, and the Plague. In: Studies in Medievalism XXVII: Authenticity, Medievalism, Music. Studies in Medievalism . Boydell and Brewer. ISBN 9781843845034

Whittaker, Adam (2016) Musical Exemplarity in the Notational Treatises of Johannes Tinctoris (c. 1435-1511). Doctoral thesis, Birmingham City University.

Whittaker, Adam (2017) Signposting mutation in some fourteenth- and fifteenth-century music theory treatises. Plainsong & Medieval Music, 26 (1). pp. 37-61. ISSN 0961-1371

Whyton, T. and Gebhardt, N. (2015) Preface. The Cultural Politics of Jazz Collectives: This is Our Music. ix-xii. ISSN 9781317672708 (ISBN); 9781138780620 (ISBN)

Whyton, T. and Gebhardt, N. (2015) Series foreword. The Cultural Politics of Jazz Collectives: This Is Our Music. ISSN 9781317672715 (ISBN); 9781138780620 (ISBN)

Whyton, Tony (2014) Brilliant Corners: the Development of Jazz in Higher Education. In: Advanced Musical Performance: Investigations in Higher Educational Learning. SEMPRE: Studies in the Psychology of Music . Ashgate, Farnham, Surrey, pp. 21-31. ISBN 9781409436898

Whyton, Tony (2018) Moving to Higher Ground: The Changing Discourse of European Jazz 1960–1980. European Journal of Musicology, 17 (1). pp. 13-22. ISSN 2504-1916 (In Press)

Whyton, Tony (2016) Seeking Resolution: John Coltrane, Myth and the Audiovisual. In: Watching Jazz: Encounters with Jazz Performance on Screen. Oxford University Press, New York, pp. 205-220. ISBN 978-0-19-934766-7

Whyton, Tony (2014) Song of Praise: Musicians, Myths and the "Cult" of John Coltrane. In: Popular Music Fandom: Identities, Roles and Practices. Routledge Studies in popular Music . Routledge, Newy York and London, pp. 97-114. ISBN 978-0-415-50639-7

Whyton, Tony (2018) Space is the Place: European jazz festivals as cultural heritage sites. International Journal of Heritage Studies. ISSN 13527258 (ISSN)

Wilby, Peter James (2013) Amateur music-making as intersubjective discourse in folk clubs in the English Midlands. Doctoral thesis, Birmingham City University.

Woodley, Ronald (2013) Tinctoris’s Family Origins: Some New Clues. Journal of the Alamire Foundation, 5 (1). pp. 69-92. ISSN 2032-5371

Woodley, Ronald and Dean, Jeffrey and Lewis, David (2013) The Complete Theoretical Works of Johannes Tinctoris: A New Digital Edition. Selected texts 1. Birmingham City University.

Woodley, Ronald and Dean, Jeffrey and Lewis, David (2013) The Complete Theoretical Works of Johannes Tinctoris: A New Digital Edition. Selected texts 2. Birmingham City University.

Woodley, Ronald and Dean, Jeffrey and Lewis, David (2013) Syncopated Imperfection and Alteration in Tinctoris's Theoretical Writings. Birmingham City University.

This list was generated on Mon Dec 17 20:38:49 2018 UTC.

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