Items where Subject is "W300 Music"

Up a level
Export as [feed] RSS
Group by: Creators | Item Type
Jump to: A | B | C | D | F | G | H | I | J | K | L | M | N | O | P | R | S | T | V | W
Number of items at this level: 284.

A

Anderson, Anthony David (2019) Happy accidents? Music teacher perceptions of curriculum design at Key Stage 3 in the English secondary school. Doctoral thesis, Birmingham City University.

Anderson, Anthony David and Barton-Wales, Sarah (2019) Musical culture and the primary school: an investigation into parental attitudes to Whole Class Ensemble Teaching in the English primary school and potential impacts on children’s musical progress. British Journal of Music Education, 36 (3). pp. 267-279. ISSN 0265-0517

B

Baltuch, David S. (2014) Orchestral conducting since 1950: a comparative analysis of conducting manuals, practitoners' testimonies and two orchestral performances. Doctoral thesis, Birmingham City University.

Barber, Simon (2016) The Brill Building and the creative labour of the professional songwriter. In: The Cambridge Companion to the Singer-Songwriter. Cambridge University Press, pp. 67-77. ISBN 9781316569207

Barber, Simon (2018) My Jazz World: The Rise and Fall of a Digital Utopia. In: The Routledge Companion to Jazz Studies. Routledge Music Companions . Routledge, New York, pp. 455-464. ISBN 9781138231160

Barber, Simon (2017) Professional Songwriting Techniques: A Range of Views from the Sodajerker Interviews. In: The Singer-Songwriter Handbook. Bloomsbury, pp. 51-68. ISBN 9781628920291

Barber, Simon (2020) Songwriting in the Studio. In: The Bloomsbury Handbook of Music Production. Bloomsbury Handbooks . Bloomsbury Academic, New York, pp. 189-203. ISBN 9781501334047

Barber, Simon (2012) Soundstream: The Introduction of Commercial Digital Recording Technologies in the United States. Journal on the Art of Record Production, 7. ISSN 1754-9892

Barber, Simon and O'Connor, Brian (2016) The Secrets of Songwriting. [Audio]

Barber, Simon and O'Connor, Brian and Kane, David (2018) Riffs on the Beatles. [Audio]

Barber, Simon and Wall, Tim (2012) The collective organization of contemporary jazz musicians in the UK. Jazz Research Journal, 5 (1-2). ISSN 17538637

Bilodeau, Darquise (2017) Gabriel Fauré and l’organisation du mouvement: Poetic prosody and rhythmic continuity in the songs (1861–1921). Doctoral thesis, Birmingham City University.

Blackburn, Carolyn (2020) The People in the Purple Shirts’: Froebelian insights to a Singing Medicine project in a Children’s Hospital. Journal of Early Childhood Research. ISSN 1476-718X

Blackburn, Carolyn (2018) Promoting children’s wellbeing, right to make choices and engage in playful activities in restricted environments through music and singing. Project Report. Birmingham City University, Birmingham.

Blackburn, Carolyn and Axtell, Ian (2016) Communicative musicality: Sound, pulse and rhythm in music and language. Project Report. Birmingham City University.

Boggio, Paolo (2011) The Stained Glass Island: analytical commentary. Doctoral thesis, Birmingham City University.

Bullock, J. and Frisk, H. (2009) An object oriented model for the representation of temporal data in the integra framework. In: 2009 International Computer Music Conference, ICMC 2009), 16 August 2009 through 21 August 2009, Montreal, QC; Canada.

Bullock, J. and Frisk, H.A. and Coccioli, L. (2008) Sustainability of 'live electronic' music in the Integra project. In: MELECON 2008 - 2008 IEEE Mediterranean Electrotechnical Conference, 5 May 2008 through 7 May 2008, Ajaccio, France.

Bullock, James and Coccioli, Lamberto (2010) Integra Live: A New Software Environment for the Composition and Performance of Live Electronic Music. Birmingham City University.

Bullock, James and Coccioli, Lamberto (2009) Towards a Humane Graphical User Interface for Live Electronic Music. In: 9th International Conference on New Interfaces for Musical Expression (NIME), 4-6 June 2009, Pittsburgh, USA.

Bullock, Jamie and Coccioli, Lamberto and Dooley, James and Michailidis, Tychonas (2013) Live Electronics in Practice: Approaches to Training Professional Performers. Organised Sound, 18 (2). pp. 170-177. ISSN 1355-7718

C

Cannon, Susan (2015) Anubis: an orchestral triptych: analytical commentary. Doctoral thesis, Birmingham City University.

Carter, O. and Coley, S. (2013) Sound and vision: Radio documentary, fandom, and new participatory cultures. In: The Music Documentary: Acid Rock to Electropop. Taylor and Francis, pp. 55-68. ISBN 9780203118689 (ISBN)

Churnside, Carrie (2017) “Guerra, guerra, all’armi o guerrieri!”: Depictions of the Ottoman Conflict in Bolognese Cantatas. Journal of Seventeenth-Century Music, 20 (1). ISSN 1089-747X

Churnside, Carrie (2019) Musical Discourse in Italy, 1500-1800. In: The Cambridge History of Music Criticism. Cambridge University Press, Cambridge, pp. 42-61. ISBN 9781139795425

Churnside, Carrie (2019) «S’oda in ciel sempr’ecchegiare: “viva pur felsina viva!"»: Patriotism in Bolognese Oratorios. In: Dramma scolastico e oratorio nell'età barocca. Edizioni del Conservatorio di Musica "F. Cilea", Reggio Calabria, pp. 228-249. ISBN 978‑88‑87970‑11‑1

Cleeve, Sam (2017) Review: Michiel Kamp, Tim Summers and Mark Sweeney (eds.), Ludomusicology: Approaches to Video Game Music. IASPM@Journal, 7 (1). pp. 119-122. ISSN 2079-3871

Cleeve, Sam (2017) Review: Raphaël Nowak's Consuming Music in the Digital Age: Technologies, Roles and Everyday Life. Popular Music, 36 (3). pp. 448-450. ISSN 0261-1430

Coccioli, Lamberto (2013) Beauty and the Beast The Faustian Bargain between Music and Techne. In: Inaugural Professorial Lecture, 28 February 2017, Recital Hall, Birmingham Conservatoire. (Unpublished)

Coccioli, Lamberto (2020) From culture to nature and back. A personal journey through the soundscapes of Colombia. Journal of Sonic Studies, 19. ISSN 2212–6252

Coley, S. (2020) Parade: A La Recherche De Nouveaux Sons. Spectrum: A Journal on Black Men, 7 (2). pp. 63-82. ISSN 21623244

Coley, Samuel John (2018) Freelance Radio Practices: Producing Music Documentaries for Commercial Radio. Doctoral thesis, Birmingham City University.

Collins, J. and Carter, O. (2015) "They're not pirates, they're archivists": The role of fans as curators and archivists of popular music heritage. In: Preserving Popular Music Heritage: Do-it-Yourself, Do-it-Together. Taylor and Francis Inc., pp. 126-138. ISBN 9781317670742 (ISBN); 9781138781436 (ISBN)

Cook, James and Kolassa, Alex and Whittaker, Adam (2018) Introduction: Understanding the Present through the Past; the Past through the Present. In: Recomposing the Past: Representations of Early Music on Stage and Screen. Routledge, pp. 1-13. ISBN 9781138287471

Cook, James and Kolassa, Alex and Whittaker, Adam (2015) Representations of Early Music on Stage and Screen: a Brief Introduction. Early Music Performer (36). pp. 19-21. ISSN 1477-478X

Cravinho, Pedro (2016) Historical overview of the development of jazz in Portugal, in the first half of the twentieth century. Jazz Research Journal, 10 (2). pp. 75-108. ISSN 1753-8637

Cravinho, Pedro (2016) Jazz In Coimbra - Cadernos de Jazz em Portugal - Essays on the History of Jazz in Portugal. Cadernos de Jazz em Portugal . Jazz Ao Centro Clube, Coimbra. ISBN 97898999679080

Cravinho, Pedro (2017) A Kind of ‘In-Between’: Jazz and Politics in Portugal (1958-1974). In: Jazz and Totalitarianism. Routledge Transnational Studies in Jazz . Francis & Taylor, New York, pp. 218-238. ISBN 9781138887824

Cravinho, Pedro (2014) O Clube de Jazz do Orfeon. Glosas, Lisbon.

Cravinho, Pedro and Cravinho, Pedro (2020) The ‘Black Angel’ in Lisbon: Josephine Baker challenges Salazar, live on television. EU-topías. A Journal on Interculturality, Communication, and European Studies, 18. pp. 121-131. ISSN 2174-8454

Cravinho, Pedro and Homer, Brian (2020) Everyday Jazz Lives: A photographic project on contemporary jazz musicians lives in Birmingham. Jazz Research Journal, 13 (1-2). ISSN 1753-8637

Crothers, Galina I. (2010) Heinrich Neuhaus: life, philosophy and pedagogy. Doctoral thesis, Birmingham City University.

Cummings, Simon (2017) Cloud Triptych: an exploration of stochastic movement between discrete musical behaviours. Doctoral thesis, Birmingham City University.

D

Daubney, Alison and Fautley, Martin (2015) A Framework for Curriculum, Pedagogy and Assessment in Key Stage 3 Music. ISM.

Day, Jonathan (2016) Jazz, Kant and Zen: The Philosophy of Improvisation. Culture and Dialogue, 4 (2). pp. 301-316. ISSN 2222-3282

Day, Jonathan P (2019) The Dim Lit Subterranea of the Ancient Mind: the influence of place in ‘inspired’ composition. Music, Myth and Realities 2017. pp. 56-68.

Dean, Jeffrey (2009) Josquin’s Teaching: Ignored and Lost Sources. In: Uno gentile et subtile ingenio. Brepols Publishers, pp. 741-750. ISBN 978-2-503-53163-2

Dean, Jeffrey (2013) Towards a Restoration of Tinctoris' L'Homme armé Mass: Coherence, Mensuration, Varietas. Journal of the Alamire Foundation, 5 (1). pp. 11-41. ISSN 2032-5371

Derry, Sian (2016) Ludwig van Beethoven: An understated prodigy. In: Musical Prodigies: Interpretations from Psychology, Education, Musicology, and Ethnomusicology. Oxford University Press. ISBN 9780199685851

Derry, Sian (2014) Piecing Together A Mystery: Beethoven and his Fingering Indications for the Fourth Piano Concerto Op. 58. Bonner Beethoven Studien, 11. pp. 47-66.

Derry, Sian (2014) The origins of Beethoven's Twenty-Third 'Diabelli' Variation, Op. 120. Arietta Journal of the Beethoven Piano Society of Europe, 8. pp. 29-33. ISSN 1465-9387

Dessanay, Sebastiano (2013) The cry of the double bass: a chamber opera - (Vol. 1. Analytical commentary; Vol. 2. Full score; Vol. 3. On D; Vol. 4. Noise; Vol. 5. Sonatina for tuba and electronics; Vol. 6. Appendixes). Doctoral thesis, Birmingham City University.

Devaney, Kirsty (2018) How Composing Assessment in English Secondary Examinations Affect Teaching and Learning Practices. Doctoral thesis, Birmingham City University.

Devaney, Kirsty (2018) How Composing Assessment in English Secondary Examinations Affect Teaching and Learning Practices. Doctoral thesis, Birmingham City University.

Devaney, Kirsty (2020) ‘Waiting for the Wow Factor’ – Perspectives on Computer Technology in Classroom Composing. Journal of Music, Technology & Education, 12 (2). pp. 121-139. ISSN 1752-7066

Di Donato, Balandino and Dooley, James (2017) MyoSpat: a system for manipulating sound and light projections through hand gestures. In: Workshop on Intelligent Music Production 2017, 15th September, 2017, Salford, Manchester.

Di Donato, Balandino and Dooley, James and Coccioli, Lamberto (2020) HarpCI, empowering performers to control and transform harp sounds in live performance. Contemporary Music Review, 38 (6). pp. 667-686. ISSN 0749-4467

Di Donato, Balandino and Dooley, James and Hockman, Jason and Hall, Simon (2017) MyoSpat: A hand-gesture controlled system for sound and light projections manipulation. In: ICMC 2017, 16th-20th October, 2017, Shanghai, China.

Di Donato, Balandino and Dooley, James and Hockman, Jason and Hall, Simon and Bullock, Jamie (2017) MyoSpat: A hand-gesture controlled system for sound and light projections manipulation. In: Proceedings of the 43rd International Computer Music Conference. Shanghai Conservatory of Music No. 20 FenYang Road, 200031, Shanghai, China, pp. 335-340. ISBN 9780984527465

Dines, Mike and Grimes, Matt R. (2021) “Message From Thee Temple”: Magick, Occultism, Mysticism, and Psychic TV. In: Exploring the Spiritual in Popular Music: Beatified Beats. Bloomsbury Studies in Religion and Popular Music . Bloomsbury Academic, London. ISBN 9781350086920

Dingle, Christopher (2013) Appendix: Yvonne Loriod Discography. In: Messiaen Perspectives 1: Sources and Influences. Ashgate, pp. 323-338. ISBN 9781409426950

Dingle, Christopher (2018) Commission and Omission: The Canon According to Messiaen. In: Historical Interplay in French Music and Culture, 1860-1960. Routledge, London and New York, pp. 214-232. ISBN 9781472474759

Dingle, Christopher (2019) Comparing Notes: Recording and Criticism. In: The Cambridge History of Music Criticism. Cambridge University Press, Cambridge, pp. 249-271. ISBN 9781107037892

Dingle, Christopher (2007) Forgotten offerings: Messiaen’s first orchestral works. Tempo (241). pp. 2-21. ISSN 0040-2982

Dingle, Christopher (2013) Messiaen and Mozart: A Love Without Influence? In: Messiaen Perspectives 1: Sources and Influences. Ashgate, pp. 217-234. ISBN 9781409426950

Dingle, Christopher (2014) Messiaen as Pianist: A Romantic in a Modernist World. In: Perspectives on the Performance of French Piano Music. Ashgate, Farnham, pp. 29-50. ISBN 9781409400646

Dingle, Christopher (2013) Messiaen's Final Works. Ashgate. ISBN 9780754606338

Dingle, Christopher (2014) Players and Pianos: An Overview of Early Recorded Resources for the French Piano Repertoire. In: Perspectives on the Performance of French Piano Music. Ashgate, pp. 125-148. ISBN 978-1-4094-0064-6

Dingle, Christopher (2013) Sacred Machines: Fear, Mystery and Transfiguration in Messiaen’s Mechanical Procedures. In: Messiaen Perspectives 2: Techniques, Influence and Reception. Ashgate, pp. 13-32. ISBN 9781409426967

Dingle, Christopher (2013) Yvonne Loriod as Source and Influence. In: Messiaen Perspectives 1: Sources and Influences. Ashgate, pp. 197-212. ISBN 9781409426950

Dingle, Christopher and Hamer, Laura (2014) False Memories and Dissonant Truths: Digital Newspaper Archives as a Catalyst for a New Approach to Music Reception Studies. Proceedings of the Digital Humanities Congress 2012. Studies in the Digital Humanities..

Dooley, James (2017) arK1a. [Audio]

Dooley, James (2019) colligation. [Performance]

Dooley, James (2018) colligation (Moog): exploring the confluence of gesture, light and the Moog System 55 analogue synthesiser. [Performance] (Unpublished)

Dooley, James (2016) entryiseasierthantheexit_entry. [Audio]

Dooley, James (2016) entryiseasierthantheexit_exit. [Audio]

Dooley, James (2016) esthesis. [Composition]

Dooley, James (2016) formuls: audiovisual performance at SPECTRA Festival, Malaysia. [Performance]

Dooley, James (2016) formuls: performance at Electric Nights Festival, Athens, Greece. [Performance]

Dooley, James (2016) formuls: performance at sonADA Festival. [Performance]

Dooley, James (2018) rive (moog). [Performance] (Unpublished)

Dooley, James (2017) rive: splitting sound and light. [Performance]

Dooley, James and Di Donato, Balandino (2015) equinode. [Show/Exhibition]

Dooley, James and Di Donato, Balandino (2016) equinode II. Integra Lab.

Dubber, A. (2015) Collective practice and digital mediation. In: The Cultural Politics of Jazz Collectives: This Is Our Music. Taylor and Francis Inc., pp. 219-235. ISBN 9781317672715 (ISBN); 9781138780620 (ISBN)

Dudrah, Rajinder (2016) “Balle-Balle, Balle-Balle”: Fashion – British bhangra style. Atlantic Studies, 13 (4). pp. 491-511. ISSN 1478-8810

Dudrah, Rajinder (2017) Slanguages: Languages in the Creative Economy. [Show/Exhibition]

F

Fautley, M. (2013) Assessment of composing in higher music education: Purposes and practices. In: Developing Creativities in Higher Music Education: International Perspectives and Practices. Taylor and Francis, pp. 199-210. ISBN 9781315885223 (ISBN)

Fautley, M. (2012) Developing musical leadership. In: Teaching Secondary Music. SAGE Publications Inc., pp. 98-108. ISBN 9781446288900 (ISBN); 9780857023933 (ISBN)

Fautley, M. (2013) The potential of audio and video for formative assessment purposes in music education in the lower secondary school in Eengland: Iissues arising from a small-scale study of trainee music teachers. Journal of Music, Technology and Education, 6 (1). pp. 29-42. ISSN 17527066 (ISSN)

Fautley, Martin (2019) Assessment Policy and Practice in Secondary Schools in the English National Curriculum. In: The Oxford Handbook of Assessment Policy and Practice in Music Education. OUP.

Fautley, Martin (2019) Curriculum Planning and Primary Music. Primary Music Magazine, 3 (1). pp. 8-16.

Fautley, Martin (2015) Music Education Assessment and Social Justice: Resisting Hegemony Through Formative Assessment. In: The Oxford Handbook of Social Justice in Music Education. Oxford University Press, pp. 513-524. ISBN 9780199356157

Fautley, Martin (2017) Policy and the Question of Assessment. In: Policy and the Political Life of Music Education. Oxford University Press. ISBN 9780190246143

Fautley, Martin (2019) Teach Through Music Evaluation Report. Project Report. BCU.

Fautley, Martin (2019) Teach Through Music-What we have learned. Project Report. BCU.

Fautley, Martin (2016) What is KS3 Music Education for? Teachtalk.

Fautley, Martin (2019) The assessment of classroom music in the lower secondary school: The English experience. In: Oxford Handbook of Philosophical and Qualitative Perspectives on Assessment in Music Education. Oxford University Press. ISBN 9780190265182

Fautley, Martin (2019) The assessment of classroom music in the lower secondary school: The English experience. In: The Oxford Handbook of Philosophical and Qualitative Perspectives on Assessment in Music. Oxford University Press, New York, pp. 395-409.

Fautley, Martin (2018) The implications of evaluation and educational policy reforms on English Secondary School Music Education. Arts Education Policy Review.

Fautley, Martin and Axtell, Ian and Davey-Nicklin, Kelly (2017) Popular music meta-pedagogy in music Teacher education. In: The Routledge Research Companion to Popular Music Education. Routledge.

Fautley, Martin and Daubney, Alison (2017) Assessment: Getting it right in a week. Critical Publishing.

Fautley, Martin and Daubney, Alison (2014) The National Curriculum for Music: An assessment and progression framework. Incorporated Society of Musicians.

Fautley, Martin and Johnson, Daniel (2017) Investigating the Influence of International Contexts on Assessment Terminology in American and English Music Education Systems. Proceedings of The Sixth International Symposium on Assessment in Music Education.. pp. 205-213.

Fautley, Martin and Kinsella, Victoria (2019) Stringcredibles Research Report. Project Report. BCU.

Fautley, Martin and Kinsella, Victoria and Whittaker, Adam (2019) Models of teaching and learning identified in Whole Class Ensemble Tuition. British Journal of Music Education.

Fautley, Martin and Kinsella, Victoria and Whittaker, Adam (2018) Primary Music Teachers Survey 2018. Project Report. BCU.

Fautley, Martin and Kinsella, Victoria and Whittaker, Adam (2018) Secondary Music Teachers Survey 2018. Project Report. BCU.

Fautley, Martin and Kinsella, Victoria and Whittaker, Adam (2017) Whole Class Ensemble Teaching Research Report. Project Report. Birmingham City University, Birmingham.

Fautley, Martin and Savage, Jonathan (2008) Assessment of Composing at Key Stages 3 and 4 in English Secondary Schools Research Report for the Associated Board of the Royal Schools of Music. Project Report. Birmingham City University, Manchester Metroplitan University, Associated Board of the Royal Schools of Music.

Fletcher, M (2020) What can everyday aesthetics teach us about jazz practice? Jazz Research Journal, 13 (1&2). ISSN 1753-8637

Fletcher, M J (2019) Stretching out: Miles Davis’ “My Funny Valentine” as a model for a dynamic jazz composition process. Jazz-hitz, 2 (2). pp. 65-81. ISSN 2605-2490

Fletcher, M J and Tromans, S (2017) Alone/Together: Simulacral “A-presentation” in and into Practice-as-Research in Jazz. In: The Dark Precursor: Deleuze and Artistic Research. Orpheus Institute Series, 1 . Leuven University Press, pp. 167-173. ISBN 978-94-6166-233-0

Fletcher, M. J. (2016) This Is Our Music?: Tradition, community and musical identity in contemporary British jazz. In: New Jazz Conceptions: History, Theory, Practice. Warwick Series in the Humanities . Routledge, Abingdon, pp. 165-186. ISBN 9781848936096

Forcada-Delgado, Claudio (2014) Good practice in violin pedagogy: psychological aspects related to the acquisition of motor skills. Doctoral thesis, Birmingham City University.

G

Galasso, Giula (2019) The mass collection Octo missae (1663) by Francesco Foggia (1603-1688): an analytical study and critical edition. Doctoral thesis, Birmingham City University.

Galbreath, Daniel Johnston (2019) Conceptualising choral play: the creative experience of aleatory choral music. Doctoral thesis, Birmingham City University.

Gebhardt, N. (2015) Introduction: Jazz as a collective problem. The Cultural Politics of Jazz Collectives: This Is Our Music. pp. 1-15. ISSN 9781317672715 (ISBN); 9781138780620 (ISBN)

Gebhardt, N. and Whyton, T. (2015) The cultural politics of jazz collectives: This is our music. The Cultural Politics of Jazz Collectives: This Is Our Music . Taylor and Francis Inc., pp. 1-250. ISBN 9781317672715 (ISBN); 9781138780620 (ISBN)

Gebhardt, Nicholas (2010) Crossing Borders I: The historical context for Ravel's North American tour. In: Ravel Studies. Cambridge University Press, pp. 92-113. ISBN 9780521886970

Gebhardt, Nicholas (2018) Friends and Neighbors: Jazz and Everyday Aesthetics. In: Routledge Companion To Jazz Studies. Routledge, New York, pp. 389-398. ISBN 9781138231160

Gebhardt, Nicholas (2018) Hollywood Musicals Make History. In: Histories on Screen The Past and Present in Anglo-American Cinema and Television. Bloomsbury Academic, London, pp. 185-202. ISBN 9781474217064

Gebhardt, Nicholas (2011) Introduction: The collective problem in jazz. Jazz Research Journal, 5 (1-2). ISSN 17538637

Gebhardt, Nicholas (2018) Jazz and Popular Music. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge, pp. 335-338. ISBN 9781316257678

Gebhardt, Nicholas (2015) 'Let there be rock!' Myth and ideology in the rock festivals of the transatlantic counterculture. In: The Pop Festival History, Music, Media, Culture. Bloomsbury, London, pp. 49-58. ISBN 9781628921984

Gebhardt, Nicholas (2020) Living with music: departures and returns among early New Orleans jazz musicians. Jazz Research Journal, 13 (1-2). ISSN 1753-8637

Gebhardt, Nicholas (2016) Screening the Event: Watching Miles Davis's "My Funny Valentine". In: Watching Jazz: Encounters With Jazz Performance on Screen. Oxford University Press, New York, pp. 221-238. ISBN 978-0-19-934766-7

Gebhardt, Nicholas (2016) A Time For Jazz: Narrative and History in Alan Lomax’s Mister Jelly Roll. In: New Jazz Conceptions History, Theory, Practice. Routledge, London, pp. 190-203. ISBN 9781848936096

Gebhardt, Nicholas (2017) Vaudeville Melodies: Popular Musicians and Mass Entertainment in American Culture, 1870-1929. University of Chicago Press, Chicago.

Gebhardt, Nicholas (2012) When Jazz Was Foreign: Rethinking Jazz History. Jazzforschung, 44. ISSN 0075-3572

Giguère, Patrick (2018) An exploration of the duende in the composition of musical works. Doctoral thesis, Birmingham City University.

Goursaud, Christian (2020) Adventures in Time: Working at the Limits of Music Notation. Arts and Minds.

Goursaud, Christian (2019) CD booklet notes | O Give Thanks Unto the Lord: Choral Works by Thomas Tomkins (RES10253). Resonus Classics.

Goursaud, Christian (2018) CD booklet notes | Thomas Tallis: Gentleman of the Chapel Royal (RES10229). Resonus Classics.

Goursaud, Christian (2014) Johannes Tinctoris and Music Theory in the Late Middle Ages and Early Renaissance. In: Johannes Tinctoris and Music Theory in the Late Middle Ages and Early Renaissance, 9–10 October 2014, Chancellor’s Hall, Senate House, University of London. (Unpublished)

Goursaud, Christian (2020) Lunchtime Recital: Antoine Busnoys: Missa L'homme armé. [Performance] (Unpublished)

Goursaud, Christian (2016) The Neapolitan Presentation Manuscripts of Tinctoris’s Music Theory: Valencia 835 and Bologna 2573. Doctoral thesis, Birmingham City University.

Goursaud, Christian (2020) Playing With Historical Time. Early Music, 48 (1). ISSN 0306-1078

Granieri, Niccolo and Dooley, James (2019) Reach, a keyboard-based gesture recognition system for live piano sound modulation. In: International Conference on New Interfaces for Musical Expressions 2019, 3-6 June 2019, Porto Alegre, Brazil.

Granieri, Niccolo and Dooley, James and Michailidis, Tychonas (2019) Harnessing ancillary microgestures in piano technique: implementing microgestural control in to an expressive keyboard-based hyper-instrument. Innovation in Music.

Granitzio, Andrea (2018) Stone and Water in Sound: A Composition Portfolio Informed by the Natural Growth Process of Stalactites and Stalagmites. Doctoral thesis, Birmingham City University.

Grimes, Matt R. (2015) Call it Crass but There Is No Authority But Yourself: De-canonizing punk’s underbelly. Punk and Post-Punk, 4 (2). pp. 189-204. ISSN 2044-1983

Grimes, Matt R. (2020) Call it Crass but There Is No Authority But Yourself: De-canonizing punk’s underbelly. In: Punk Now!! Contemporary Perspectives On Punk. Intellect, Bristol, pp. 185-203. ISBN 9781789381740

Grimes, Matt R. (2016) From Protest to Resistance: British anarcho-punk fanzines (1980-1984) as sites of resistance and symbols of defiance. In: The Aesthetics of Our Anger. Anarcho-Punk, Politics and Music, 1979-84. Minor Compositions/Autonomedia, Colchester/ New York/ Port Watson, pp. 157-178. ISBN 9781570273186

Grimes, Matt R. and Dines, Mike (2020) Punk Now! Contemporary Perspectives on Punk. Intellect, Bristol. ISBN 9781789381740

Grimes, Matt R. and Wall, Tim (2015) Punk 'zines: 'Symbols of defiance' from the print to the digital age. In: Fight Back: Punk, Politics and Resistance. Manchester University Press, Manchester, pp. 287-303. ISBN 9780719090295

H

Halfyard, Janet (2013) Cue the Big Theme? The Sound of the Superhero. In: The Oxford Handbook of New Audiovisual Aesthetics. Oxford University Press, pp. 171-193. ISBN 9780199733866

Halfyard, Janet (2010) 'Everybody Scream!' Tim Burton's Animated Gothic-Horror Musical-Comedies. In: Drawn to Sound: Animation, Film, Music and Sonicity. Genre, Music and Sound . Equinox Publishing, pp. 25-39. ISBN 9781845533526

Halfyard, Janet (2010) Love, Death, Curses and Reverses (in E minor): Music, Gender and Identity in 'Buffy the Vampire Slayer' and 'Angel'. In: Music, Sound, and Silence in Buffy the Vampire Slayer. Ashgate Popular and Folk Music Series . Ashgate, pp. 15-32. ISBN 9780754660415

Halfyard, Janet K. (2017) “Crimson Peak: Monstrous Women and their Music”. In: Fear 2000: 21st century monsters, 21-22 April 2017, Sheffield Hallam University. (Unpublished)

Halfyard, Janet K. (2015) ‘Listen to the Bloody Music: Scoring Women in Vampire TV from Buffy to Hemlock Grove.’. In: aughter of Fangdom: a Conference on Women and the TV Vampire, April 2015, University of Roehampton. (Unpublished)

Halfyard, Janet K. (2016) “The Sound of Whedon: the influence of Joss Whedon’s early television series on TV scoring”. In: Sixth biennial Slayage conference on the Whedonverses, July 2016, Kingston University, UK. (Unpublished)

Hall, Simon (2016) Augmented Sounds: Voyage Foog Phat Moog No1. In: AumentAzioni 2016 InaugurAzione Nuove Tecnologie e Linguaggi Musicali, 5-7 October 2016, Conservatorio di Musica Giuseppe Martucci, Salerno, Italy.

Hall, Simon (2019) LONGitYOUde 119 ̊11’, for two roaming trombone players and tape. [Composition]

Hall, Simon (2018) Mixing the Mixed: Representation, Agency and Staging in Commercial Audio Recordings of Works for Instruments with Tape. In: Celebrating Electroacoustic Music in Great Britain - 40th anniversary, 26-27 January 2019, University of Greenwich. (Unpublished)

Hall, Simon (2019) Translating Mixed Multichannel Electroacoustic Music With Acoustic Soloist to the Personal Stereophonic Listening Space: A Case Study in Jorge Gregorio García Moncada’s La Historia de Nosotros. In: Innovation in Music: Performance, Production, Technology and Business. Perspectives on Music Production . Routledge, pp. 323-337. ISBN 113849819X

Hall, Simon (2018) Translation between surround formats: A case study in the piece Voyage Foog Phat Moog No1. In: Sounds in Space 2018, 26-27 June 2018, University of Derby. (Unpublished)

Hall, Simon (2019) Voyage Foog Phat Moog. [Composition]

Hall, Simon (2017) Voyage Foog Phat Moog No1. In: Noisefloor Festival, 2-4 May 2017, University of Staffordshire.

Hall, Simon (2015) The contemporary classical composer and the recorded artefact: auteur, collaborator, or scriptwriter? In: 10th Art of Record Production Conference, 6-8 November 2015, Drexel University, Philadelphia, USA. (Unpublished)

Hall, Simon and Bouton, Rosie and Price, Carolin and Burton, Deirdre and Davis, Tom (2015) The Kindness of Time. [Composition]

Hall, Simon and Garcia, Jorge and Harrison, Jonty and Demmer, Frederico and Zorro, Marcela (2016) La Historia de Nosotros. [Audio]

Hall, Simon and Perkins, Martin (2012) The Conservatoire Collection (Software Sample Library of Historical Instruments). Soniccouture Sound Design Ltd.

Hamilton, CJC (2019) The Harkive Project: popular music reception, digital technologies, and data analysis. In: The experience of listening to music: methodologies, identities, histories. The Open University, Milton Keynes.

Hamilton, CJC (2019) Popular music, digital technologies and data analysis: New methods and questions. Convergence, 25 (2). pp. 225-240. ISSN 13548565 (ISSN)

Hamilton, Craig (2018) The Harkive Project: Popular Music, Data & Digital Technologies. Doctoral thesis, Birmingham City University.

Hamilton, Craig and Raine, Sarah (2020) Popular Music Reception: Tools of Future-Making, Spaces, and Possibilities of Being. In: Metaphors of Internet: Ways of Being in the Age of Ubiquity. Digital Formations . Peter Lang. ISBN 9781433174520

Harris, Antony (2011) The Legacy of Cornelius Cardew. Doctoral thesis, Birmingham City University.

Hill, Geof (2014) Research cabaret: come hear the music play. The Conversation.

Hill, Geof (2015) Strategies for evidencing the Frascatian notion of systematic creative work contributing to the body of knowledge: An example in ‘academic’ cabaret. Action Learning and Action Research Journal (ALARA), 21 (2). pp. 150-175.

Hockman, Jason A. and Davies, Matthew E. P. (2015) Computational strategies for breakbeat classification and resequencing in hardcore, jungle and drum & bass. In: Proceedings of the 18th International Conference on Digital Audio Effects. International Conference on Digital Audio Effects, DAFX-1. ISBN 2413-6700

Hoffin, Kevin (2018) Decay as a Black Metal Symbol. Metal Music Studies, 4 (1). pp. 81-94. ISSN 20523998

Hoffin, Kevin (2019) ‘Sans compassion nor will to answer whoever asketh the why’: Personal sovereignty within black metal. Metal Music Studies, 5 (2). pp. 151-162. ISSN 20523998

Hubrich, Sara (2014) The creative embodiment of music: practice-based investigations into staged and embodied interpretations of instrumental music - Volume 1, Volume 2: portfolio of documented examples. Doctoral thesis, Birmingham City University.

Hunt, Edmund (2020) Birmingham Contemporary Music Group, CBSO Centre, Birmingham. Causton, Usui, Žuraj, Saunders. 15 December, 2019. Tempo, 74 (293). pp. 86-88. ISSN 0040-2982

Hunt, Edmund (2020) Chaya Czernowin, Heart Chamber, Deutsche Oper Berlin, 15 November 2019. Tempo, 74 (292). pp. 81-82. ISSN 0040-2982

Hunt, Edmund (2020) Composition as Commentary: Voice and Poetry in Electroacoustic Music. Journal for Artistic Research. ISSN 2235-0225

Hunt, Edmund (2017) 'The Difference Between Us': Using Early Medieval Northern European Texts in the Creation of a Work for Instrumental Ensemble, Voices and Electronics. Doctoral thesis, Birmingham City University.

Hunt, Edmund (2016) ‘A National School of Music Such as the World has Never Seen’: Re-appropriating the Early Twentieth Century into a Chronology of Irish Composition. In: Music and Identity in Ireland and Beyond. Routledge, Abingdon, UK, pp. 53-67. ISBN 9781472409669

I

Ingamells, Andrew Thomas (2018) Grandchildren of Experimental Music - Performing the Compositional Act by Creating Intriguing Situations in Which Musical Sound May Occur. Doctoral thesis, Birmingham City University.

Ingamells, Andrew Thomas (2019) Performing the compositional act with bouncy castles, soap and shh. In: International Conference on Technologies for Music Notation and Representation, 23rd - 27th July 2019, Monash University, Victoria, Australia.

Ingamells, Andy (2020) Drawings for 'Levitas, Gravitas and High Intensity Interval Training for Sharon d’Aire'. [Artefact]

J

Johnson, Daniel and Fautley, Martin (2017) Assessment of whole-class instrumental music learning in England and the United States of America: an international comparative study. Education 3-13, 45 (6). pp. 701-709. ISSN 0300-4279

Johnson, Liz and Dooley, James and Hurst, Dane and McNeill, Jack (2019) Scintilla for dancer, clarinet and live electronics. [Performance]

Johnson, Peter (2010) Illusion and Aura in the Classical Audio Recording. In: Recorded Music Performance, Culture and Technology. Cambridge University Press, pp. 137-151. ISBN 9780521863094

Johnson, Peter (2012) ‘Labyrinthine pathways and bright rings of light’: Hoffmann's aesthetics of music in performance. Nineteenth-Century Music Review, 9 (1). pp. 75-92. ISSN 1479-4098

K

Kane, David (2017) Bob Dylan: Nobility, Lyrics and Ghosts. Riffs - Experimental Writing on Popular Music, 1 (1). ISSN 2513-8537

Kane, David (2017) Book Review: Popular Music and Retro Culture in the Digital Age. Hogarty, Jean (2017). IASPM@Journal, 7 (1). pp. 114-118. ISSN 2079-3871

Kane, David (2018) Kane, David (2018) Book Review: The Beatles. Inglis, Ian (2017). Riffs - Experimental Writing on Popular Music, 1 (2). ISSN 2513-8537

Kane, David (2018) Martha My Dear. In: The Beatles or The White Album. Headpress, London. ISBN 9781909394605

Kaufman, Gabrielle (2013) Gaspar Cassadó: a study of Catalan cello arrangements and cello performance style. Doctoral thesis, Birmingham City University.

Kinsella, Victoria and Fautley, Martin (2016) The use of Activity Theory as an analytical tool for the music learning processes. In: Contemporary Research in Music Learning Across the Lifespan: Music Education and Human Development. Routledge Studies in Music Education . Routledge, pp. 26-38. ISBN 9781138650428

Kinsella, Victoria and Fautley, Martin and Evans, Nancy (2018) Musician-Teacher collaborations in composing contemporary music in secondary schools. In: Musician-Teacher Collaborations: Altering the Chord. Routledge, New York, pp. 180-192. ISBN 978-1138631601

Kinsella, Victoria and Fautley, Martin and Whittaker, Adam (2017) Exchanging Notes Year Three Interim Report. Project Report. Birmingham City Univeristy, Online.

Krippner, Ronny (2019) Organ improvisation in the Anglican cathedral tradition: a portfolio of professional practice with contextual and critical commentary. Doctoral thesis, Birmingham City University.

L

Lee, Joanna (2015) Every inch of many effigies: six courthouse songs: music theatre piece for baritone and chamber ensemble: dramatic vocal composition combining lyric singing with extended vocal techniques: analytical commentary. Doctoral thesis, Birmingham City University.

Long, P. (2010) 'I think it's over now': The Fall, John Peel, popular music and radio. In: Mark E. Smith and The Fall: Art, Music and Politics. Ashgate Publishing Ltd, pp. 157-167. ISBN 9780754668626 (ISBN)

Long, P. and Wall, Tim (2013) Tony Palmer's All You Need is Love: Television's first pop history. In: The Music Documentary: Acid Rock to Electropop. Taylor and Francis, pp. 25-41. ISBN 9780203118689 (ISBN)

Long, Paul and Baker, Sarah and Istvandity, Lauren and Collins, J. (2017) A labour of love: the affective archives of popular music culture. Archives and Records, 38 (1). pp. 61-79. ISSN 2325-7962

Long, Paul and Barber, Simon (2017) Conceptualizing Creativity and Strategy in the Work of Professional Songwriters. Popular Music and Society, 40 (5). pp. 556-572. ISSN 0300-7766

Long, Paul and Barber, Simon (2015) Voicing passion: The emotional economy of songwriting. European Journal of Cultural Studies, 18 (2). pp. 142-157. ISSN 1367-5494

M

Martin Fautley, Martin (2017) The place of music education in a crowded school curriculum. Research in Teacher Education Journal, 7 (2). pp. 34-37.

Mawer, Deborah (2010) Crossing Borders II: Ravel’s Theory and Practice of Jazz. In: Ravel Studies. Cambridge University Press, pp. 114-137. ISBN 9780521886970

Mawer, Deborah (2014) French music and Jazz in conversation: From Debussy to Brubeck. French Music and Jazz in Conversation: From Debussy to Brubeck . Cambridge University Press, pp. 1-304. ISBN 9781139775359 (ISBN); 9781107037533 (ISBN)

Mawer, Deborah (2009) Jazzing a Classic: Hylton and Stravinsky's Mavra at the Paris Opéra. Twentieth-century Music, 6 (2). pp. 155-182. ISSN 1478-5722

Mawer, Deborah (2008) Jolivet's Search for a New French Voice: Spiritual 'Otherness' in Mana (1935). In: French Music, Culture and National Identity, 1870-1939. Eastman Studies in Music . University of Rochester Press, pp. 172-196. ISBN 9781580462723

Mawer, Deborah (2018) Jolivet’s Early Music Theory and its Practice in the Cinq danses rituelles (1939). In: André Jolivet: Music, Art and Literature. Routledge, London, pp. 68-84. ISBN 9781472442956

Mawer, Deborah (2018) ‘Jolivet’s Rameau: Theory, Practice and Temporal Interplay’. In: Historical Interplay in French Music and Culture, 1860-1960. Routledge, London and New York, pp. 176-197. ISBN ISBN 9781472474759; 9781315586847 (ebk)

Mawer, Deborah (2008) ‘Parisomania’? Jack Hylton and the French Connection. Journal of the Royal Musical Association, 133 (2). pp. 270-317. ISSN 0269-0403

Mawer, Deborah (2018) Performing Improvisation: Bill Evans and Jean-Yves Thibaudet. In: The Routledge Companion to Jazz Studies. Routledge, New York, pp. 281-291. ISBN 9781138231160

Mawer, Deborah (2014) ‘Retour au point de départ? Les dernières œuvres de musique de chambre de Darius Milhaud et la notion de “tardivité”’. In: Darius Milhaud: Compositeur et expérimentateur. Musicologies . Vrin, Paris, pp. 65-88. ISBN 9782711625277

Mayes, Andrew (2008) Aspects of performance practice in works for recorder composed for Carl Dolmetsch between 1939 and 1989 (2 Volumes). Doctoral thesis, Birmingham City University.

McCaleb, James Murphy (2012) Embodied knowledge: the case of ensemble performance. Doctoral thesis, Birmingham City University.

Messiaen, Olivier (2015) Olivier Messiaen: Un oiseau des arbres de Vie (Oiseau Tui), orchestration realized by Christopher Dingle. [Composition] (In Press)

Michailidis, T. and Bullock, J. (2011) Improving performers' musicality through live interaction with haptic feedback: A case study. In: 8th Sound and Music Computing Conference, SMC 2011, 6 July 2011 through 9 July 2011, Padova; Italy.

Michailidis, Tychonas (2016) On the hunt for feedback: Vibrotactile feedback in interactive electronic music performances. Doctoral thesis, Birmingham City University.

Michailidis, Tychonas and Dooley, James and Granieri, Niccolo and Di Donato, Balandino (2018) Improvising through the senses: a performance approach with the indirect use of technology. Digital Creativity. ISSN 1744-3806

Michailidis, Tychonas and Hockman, Jason (2018) Affordances of vibrations in performances and composition. In: Sound and Music Computing Conference, 4th-7th July 2018, Limassol, Cyprus.

Mogensen, Rene (2016) Evaluating a swarm algorithm as an improvising accompanist: an experiment in using transformed analysis of George E. Lewis’s Voyager. In: 1st Conference on Computer Simulation of Musical Creativity, 17th - 19th June 2016, University of Huddersfield, UK.

Mogensen, René Lars Aagaard (2017) Typology of relations between acoustic instruments and electronics in concert music: an analysis- and composition-based approach. Doctoral thesis, Birmingham City University.

Moss, G. (2016) Music in e. m. forster's a room with a view and howards end: The conflicting presentation of nineteenth-century aesthetics. English Literature in Transition, 1880-1920, 59 (4). pp. 493-509. ISSN 00138339 (ISSN)

N

Nevins, Paul Leonard (2018) Trumpet in Transition: A History of the Trumpet and its Players in the United Kingdom through the Music and Relationships of Sir Edward Elgar. Doctoral thesis, Birmingham City University.

Norman, Paul (2020) Reading as Performance/Reading as Composition. Journal for Artistic Research, 20.

Norman, Paul (2018) Unprotected Practice: Including Process as Compositional Material. Doctoral thesis, Birmingham City University.

Noulis, Christos (2014) Somatic education and piano performance. Doctoral thesis, Birmingham City University.

O

O'Gallagher, John (2020) Pitch-Class Set Usage and Development in Late-Period Improvisations of John Coltrane. Jazz Perspectives, 12 (1). pp. 93-121. ISSN 1749-4060

P

Palau, Carolina Noguera (2011) Carnivalesque expressions in musical composition: a Colombian perspective - volume 1: analytical commentary; volume 2: portfolio. Doctoral thesis, Birmingham City University.

Perkins, Tim (2014) Metta Vee: a stylistic journey through a landscape of string: contextual & analytical commentary. Doctoral thesis, Birmingham City University.

R

Raine, Sarah (2019) ‘Back in the Day’: Experiencing and Retelling the Past as a Claim to Belong in the Current Northern Soul Scene. In: Remembering Popular Music’s Past: Memory-Heritage-History. Anthem Press. ISBN 9781783089703

Raine, Sarah (2017) Noise: The Felt Quality of Sound. Riffs - Experimental Writing on Popular Music, 1 (1). pp. 49-51. ISSN 2513-8537

Raine, Sarah and Wall, Tim (2019) Myths On/Of The Northern Soul Scene. In: The Northern Soul Scene. Equinox Publishing. ISBN ISBN 9781781795583

S

Sabri, Sonia and Dooley, James and Di Donato, Balandino (2017) NuBody. [Performance]

Sadler, Graham (2010) Charpentier’s Void Notation: The Italian Background and its Implications. In: New Perspectives on Marc-Antoine Charpentier. Ashgate, pp. 31-62. ISBN 9780754665793

Sadler, Graham (2015) ‘Even good Homer nods’: Marc-Antoine Charpentier’s Remarques sur les Messes a 16 Parties d’Italie and his copy of Beretta’s Missa Mirabiles elationes maris. Bulletin Charpentier, 5 (1). pp. 3-28. ISSN 1141-9822

Sadler, Graham (2009) The 'Orchestral' French Cantata (1706–1730): Performance, Edition and Classification of a Neglected Repertory. In: Aspects of the Secular Cantata in Late Baroque Italy. Ashgate, pp. 227-254. ISBN 9780754657941

Savan, Jamie (2019) Amadio Freddi: Vespers (1616). [Audio]

Savan, Jamie (2018) Revoicing a 'choice eunuch': the cornett and historical models of vocality. Early Music, 46 (4). pp. 561-578.

Savan, Jamie (2016) Unlocking the Mysteries of the Venetian Cornett: ad imitar piu la voce humana. Historic Brass Society Journal, 28. pp. 31-55.

Savan, Jamie (2018) Venice 1629. [Audio]

Shafiee, Sayyid (2018) The Sound of Gaudí: Methods of Interpreting Antoni Gaudí’s Building Designs Into The Domain Of Musical Composition. Doctoral thesis, Birmingham City University.

Southall, Carl and Jillings, N. and Stables, Ryan and Hockman, Jason (2017) ADTWeb: An open-source browser based automatic drum transcription system. In: International Society for Music Information Retrieval Conference.

Southall, Carl and Stables, Ryan and Hockman, Jason (2018) Improving peak picking using multiple time-step loss functions. In: International Society of Music Information Retrieval Conference, 23rd-27th September, 2018, Paris, France.

Southall, Carl and Stables, Ryan and Hockman, Jason (2018) Player vs Transcriber: A Game approach to automatic music transcription. In: International Society of Music Information Retrieval Conference, 23rd-27th September, 2018, Paris, France.

Southall, Carl and Wu, Chih-Wei and Lerch, Alexander and Hockman, Jason (2017) MDB Drums: An annotated subset of MedleyDB for automatic drum transcription. In: International Society for Music Information Retrieval Conference, 23rd-27th October 2017, Suzhou, China.

Stables, R. and Bullock, J. and Williams, I. (2011) Perceptually relevant models for articulation in synthesised drum patterns. In: 131st Audio Engineering Society Convention 2011; New York, NY; United States; 20 October 2011 through 23 October 2011, 20 October 2011 through 23 October 2011, New York, NY; United States.

Stables, Ryan and Athwal, Cham and Bullock, Jamie (2012) Fundamental Frequency Modulation in Singing Voice Synthesis. In: Speech, Sound and Music Processing: Embracing Research in India. Lecture Notes in Computer Science, 7172 . Springer Berlin Heidelberg, pp. 104-119. ISBN 978-3-642-31979-2

T

Taylor, Iain, Andrew (2020) ‘Well-worn Grooves’ – Music, Materiality, and Biographical Memory. Popular Music History, 12 (3). ISSN 1743-1646 (In Press)

Thompson, Shirley (2010) New Perspectives on Marc-Antoine Charpentier. Ashgate. ISBN 978-0-7546-6579-3

Tong, Daniel (2018) Beethoven Plus. [Audio]

Trillo, Roberto
 Alonso (2012) The music of Tomas Marco: a holistic approach, with particular regard to selected works for violin: volume 1. Doctoral thesis, Birmingham City University.

V

Verlaak, Maya (2019) Hexenhaus - a scrutinising compositional position. Doctoral thesis, Birmingham City University.

Vosloo, Riaan (2019) The certainty of chance and a new noise: a pan-idiomatic approach that explores the boundaries of composition, improvisation and creative technology. Post-Doctoral thesis, Birmingham City University.

W

Wall, Tim (2013) Mobilising specialist music fans online. In: Content Cultures: Transformations of User Generated Content in Public Service Broadcasting. IB Tauris. ISBN 9781780765136

Wall, Tim (2008) Rocking Around the Clock: Teenage Dance Fads from 1955 to 1965. In: Ballroom, Boogie, Shimmy Sham, Shake: A Social and Popular Dance Reader. University of Illinois Press, pp. 182-198. ISBN 978-0-252-07565-0

Wall, Tim (2013) The X factor. In: Barthes' Mythologies Today: Readings of Contemporary Culture. Taylor and Francis, pp. 19-23. ISBN 9780203568422 (ISBN)

Wall, Tim and Dubber, Andrew (2010) Experimenting with Fandom, Live Music, and the Internet: Applying Insights from Music Fan Culture to New Media Production. Journal of New Music Research, 39 (2). pp. 159-169. ISSN 0929-8215

Wall, Tim and Long, P. (2014) Sight and sound in concert? the interrelationship between music and television. In: The SAGE Handbook of Popular Music. SAGE Publications Inc., pp. 456-474. ISBN 9781473910362 (ISBN); 9781446210857 (ISBN)

Wall, Tim and Webber, Nick (2014) Changing Cultural Coordinates: The Transistor Radio and Space / Time / Identity. In: The Oxford Handbook of Mobile Music Studies. Oxford University Press, pp. 118-131. ISBN 9780195375725

Wall, Tim and Webber, Nick (2014) Personal Listening Pleasures. In: Routledge Companion to British Media History. Routledge, pp. 539-549. ISBN 9780415537186

Wall, Tim and Webber, Nick (2020) Rock ‘n’ Roll: Cars, Convergence and Culture. In: Popular Music and Automobiles. Bloomsbury, pp. 15-32. ISBN 9781501352300

Waterhouse, Graham (2018) Incantations, Concerto da Camera for Piano and Ensemble (2015): the balance of traditional and progressive musical parameters through the concertante treatment of the piano. Doctoral thesis, Birmingham City University.

Whittaker, A (2018) Musical Divisions of the Sacred and Secular in The Hunchback of Notre Dame. In: Recomposing the Past: Representations of Early Music on Stage and Screen. Ashgate Screen Music Series . Routledge. ISBN 9781138287471

Whittaker, A (2018) A Plague of Medievalism on You All: Medievalism, Music, and the Plague. In: Studies in Medievalism XXVII: Authenticity, Medievalism, Music. Studies in Medievalism . Boydell and Brewer. ISBN 9781843845034

Whittaker, Adam (2016) Musical Exemplarity in the Notational Treatises of Johannes Tinctoris (c. 1435-1511). Doctoral thesis, Birmingham City University.

Whittaker, Adam (2017) Signposting mutation in some fourteenth- and fifteenth-century music theory treatises. Plainsong & Medieval Music, 26 (1). pp. 37-61. ISSN 0961-1371

Whittaker, Adam (2019) Tinctoris and signa congruentiae: a new perspective. Early Music History, 38. pp. 269-303. ISSN 0261-1279

Whittaker, Adam (2018) A sound connection with the past: recordings of early music in screen media. Early Music, 46 (3). pp. 517-522.

Whittaker, Adam and Fautley, Martin and Kinsella, Victoria and Anderson, Anthony David (2019) Geographical and social demographic trends of A-level music students. Discussion Paper. Birmingham City University, Birmingham.

Whyton, T. and Gebhardt, N. (2015) Preface. The Cultural Politics of Jazz Collectives: This is Our Music. ix-xii. ISSN 9781317672708 (ISBN); 9781138780620 (ISBN)

Whyton, T. and Gebhardt, N. (2015) Series foreword. The Cultural Politics of Jazz Collectives: This Is Our Music. ISSN 9781317672715 (ISBN); 9781138780620 (ISBN)

Whyton, Tony (2014) Brilliant Corners: the Development of Jazz in Higher Education. In: Advanced Musical Performance: Investigations in Higher Educational Learning. SEMPRE: Studies in the Psychology of Music . Ashgate, Farnham, Surrey, pp. 21-31. ISBN 9781409436898

Whyton, Tony (2017) Moving to Higher Ground: The Changing Discourse of European Jazz 1960–1980. European Journal of Musicology, 16 (1). pp. 13-22. ISSN 2504-1916

Whyton, Tony (2018) Routledge Companion to Jazz Studies. In: The Routledge Companion to Jazz Studies. Routledge, New York. ISBN 9781138231160

Whyton, Tony (2016) Seeking Resolution: John Coltrane, Myth and the Audiovisual. In: Watching Jazz: Encounters with Jazz Performance on Screen. Oxford University Press, New York, pp. 205-220. ISBN 978-0-19-934766-7

Whyton, Tony (2014) Song of Praise: Musicians, Myths and the "Cult" of John Coltrane. In: Popular Music Fandom: Identities, Roles and Practices. Routledge Studies in popular Music . Routledge, Newy York and London, pp. 97-114. ISBN 978-0-415-50639-7

Whyton, Tony (2018) Space is the Place: European jazz festivals as cultural heritage sites. International Journal of Heritage Studies. ISSN 13527258 (ISSN)

Whyton, Tony and McKay, George (2019) ‘Cultural heritage and jazz festivals’ special issue editors’ introduction. Internationa Journal of Heritage Studies. ISSN Online ISSN: 1470-3610

Wilby, Peter James (2013) Amateur music-making as intersubjective discourse in folk clubs in the English Midlands. Doctoral thesis, Birmingham City University.

Woodley, Ronald (2013) Tinctoris’s Family Origins: Some New Clues. Journal of the Alamire Foundation, 5 (1). pp. 69-92. ISSN 2032-5371

Woodley, Ronald and Dean, Jeffrey and Lewis, David (2013) The Complete Theoretical Works of Johannes Tinctoris: A New Digital Edition. Selected texts 1. Birmingham City University.

Woodley, Ronald and Dean, Jeffrey and Lewis, David (2013) The Complete Theoretical Works of Johannes Tinctoris: A New Digital Edition. Selected texts 2. Birmingham City University.

Woodley, Ronald and Dean, Jeffrey and Lewis, David (2013) Syncopated Imperfection and Alteration in Tinctoris's Theoretical Writings. Birmingham City University.

Wright, Joe and Dooley, James (2019) On the Inclusivity of Constraint: Creative Appropriation in Instruments for Neurodiverse Children and Young People. In: International Conference on New Interfaces for Musical Expression 2019, 3-6 June 2019, Porto Alegre, Brazil.

Wu, Chih-Wei and Dittmar, Christian and Southall, Carl and Vogl, Richard and Widmer, Gerhard and Hockman, Jason and Muller, Meinard and Lerch, Alexander (2018) An review of automatic drum transcription. IEEE/ACM Transactions on Audio, Speech, and Language Processing, 26 (9). pp. 1457-1483. ISSN 2329-9290

This list was generated on Wed Sep 30 20:24:52 2020 UTC.

Research

In this section...